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  1. Collection/
  2. Victoria and Albert Museum/
  3. Alphonse Legros
Alphonse Legros, Aimé-Jules Dalou, ca. 1876
Aimé-Jules Dalou, portraitAimé-Jules DalouFrance, 1838–1902

Alphonse Legros

ca. 1876 · Bust · 60 × 25 cm

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 12 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

À propos de la sculpture

This painted plaster head is of the French-born painter, etcher and sculptor Alphonse Legros (1837-1911) and is by the French sculptor Aimé-Jules Dalou. The two trained together as sculptors in Paris but Legros then came to London. Dalou later fled to London as a political exile and remained 1871-9, and on Legros' recommendation was given a teaching post at the National Art Training School (later the Royal College of Art).

This head is all that remains of a full-length figure that Dalou himself destroyed. It is recorded (by Dreyfous in his biography of Dalou) that the original sculpture showed Legros with a palette in one hand and brush in the other, his head inclined slightly back considering the work in front of him. When this was destroyed, the head was retrieved by Edouard Lantéri.

Lire la suite

Dalou (1838-1902) was the son of a glove maker and initially trained in drawing at the Petit École in Paris. In 1854 he entered the École des Beaux-Arts, where he trained for four years. He was known for his left-wing political sympathies and was involved in the establishment of the Paris Commune in 1871. After its overthrow he was forced into exile in London, where he lived from 1871 until his return to Paris in 1879. In London he frequently exhibited at the Royal Academy and he was given a teaching appointment at the National Art Training School in South Kensington (later the Royal College of Art), where he had a profound effect on the development of British sculpture.

Legros (1837-1911) worked as a decorative painter before studying at the École des Beaux Arts in Paris. He was impressed by early Netherlandish art and Holbein, later by Courbet, and from 1859 was associated with Whistler and Fantin-Latour. In 1863 Legros moved to London, where he enjoyed the patronage of Constantine Alexander Ionides, and became Professor of Fine Art at the Slade School of Art, and a British citizen. He was also a prolific etcher, and a medallist.

Victoria and Albert Museum

Notice

ca. 1876
18381902
Numéro d’inventaire
A.7-1993

Ce qu’elle montre

Alphonse Legros

Au catalogue

SculpturePlâtreRéalismeImpressionnismeXIXe siècleLondres

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London

Autres œuvres : Aimé-Jules Dalou

Toutes les œuvres
Alphonse Legros, Aimé-Jules Dalou, model c. 1876, cast possibly 1879/1920

Alphonse Legros

model c. 1876, cast possibly 1879/1920 · National Gallery of Art

Mother and Child, Aimé-Jules Dalou, c. 1873

Mother and Child

c. 1873 · National Gallery of Art

The Espousal (The Passage of the Rhine), Aimé-Jules Dalou, model 1890/1892, cast c. 1907

The Espousal (The Passage of the Rhine)

model 1890/1892, cast c. 1907 · National Gallery of Art

Portrait Mask of Etienne Carjat, Aimé-Jules Dalou, model c. 1891, cast after 1907

Portrait Mask of Etienne Carjat

model c. 1891, cast after 1907 · National Gallery of Art

Head of a Peasant (Tête de paysan), Aimé-Jules Dalou, cast after a model of 1894

Head of a Peasant (Tête de paysan)

cast after a model of 1894 · Metropolitan Museum of Art

Peasant woman nursing a baby, Aimé-Jules Dalou, 1873

Peasant woman nursing a baby

1873 · Victoria and Albert Museum

Bust of a Lady, Jules Dalou, c. 1875

Bust of a Lady

c. 1875 · Cleveland Museum of Art

Woman reading, Aimé-Jules Dalou, ca. 1875

Woman reading

ca. 1875 · Victoria and Albert Museum

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