Автопортрет, Angelica Kauffmann, second half of the 18th century.
Angelica Kauffmann, portraitAngelica KauffmannSuisse, 1741–1807

Автопортрет

second half of the 18th century. · Painting · 37 × 28 cm

Peut-on la contempler ?

Inconnu

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
Source
Le musée

À propos du tableau

Selon le musée — en russe

Поясное изображение молодой женщины с палитрой в руках. На голове красная повязка.

Musée d'État des Beaux-Arts du Tatarstan

Notice

Numéro d’inventaire
Ж-306

Au catalogue

Sources

  • Le Catalogue national du fonds muséal de Russie
  • Image : Musée d'État des Beaux-Arts du Tatarstan — © Государственный музей изобразительных искусств Республики Татарстан · Госкаталог музейного фонда РФ

Pendant ce temps, chez Angelica Kauffmann

La vie entière
  1. 1757

    Chooses painting over music

    Angelica sang and played music, but after her mother’s death she chose painting over music.

  2. 1763

    Meets the English community in Rome

    Moving to Rome in January 1763, Kauffman was introduced to the British community there; as she learned more English and continued with portraiture, she became a popular portraitist for British visitors to Rome.

  3. 1764

    Her portrait of Winckelmann

    In Rome Kauffman painted a half-length portrait of the art historian Johann Joachim Winckelmann and also made an etching of it; in August 1764 Winckelmann wrote to a friend about her popularity: she spoke Italian and German, handled French and English with ease, could be called beautiful, and in singing could vie with the best virtuosi.

  4. 1766

    Friendship with Joshua Reynolds

    Reynolds became Kauffman’s firmest friend: in his pocketbooks she often appears as “Miss Angelica” or “Miss Angel”; in 1766 he painted her portrait, and she answered with her portrait of Reynolds.

  5. 1768

    Founding member of the Royal Academy of Arts

    In December 1768 Kauffman became one of the founding members of the Royal Academy of Arts in London, one of only two women among them.

  6. 1781

    Returns to Rome

    Disappointed by the relative apathy of the British towards history painting, Kauffman left London, where she had lived for fifteen years, in 1781, after her marriage to Antonio Zucchi, and returned to Rome, where that genre was better known and enjoyed the patronage of patrons and collectors.

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