A through L Colored Maze

1966 · Drawing

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

1960s
Travels in the Middle East
He visits circular-plan cities in the Middle East and is especially intrigued by the arches and decorative patterns he sees in the architecture and art of Iran; these cities will later give their names to works of the Protractor series.
1964
Radio discussion with Judd and Flavin
In a radio discussion of contemporary art with fellow artists Donald Judd and Dan Flavin, Stella sums up his approach: only what can be seen is there — “What you see is what you see.” The tautology later became known as the unofficial motto of minimalism.
mid-1960s
Begins working with master printer Kenneth Tyler
In the mid-1960s he begins his long involvement with printmaking, first working with the master printer Kenneth Tyler at Gemini G.E.L.
1965–1966
Guggenheim: “The Shaped Canvas” and “Systemic Painting”
His work is included in two exhibitions at the Solomon R. Guggenheim Museum: The Shaped Canvas (1965) and Systemic Painting (1966).
1967
Sets and costumes for Merce Cunningham
Designs the set and costumes for Merce Cunningham's dance piece Scramble.
27 juin 1968 – 6 octobre 1968
Exhibition: 4. documenta