ART WIKI
American-type Locomotive Model, without Tender, Unidentified, ca. 1860s-1880s

Unidentified

American-type Locomotive Model, without Tender

ca. 1860s-1880s · Sculpture · 30.2 × 72.4 cm

Peut-on la voir ?

Oui, exposée actuellement

Où est « American-type Locomotive Model, without Tender » aujourd’hui ? Smithsonian American Art Museum, Luce Foundation Center, 3rd Floor, 27B, Washington. Oui, exposée actuellement. Vérifié 25 septembre 2026.

Smithsonian American Art Museum

Washington, États-Unis

SalleLuce Foundation Center, 3rd Floor, 27B

Ouvert· jusqu’à 19:00

Présentée au public.

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Dans cet état depuis
Source
Le musée
Sur la cartePage du musée

À propos de la sculpture

Model trains made of lead or tin became popular after the transcontinental railroad line was finished in 1869. The triangular metal fixture on the front of this model locomotive is called a cowcatcher, which was used to push cows off the tracks when the train was unable to stop.

Smithsonian American Art Museum

Notice

Numéro d’inventaire
1986.65.335A-B

Ce qu’elle montre

TrainArchitectureVehicles

Au catalogue

SculptureBoisRéalismeImpressionnismeXIXe siècleArt populaire

Sources

Dans la même salle · Luce Foundation Center, 3rd Floor, 27B, Smithsonian American Art Museum

Page du musée
Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Penguin, Augustus Aaron Wilson, ca. 1900-1940

Augustus Aaron Wilson

Penguin, ca. 1900-1940

Dalmatian, Unidentified, 20th century

Unidentified

Dalmatian, 20th century

Penguin, attributed to Augustus Aaron Wilson, ca. 1900-1940

attributed to Augustus Aaron Wilson

Penguin, ca. 1900-1940

Sur le même thème · Train

Toutes les œuvres sur ce thème
The Third-Class Carriage, Honoré Daumier, 1864

Honoré Daumier

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Metropolitan Museum of Art

“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., Allen Ginsberg, 1954, printed later

Allen Ginsberg

“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., 1954, printed later

Non exposée · National Gallery of Art

The Locomotive, Edward Hopper, 1923

Edward Hopper

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La durée poignardée (Time Transfixed), René Magritte, 1938

René Magritte

La durée poignardée (Time Transfixed), 1938

Art Institute of Chicago

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Sebastião Salgado

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In the New York Central Yards, Alfred Stieglitz (editor/publisher) after Various Artists, 1903, printed 1911

Alfred Stieglitz

In the New York Central Yards, 1903, printed 1911

Non exposée · National Gallery of Art

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Alfred Stieglitz

The Hand of Man, 1902, printed 1929/1937

Non exposée · National Gallery of Art

The Hand of Man, Alfred Stieglitz (editor/publisher) after Various Artists, 1902, printed 1903

Alfred Stieglitz

The Hand of Man, 1902, printed 1903

Non exposée · National Gallery of Art