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  1. Collection/
  2. Victoria and Albert Museum/
  3. A Windmill on the Downs near Brighton
A Windmill on the Downs near Brighton, John Constable, 08/1824

A Windmill on the Downs near Brighton

08/1824 · Oil painting · 21 × 30.4 cm

À propos du tableau

As Constable’s father owned a windmill, the painter was familiar with their workings. This study depicts a mill near Brighton. Twelve years later Constable combined this scene with a view of Branch Hill Pond in the composition Hampstead Heath with a Rainbow, now in Tate Britain.

Victoria and Albert Museum

Notice

08/1824 · à 48 ans
17761837
Numéro d’inventaire
126-1888

Pendant ce temps, chez John Constable

La vie entière
  1. 1822/1823

    Daughter born: Isabel Constable

  2. 1824

    The Paris Salon: a gold medal

    The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.

  3. 1824

    Delacroix repaints the background of “The Massacre at Chios”

    After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.

  4. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

  5. 1825

    A quarrel with Arrowsmith: the French market is lost

    In 1825 Constable quarrelled with Arrowsmith and lost his French outlet, perhaps partly from worry over his wife’s health, the uncongenial life at Brighton and the pressure of outstanding commissions. In a few years he had sold more than twenty pictures in France, more than he sold at home.

Autres œuvres : John Constable

Toutes les œuvres

Dans la même salle · Paintings, Room 88, The Edwin and Susan Davies Galleries, Victoria and Albert Museum

Page du musée

Sur le même thème · Windmill

Toutes les œuvres sur ce thème
John Constable, portraitJohn ConstableRoyaume-Uni, 1776–1837

Peut-on la contempler ?

Oui, elle reçoit

Victoria and Albert Museum

Londres, Royaume-Uni

SallePaintings, Room 88, The Edwin and Susan Davies Galleries

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 12 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

WindmillRainbow

Au catalogue

PeinturesHuilePeinture britanniqueNéoclassicismeRomantismeXIXe siècleBritish SchoolGrande-Bretagne

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Musée du Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Musée du Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Musée du Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Metropolitan Museum of Art

Snow scene: the haunted house, Georg Emil Libert, 1848

Georg Emil Libert

Snow scene: the haunted house, 1848

Sunset on a bay, with castle ruins, Georg Emil Libert, 1848

Georg Emil Libert

Sunset on a bay, with castle ruins, 1848

Study of poppies, John Constable, ca. 1832

John Constable

Study of poppies, ca. 1832

Study of Foliage, John Constable, ca. 1828

John Constable

Study of Foliage, ca. 1828

A Donkey with a Foal: Study for <i>The Cornfield</i>, John Constable, ca. 1826

John Constable

A Donkey with a Foal: Study for <i>The Cornfield</i>, ca. 1826

On the edge of a wood, John Constable, ca. 1825

John Constable

On the edge of a wood, ca. 1825

A Windmill near Brighton, John Constable, 3 August 1824

John Constable

A Windmill near Brighton, 3 August 1824

Brighton Beach, with Fishing Boat and Crew, John Constable, 10/06/1824

John Constable

Brighton Beach, with Fishing Boat and Crew, 10/06/1824

Windmills near Zaandam, Claude Monet, 1871

Claude Monet

Windmills near Zaandam, 1871

Musée Van-Gogh

The Windmill, Rembrandt van Rijn, 1641

Rembrandt van Rijn

The Windmill, 1641

Non exposée · National Gallery of Art

The Windmill, Rembrandt van Rijn, 1641

Rembrandt van Rijn

The Windmill, 1641

Non exposée · National Gallery of Art

View of Amsterdam from the Northwest, Rembrandt van Rijn, c. 1640

Rembrandt van Rijn

View of Amsterdam from the Northwest, c. 1640

Non exposée · National Gallery of Art

The Windmill, Rembrandt van Rijn, 1641

Rembrandt van Rijn

The Windmill, 1641

Non exposée · National Gallery of Art

The windmill, Rembrandt van Rijn, 1641

Rembrandt van Rijn

The windmill, 1641

Rijksmuseum Amsterdam

Die Windmühle, Rembrandt, 1641

Rembrandt van Rijn

Die Windmühle, 1641

Albertina

[Die Windmühle; The Windmill; Le moulin de Rembrandt], Rembrandt, 1641

Rembrandt van Rijn

[Die Windmühle; The Windmill; Le moulin de Rembrandt], 1641

Musée Herzog Anton Ulrich