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  1. Collection/
  2. Art Institute of Chicago/
  3. An Anxious Friend
An Anxious Friend, Max Ernst, 1944
Max Ernst, portraitMax ErnstFrance, 1891–1976

An Anxious Friend

1944 · Sculpture

Notice

1944 · à 53 ans
18911976
Numéro d’inventaire
2018.291

Pendant ce temps, chez Max Ernst

La vie entière
  1. late 1942

    Dorothea Tanning and “Birthday”

    Selecting pictures for an exhibition of women artists at Peggy’s gallery, Ernst noticed Dorothea Tanning’s Birthday. Julien Levy introduced him to the painter, and a few meetings were enough for him to fall in love.

  2. 1942

    Married: Peggy Guggenheim

  3. October 1942

    “First Papers of Surrealism” and “Art of This Century”

    In October 1942 the exhibition First Papers of Surrealism opened, its catalogue laid out as a list of modern myths in which “interplanetary communication” was credited to Ernst. That month Peggy Guggenheim’s gallery Art of This Century opened on 57th Street, and Ernst drew the cover of its catalogue.

  4. 1946

    Married: Dorothea Tanning

  5. October 1946

    A double wedding in Hollywood with Man Ray

    Ernst and Dorothea Tanning went to Hollywood to marry, asking Man Ray and his friend Juliet Browner to be their witnesses; the two decided to marry as well, and the result was a double ceremony in Beverly Hills.

  6. 1946–1953

    Sedona: a house and “Capricorn” built with his own hands

    Ernst built the house himself, helped by a young admirer and short of money, and made the 2.4-metre Capricorn, a seated bull-man, from empty bottles, springs and cement; the property became known as Capricorn Hill. The couple took an interest in the rites of the local Native American tribes, Ernst buying objects and masks from them, and friends visited only occasionally.

Autres œuvres : Max Ernst

Toutes les œuvres

Dans la même salle · Gallery 397, Art Institute of Chicago

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Art Institute of Chicago

Chicago, États-Unis

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Au catalogue

SculptureBronzeModernismeXXe siècleÉtats-Unis

Sources

  • Art Institute of Chicago
  • Image : Art Institute of Chicago — © the artist or rights holder
Two Children Are Threatened by a Nightingale (Deux Enfants sont menacés par un rossignol), Max Ernst, 1924

Two Children Are Threatened by a Nightingale (Deux Enfants sont menacés par un rossignol)

1924 · Museum of Modern Art

Birds above the Forest (Oiseaux au-dessus de la forêt), Max Ernst, 1929

Birds above the Forest (Oiseaux au-dessus de la forêt)

1929 · Museum of Modern Art

Bird-Head (Oiseau-tête), Max Ernst, 1934-35

Bird-Head (Oiseau-tête)

1934-35 · Museum of Modern Art

A Moment of Calm, Max Ernst, 1939

A Moment of Calm

1939 · National Gallery of Art

Napoleon in the Wilderness, Max Ernst, 1941

Napoleon in the Wilderness

1941 · Museum of Modern Art

Forest and Sun, Max Ernst, 1927

Forest and Sun

1927 · Art Institute of Chicago

Self-Constructed Little Machine, Max Ernst, 1919/20

Self-Constructed Little Machine

1919/20 · Art Institute of Chicago

The Massacre of the Innocents, Max Ernst, 1920

The Massacre of the Innocents

1920 · Art Institute of Chicago

Juan Soriano De Lacandón, Leonora Carrington, 1964

Leonora Carrington

Juan Soriano De Lacandón, 1964

Untitled (Butterfly Habitat), Joseph Cornell, c. 1940

Joseph Cornell

Untitled (Butterfly Habitat), c. 1940

Untitled, Balthus, c. 1972

Balthus

Untitled, c. 1972

Untitled (For Trista), Joseph Cornell, c. 1969

Joseph Cornell

Untitled (For Trista), c. 1969

Untitled (Satie and Ravel), Joseph Cornell, March 14, 1968–early September 1969

Joseph Cornell

Untitled (Satie and Ravel), March 14, 1968–early September 1969

The Tiara, Joseph Cornell, 1966/67

Joseph Cornell

The Tiara, 1966/67

Untitled (L'Abeille), Joseph Cornell, April 7, 1966

Joseph Cornell

Untitled (L'Abeille), April 7, 1966

Now, Voyager, Joseph Cornell, 1966

Joseph Cornell

Now, Voyager, 1966