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  1. Collection/
  2. National Gallery of Art/
  3. Apollo and Daphne
Apollo and Daphne, John Singer Sargent, c. 1916/1919

Apollo and Daphne

c. 1916/1919 · Painting

Notice

c. 1916/1919
18561925
Numéro d’inventaire
2014.136.69

Pendant ce temps, chez John Singer Sargent

La vie entière
  1. 1895–1919

    The “Triumph of Religion” murals for the Boston Public Library

    From 1895 through 1919, for almost thirty years, Sargent works on his largest-scale work, the mural decorations “Triumph of Religion” for the Boston Public Library, showing religion's progress from pagan superstition to the ascension of Christianity; he never completes the final mural of the cycle.

  2. 1905–1914

    Summer journeys with the de Glehns

    Between 1905 and 1914 Sargent's frequent travelling companions are the married artist couple Wilfrid de Glehn and Jane Emmet de Glehn; the trio often spend summers in France, Spain or Italy, and all three depict one another in their paintings.

  3. 1916

    Sells “Madame X” to the Metropolitan Museum

    Sargent keeps “Madame X” prominently displayed in his London studio until he sells it in 1916 to the Metropolitan Museum of Art, after moving to the United States and a few months after Gautreau's death.

  4. 1918

    Commissioned as a war artist

    On his return to England in 1918 after a visit to the United States Sargent is commissioned as a war artist by the British Ministry of Information; he depicts scenes from the Great War in his large painting “Gassed” and in many watercolours.

  5. Good Friday 1918

    His niece Rose-Marie killed in the shelling of Paris

    On Good Friday 1918 his niece Rose-Marie dies in the shelling of the church of St Gervais in Paris; Sargent is deeply affected by her death.

Autres œuvres : John Singer Sargent

Toutes les œuvres

Sous le même toit : National Gallery of Art

Page du musée

Sur le même thème · Classical

Toutes les œuvres sur ce thème
  • late 1919

    The row over the murals “The Church” and “The Synagogue”

    The paintings “The Church” and “The Synagogue”, installed in late 1919, portray Christianity as a lovely, radiant young woman and Judaism as a blind, ugly hag, and seem to Boston's Jews to show Judaism defeated; Sargent is both surprised and hurt by the criticism and in the end abandons his plan to finish the murals.

  • John Singer Sargent, portraitJohn Singer SargentÉtats-Unis, 1856–1925

    Peut-on la contempler ?

    Elle ne reçoit pas en ce moment

    National Gallery of Art

    Washington, États-Unis

    Elle appartient à la collection, mais n’est pas présentée en ce moment.

    Vérifié
    il y a 3 jours
    Dans cet état depuis
    19 août 2026
    Source
    Le musée
    Sur la cartePage du musée

    Ce qu’elle montre

    ClassicalApollo and Daphne

    Au catalogue

    PeinturesHuilePeinture italiennePeinture américaineModernismeXXe siècleAmericanImpressionnismePeinture mythologique

    Sources

    • National Gallery of Art
    • Image : National Gallery of Art — Museum open access
    Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent, 1883–84

    Madame X (Virginie Amélie Avegno Gautreau)

    1883–84 · Metropolitan Museum of Art

    A Male Model Standing before a Stove, John Singer Sargent, ca. 1875–80

    A Male Model Standing before a Stove

    ca. 1875–80 · Metropolitan Museum of Art

    Spanish Roma Woman, John Singer Sargent, ca. 1876-1882

    Spanish Roma Woman

    ca. 1876-1882 · Metropolitan Museum of Art

    En route pour la pêche (Setting Out to Fish), John Singer Sargent, 1878

    En route pour la pêche (Setting Out to Fish)

    1878 · National Gallery of Art

    Miss Beatrice Townsend, John Singer Sargent, 1882

    Miss Beatrice Townsend

    1882 · National Gallery of Art

    Street in Venice, John Singer Sargent, 1882

    Street in Venice

    1882 · National Gallery of Art

    Lady with the Rose (Charlotte Louise Burckhardt), John Singer Sargent, 1882

    Lady with the Rose (Charlotte Louise Burckhardt)

    1882 · Metropolitan Museum of Art

    Margaret Stuyvesant Rutherfurd White (Mrs. Henry White), John Singer Sargent, 1883

    Margaret Stuyvesant Rutherfurd White (Mrs. Henry White)

    1883 · National Gallery of Art

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Portrait de Ginevra de' Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Jeune Fille en blanc, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Ferme en Provence, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), Pablo Picasso, 1934

    Pablo Picasso

    Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), 1934

    Non exposée · National Gallery of Art

    Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), Pablo Picasso, 1934

    Pablo Picasso

    Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), 1934

    Non exposée · National Gallery of Art

    Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), Pablo Picasso, 1934

    Pablo Picasso

    Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), 1934

    Non exposée · National Gallery of Art

    Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), Pablo Picasso, 1934

    Pablo Picasso

    Blind Minotaur Led by Marie-Thérèse with a Dove in a Starry Night (Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée), 1934

    Non exposée · National Gallery of Art

    The Eritrean Sibyl, Giorgio Ghisi after Michelangelo, early 1570s

    Michelangelo

    The Eritrean Sibyl, early 1570s

    Non exposée · National Gallery of Art

    Wooden Falsework Supporting a Vault, Jacob Bos, after Antonio da Sangallo, published by Antonio Lafreri, 1561

    Michelangelo

    Wooden Falsework Supporting a Vault, 1561

    Non exposée · National Gallery of Art

    Forma Partis Templi Divi Petri [Exterior Section of Saint Peter's Basilica], Italian 16th Century, after Michelangelo, published by Vincenzo Luchino, 1564

    Michelangelo

    Forma Partis Templi Divi Petri [Exterior Section of Saint Peter's Basilica], 1564

    Non exposée · National Gallery of Art

    Orthographia Partis Exterioris Templi Divi Petri [Exterior View of Saint Peter's Basilica], Étienne Dupérac, after Michelangelo, 1544/1572

    Michelangelo

    Orthographia Partis Exterioris Templi Divi Petri [Exterior View of Saint Peter's Basilica], 1544/1572

    Non exposée · National Gallery of Art