Bacchus et Ariane, Titian, 1520s
Titian, portraitTitianItalie, 1490–1576

Bacchus et Ariane

Bacchus and Ariadne

1520s · Painting · 176.5 × 191 cm

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Inconnu

National Gallery

Londres, Royaume-Uni

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

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À propos du tableau

Bacchus et Ariane est une peinture de la Renaissance réalisée par Titien entre 1520 et 1523. Elle fait partie du cycle de peintures à sujet mythologiques commandé par Alphonse Ier d'Este, duc de Ferrare, pour la chambre d'albâtre de son palazzo de Ferrare.

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Notice

Numéro d’inventaire
NG35

Au catalogue

Sources

  • Wikidata
  • Image : National Gallery — Titian · Public domain · Wikimedia Commons

Pendant ce temps, chez Titian

La vie entière
  1. 1525

    Marries Cecilia, the mother of his sons

    Cecilia, a barber's daughter from Pieve di Cadore, had been Titian's housekeeper and for some five years his mistress, and had already borne him two sons, Pomponio and Orazio. In 1525, when she fell seriously ill, Titian married her to legitimise the children; Cecilia recovered, and the marriage was a happy one.

  2. 1525

    Married: Cecilia Soldano

  3. 1527

    Aretino, Sansovino and the “triumvirate”

    In March 1527 the satirist Pietro Aretino arrived in Venice: he became friends with Titian and with Jacopo Sansovino, and the three were popularly known as “the triumvirate”, becoming the centre of the city's artistic establishment. Aretino enlisted both in pursuing the patronage of Federico II Gonzaga, and by the autumn of 1527 the Marquis of Mantua had received from Titian a portrait of Aretino (lost); important commissions and an introduction to Emperor Charles V followed.

  4. 1529

    First meeting with Emperor Charles V in Parma

    Thanks to the patronage of Federico Gonzaga, Duke of Mantua, in 1529 at Parma Titian obtained an audience with Emperor Charles V, who promised him his patronage.

  5. 1530

    The death of his wife Cecilia

    In August 1530 Titian's wife Cecilia died. He remarried, but little information is known about his second wife; she was possibly the mother of his daughter Lavinia.

  6. 1530–1539

    The young Tintoretto in Titian's workshop

    According to Tom Nichols, the very young Tintoretto, brought to Titian's studio by his father, probably entered the workshop between 1530 and 1539, but only for a very brief time. According to Ridolfi, after being cast out of the studio he resolved to become a painter by studying the canvases of Titian and the reliefs of Michelangelo, and wrote on his wall the motto “Michelangelo's design and Titian's colour”.

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