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  1. Collection/
  2. Smithsonian American Art Museum/
  3. Amatitlán, Guatemala
Amatitlán, Guatemala, Eadweard Muybridge, 1875, published 1877

Amatitlán, Guatemala

1875, published 1877 · Photography-Photoprint · 13.7 × 23.2 cm

Notice

1875, published 1877
18301904
Numéro d’inventaire
1999.97.25

Pendant ce temps, chez Eadweard Muybridge

La vie entière
  1. 17 October 1874

    Shoots Harry Larkyns at Calistoga

    On 17 October 1874 Muybridge went to Calistoga and shot Larkyns at point-blank range, saying he had a message for him from his wife; Larkyns died that night, and Muybridge was arrested without protest and put in the Napa jail.

  2. February 1875

    The murder trial: Muybridge is acquitted

    Muybridge was tried for murder in February 1875; Stanford had arranged his defence, and the attorney W. W. Pendegast pleaded insanity because of the head injury of 1860, although the defendant himself indicated that his actions had been deliberate. The jury acquitted him as having committed justifiable homicide, explaining that if the verdict was not in accordance with the law, it was in accordance with the law of human nature.

  3. after February 1875

    Central America: nine months of “working exile”

    Shortly after his acquittal Muybridge left on a previously planned nine-month photography trip to Central America, now acting as a “working exile”; in Guatemala he advertised his works under the name “Eduardo Santiago Muybridge”. It is believed that shooting aboard a constantly rolling ship helped him develop his ability to take pictures more rapidly.

  4. June 1878

    It is revealed when a galloping horse leaves the ground

    The pictures showed that a running horse has all four hooves in the air at regular intervals, not with its legs extended to front and back, as illustrators imagined, but when its legs are collected beneath its body as it switches from “pulling” with the front legs to “pushing” with the back legs.

Autres œuvres : Eadweard Muybridge

Toutes les œuvres

Sous le même toit : Smithsonian American Art Museum

Page du musée

Sur le même thème · Mountains

Toutes les œuvres sur ce thème
  • 15 June 1878

    A demonstration for the press: a snapping strap caught in frame

    For the session of 15 June 1878 the press and a selection of turf men were invited; an accident with a snapping strap was captured on the negatives and shown to the attendees, convincing even the most skeptical witnesses. The news of this success was reported worldwide.

  • 8 July 1878

    First projection of his photographs at the San Francisco Art Association

    The Daily Alta California reported that Muybridge first exhibited magic-lantern projections of his photographs at the San Francisco Art Association on 8 July 1878. Newspapers could not yet reproduce detailed photographs, so the images were widely printed as woodcut engravings, and six series were soon published as cabinet cards titled “The Horse in Motion”.

  • Eadweard Muybridge, portraitEadweard MuybridgeAngleterre, 1830–1904

    Peut-on la contempler ?

    Inconnu

    Smithsonian American Art Museum

    Washington, États-Unis

    Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

    Dans cet état depuis
    25 sept. 2026
    Source
    Le musée
    Sur la cartePage du musée

    Ce qu’elle montre

    MountainsLandscapeAmatitlanLakesBird's eye viewLake Amatitlan

    Au catalogue

    PhotographiesTirage sur papier albuminéRéalismeImpressionnismeXIXe siècle

    Sources

    • Smithsonian American Art Museum
    • Image : Smithsonian American Art Museum — CC0
    Crater of Volcano, Quetzaltenango-Guatemala, Eadweard Muybridge, 1875

    Crater of Volcano, Quetzaltenango-Guatemala

    1875 · Metropolitan Museum of Art

    Jockey Riding, Eadweard Muybridge, 1887

    Jockey Riding

    1887 · Musées d'Art de Harvard

    Gallop; Thoroughbred Bay Horse Bouquet, Eadweard Muybridge, 1887

    Gallop; Thoroughbred Bay Horse Bouquet

    1887 · Rijksmuseum Amsterdam

    "Yosemite Hotel", Eadweard Muybridge, 1867

    "Yosemite Hotel"

    1867 · Non exposée · National Gallery of Art

    Pi-wy-ack (Cataract of Diamonds), Vernal Falls, Yosemite Valley, California, Eadweard Muybridge, 1867

    Pi-wy-ack (Cataract of Diamonds), Vernal Falls, Yosemite Valley, California

    1867 · Non exposée · National Gallery of Art

    Yo-Sem-i-te Valley, California. The Valley from Pohono Meadows, Eadweard J. Muybridge, negative 1867 or 1872; print later

    Yo-Sem-i-te Valley, California. The Valley from Pohono Meadows

    negative 1867 or 1872; print later · Non exposée · J. Paul Getty Museum

    Cathedral Spires, Valley of the Yosemite, Eadweard Muybridge, 1872

    Cathedral Spires, Valley of the Yosemite

    1872 · Non exposée · National Gallery of Art

    Clark & Moore, Merced River, Yosemite, Eadweard Muybridge, 1872

    Clark & Moore, Merced River, Yosemite

    1872 · Non exposée · National Gallery of Art

    Muskrat, Unidentified, before 1997

    Unidentified

    Muskrat, before 1997

    Bright Light at Russell's Corners, George Ault, 1946

    George Ault

    Bright Light at Russell's Corners, 1946

    Fish Decoy, Unidentified, ca. 1940

    Unidentified

    Fish Decoy, ca. 1940

    (Lobster on Black Background), Marsden Hartley, 1940-1941

    Marsden Hartley

    (Lobster on Black Background), 1940-1941

    May Snow, Torvald Arnst Hoyer, 1937

    Torvalt Arnt Hoyer

    May Snow, 1937

    San Diego Mission, Josephine Joy, ca. 1935-1939

    Josephine Joy

    San Diego Mission, ca. 1935-1939

    Industry, Arthur Durston, 1934

    Arthur Durston

    Industry, 1934

    Employment of Negroes in Agriculture, Earle Richardson, 1934

    Earle Richardson

    Employment of Negroes in Agriculture, 1934

    Half Dome and Moon, Yosemite Valley, Ansel Adams, 1960

    Ansel Adams

    Half Dome and Moon, Yosemite Valley, 1960

    Non exposée · National Gallery of Art

    Mount Williamson, Sierra Nevada, from Manzanar, California, Ansel Adams, 1944, printed 1960s

    Ansel Adams

    Mount Williamson, Sierra Nevada, from Manzanar, California, 1944, printed 1960s

    Non exposée · National Gallery of Art

    Clear Weather with a Southerly Wind, Katsushika Hokusai, 1829 - 1833

    Katsushika Hokusai

    Clear Weather with a Southerly Wind, 1829 - 1833

    Rijksmuseum Amsterdam

    Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)", Katsushika Hokusai, 1830/33

    Katsushika Hokusai

    La Grande Vague de Kanagawa, 1830/33

    Non exposée · Art Institute of Chicago

    Landscape with Sportsman and Dog, Rembrandt van Rijn, c. 1653

    Rembrandt van Rijn

    Landscape with Sportsman and Dog, c. 1653

    Non exposée · National Gallery of Art

    View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, Thomas Cole, 1836

    Thomas Cole

    Le Méandre, 1836

    Metropolitan Museum of Art

    The Rocky Mountains, Lander's Peak, Albert Bierstadt, 1863

    Albert Bierstadt

    The Rocky Mountains, Lander's Peak, 1863

    Metropolitan Museum of Art

    Tahitian Shore [recto], Paul Gauguin, c. 1900

    Paul Gauguin

    Tahitian Shore [recto], c. 1900

    Non exposée · National Gallery of Art