John ConstableRoyaume-Uni, 1776–1837A Windmill near Brighton
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Victoria and Albert Museum
Londres, Royaume-Uni
Elle appartient à la collection, mais n’est pas présentée en ce moment.
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- Source
- Les données de collection du musée lui-même
About the painting
As Constable’s father owned a windmill, the painter was familiar with their workings. Constable based this sketch on a painting called The Mill, which at the time was attributed to Rembrandt. He greatly admired it as ‘a picture wholly made by chiaroscuro; the last ray of light just gleams on the upper sail of the mill, and all other details are lost in large and simple masses of shade’.
Victoria and Albert Museum
Notice
- Numéro d’inventaire
- 588-1888
What it shows
Au catalogue
Sources
- Victoria and Albert Museum: the museum's own open data · obtenue il y a 11 jours
- Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Pendant ce temps, chez John Constable
La vie entière1824
The Paris Salon: a gold medal
The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.
1824
Delacroix repaints the background of “The Massacre at Chios”
After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.
1824–1828
The family in Brighton for Maria’s health
When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.
1825
A quarrel with Arrowsmith: the French market is lost
In 1825 Constable quarrelled with Arrowsmith and lost his French outlet, perhaps partly from worry over his wife’s health, the uncongenial life at Brighton and the pressure of outstanding commissions. In a few years he had sold more than twenty pictures in France, more than he sold at home.
23 November 1828
The death of his wife Maria
After the birth of their seventh child the family returned to Hampstead, where Maria died of tuberculosis at the age of 41. “Hourly do I feel the loss of my departed Angel,” Constable wrote to his brother.
February 1829
Elected to the Royal Academy at fifty-two
In February 1829, three months after his wife’s death, Constable was elected a member of the Royal Academy, at the age of 52.
![Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)](https://collections.louvre.fr/media/cache/large/0000000021/0000065616/0000312650_OG.JPG)
