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  1. Collection/
  2. Cleveland Museum of Art/
  3. Adeline Ravoux
Adeline Ravoux, Vincent van Gogh, 1890
Vincent van Gogh, portraitVincent van GoghPays-Bas, 1853–1890

Adeline Ravoux

1890 · oil on fabric

À propos du tableau

Portrait of Adeline Ravoux is an oil painting from June 1890 by Vincent van Gogh.

It is in the collection of the Cleveland Museum of Art.

Wikipédia · CC BY-SA

Selon le musée

In May 1890, Vincent van Gogh arrived in Auvers, a small town north of Paris, where he rented a room at the inn of Arthur Ravoux. This portrait, completed during the last months of the artist’s life, depicts Ravoux’s 13-year-old daughter, Adeline. Van Gogh wrote that rather than photographic resemblance, he wanted his portraits to convey the “impassioned aspects” of contemporary life through the “modern taste for color.”

Cleveland Museum of Art

Notice

1890 · à 37 ans
18531890
Numéro d’inventaire
1958.31

Pendant ce temps, chez Vincent van Gogh

La vie entière
  1. February 1888

    To Arles, dreaming of a “Studio of the South”

    The public still neither accepted nor bought his paintings, and in February 1888 Van Gogh left for Arles in the south of France to found a “Studio of the South”, a brotherhood of like-minded artists in which he gave Gauguin the leading role. Theo backed the plan with money.

  2. 23 October 1888

    Gauguin arrives in Arles

    After much pleading Gauguin arrived in Arles, and in November the two painted together: Gauguin portrayed Van Gogh in “The Painter of Sunflowers”, and their first joint outing was to the Alyscamps. At Gauguin's suggestion Vincent painted from memory, producing “Memory of the Garden at Etten”.

  3. 23 December 1888

    The severed ear

    After an altercation on the evening of 23 December, Van Gogh, seemingly hearing voices, severed his left ear, wholly or in part, with a razor and delivered it, wrapped in paper, to a woman at a brothel. Next morning a policeman found him unconscious; in hospital he was diagnosed with “acute mania with generalised delirium”.

  4. May 1889

    Voluntarily into the Saint-Paul asylum

    Van Gogh left Arles and voluntarily entered the Saint-Paul-de-Mausole asylum, a former monastery in Saint-Rémy-de-Provence, accompanied by the Protestant clergyman Frédéric Salles. Of his two cells with barred windows one became a studio, and the clinic and its garden became the main subjects of his paintings.

  5. 27 July 1890

Autres œuvres : Vincent van Gogh

Toutes les œuvres

Dans la même salle · 222 Impressionism & Post-Impressionism, Cleveland Museum of Art

Page du musée

A fatal wound: a revolver shot

Out painting, Van Gogh shot himself in the chest with a revolver he had bought to scare off birds while working outdoors; the bullet passed below his heart, and he made his own way back to his room at the inn. Theo arrived the next day and stayed with him to the end; according to Theo, Vincent's last words were: “The sadness will last forever.”

  • 29 juillet 1890

    Died

  • Peut-on la contempler ?

    Oui, elle reçoit

    Cleveland Museum of Art

    Cleveland, États-Unis

    Salle222 Impressionism & Post-Impressionism

    Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

    Vérifié
    il y a 3 jours
    Dans cet état depuis
    16 août 2026
    Source
    Le musée
    Sur la cartePage du musée

    Au catalogue

    PeinturesPeinture néerlandaiseImpressionnismeXIXe sièclePays-Bas

    Sources

    • Cleveland Museum of Art
    • Image : Cleveland Museum of Art — CC0 (Cleveland Museum of Art Open Access)
    Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

    Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

    1887 · Metropolitan Museum of Art

    Self-portrait, Vincent van Gogh, 1887

    Self-portrait

    1887 · Rijksmuseum Amsterdam

    Madame Roulin and Her Baby, Vincent van Gogh, 1888

    Madame Roulin and Her Baby

    1888 · Metropolitan Museum of Art

    Wheat Field with Cypresses, Vincent van Gogh, 1889

    Wheat Field with Cypresses

    1889 · Metropolitan Museum of Art

    Olive Trees, Vincent van Gogh, 1889

    Olive Trees

    1889 · Minneapolis Institute of Art

    Irises, Vincent van Gogh, 1890

    Irises

    1890 · Metropolitan Museum of Art

    Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

    Het Singel bij de Lutherse Kerk te Amsterdam

    1885 · Rijksmuseum Amsterdam

    The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

    The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

    1885 · Metropolitan Museum of Art

    The Red Kerchief, Claude Monet, c. 1868–73

    Claude Monet

    The Red Kerchief, c. 1868–73

    Romaine Lacaux, Pierre-Auguste Renoir, 1864

    Pierre-Auguste Renoir

    Romaine Lacaux, 1864

    The Call, Paul Gauguin, 1902

    Paul Gauguin

    The Call, 1902

    Water Lilies (Agapanthus), Claude Monet, c. 1915–26

    Claude Monet

    Water Lilies (Agapanthus), c. 1915–26

    Summer, Pierre Puvis de Chavannes, 1891

    Pierre Puvis de Chavannes

    Summer, 1891

    Two Poplars in the Alpilles near Saint-Rémy, Vincent van Gogh, 1889

    Vincent van Gogh

    Two Poplars in the Alpilles near Saint-Rémy, 1889

    Low Tide at Pourville, near Dieppe, 1882, Claude Monet, 1882

    Claude Monet

    Low Tide at Pourville, near Dieppe, 1882, 1882

    Mme L . . . (Laure Borreau), Gustave Courbet, 1863

    Gustave Courbet

    Mme L . . . (Laure Borreau), 1863