Edouard VuillardFrance, 1868–1940Avenue
Peut-on la contempler ?
Inconnu
Musée d'Orsay
Paris, France
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- RF 1977 373
Au catalogue
Sources
- Wikidata
- Image : Musée d'Orsay — Sailko · CC BY 3.0 · Wikimedia Commons
Pendant ce temps, chez Edouard Vuillard
La vie entière1886–1927 · Lieu de travail
Paris
late 1890s
A long relationship with Misia Natanson
In the late 1890s begins his long relationship with Misia Natanson, wife of his patron Thadée: he helps her decorate the Natansons’ apartment, paints her often in his decorative panels and regularly accompanies the couple to their country house. Vuillard never married, but women greatly shaped his life and work.
1899 · Lieu de travail
London
1900
The Nabis part ways and Vuillard’s manner changes
After their exhibition of 1900 the Nabis go their separate ways; Vuillard abandons the close, dark interiors, paints more outdoors in natural light and gradually returns to naturalism, with lighter, deeper interiors and clearer faces.
1900
Meets Lucy Hessel
He meets Lucy Hessel, the wife of a Swiss art dealer, who becomes his new muse: each year she travels with him to Normandy from July to September, advises him, and stays with him until the end of his life despite many rivals and dramatic scenes.
November 1908
Solo exhibition at the Galerie Bernheim-Jeune
His second large personal exhibition presents many of his new landscapes; one anti-modernist critic praises him for his protest against systematic deformations.
