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  1. Collection/
  2. National Gallery of Art/
  3. Anita Brenner
Anita Brenner, Tina Modotti, 1927
Tina Modotti, portraitTina ModottiÉtats-Unis, 1896–1942

Anita Brenner

1927 · Photograph

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Notice

1927 · à 31 ans
18961942
Numéro d’inventaire
2014.99.1

Ce qu’elle montre

FemaleWriterChapeauFashion

Au catalogue

PhotographiesTirage gélatino-argentiqueModernismeXXe siècleItalian

Sources

  • National Gallery of Art
  • Image : National Gallery of Art — © the artist or rights holder

Pendant ce temps, chez Tina Modotti

La vie entière
  1. 1923–1926

    Studio with Weston and Mexico City's bohemia

    With Weston, Modotti opens a portrait studio in Mexico City and quickly gravitates toward the capital's bohemian scene, and through it into a community of cultural and political avant-gardists — Frida Kahlo, Lupe Marín, Diego Rivera, Jean Charlot; she also befriends Siqueiros. Weston, moved by the landscape and folk art of Mexico, creates abstract works, while Modotti is captivated by the country's people and blends this human interest with a modernist aesthetic.

  2. November 1926

    Weston leaves Mexico; meeting the Communists

    Weston leaves Mexico and returns to California. During this time Modotti meets political radicals and Communists, among them three Mexican Communist Party leaders — Xavier Guerrero, Julio Antonio Mella and Vittorio Vidali — who would all eventually become romantically linked with her.

  3. 1927

    Joins the Mexican Communist Party

    Modotti joins the Mexican Communist Party and becomes far more politically active: her focus shifts, and more and more of her work becomes politically motivated. The Mexican photographer Manuel Álvarez Bravo divided her photographic career into two categories, “Romantic” and “Revolutionary”.

  4. 1929

    Mella assassinated; Modotti arrested

    Julio Antonio Mella is assassinated while walking in the street with Modotti from the offices of Red Aid; Modotti is arrested at once but later released and cleared of his murder.

  5. December 1929

    One-woman retrospective at the National Library

    A one-woman retrospective of Modotti's later work opens at the National Library; it is advertised as “The First Revolutionary Photographic Exhibition in Mexico”.

  6. 1929–1930

    Interrogations and a press campaign after the attempt on the president

    After an attempt on the life of Mexican President Pascual Ortiz Rubio, Modotti — a target of both the Mexican and Italian political police — is questioned about both crimes amid an anti-communist, anti-immigrant press campaign that depicts “the fierce and bloody Tina Modotti” as the perpetrator. A Catholic zealot, Daniel Luis Flores, was later charged with shooting Ortiz Rubio, and José Magriñat was arrested for Mella's murder.

Autres œuvres : Tina Modotti

Toutes les œuvres
Hands of the Puppeteer, Mexico City, Tina Modotti, 1929

Hands of the Puppeteer, Mexico City

1929 · Minneapolis Institute of Art

Roofs of Mexico City, Tina Modotti, 1923-30

Roofs of Mexico City

1923-30 · Non exposée · Museum of Modern Art

House in Tehuantepec, Tina Modotti, 1923-30

House in Tehuantepec

1923-30 · Non exposée · Museum of Modern Art

Roses, Mexico, Tina Modotti, 1924

Roses, Mexico

1924 · Non exposée · Museum of Modern Art

Cloth Folds, Tina Modotti, c. 1924

Cloth Folds

c. 1924 · Non exposée · Museum of Modern Art

Elisa, Tina Modotti, 1924

Elisa

1924 · Non exposée · Museum of Modern Art

Calla Lily, Tina Modotti, 1924-26

Calla Lily

1924-26 · Non exposée · Museum of Modern Art

Telephone Wires, Mexico, Tina Modotti, 1924

Telephone Wires, Mexico

1924 · Non exposée · Museum of Modern Art

Sous le même toit : National Gallery of Art

Page du musée
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888