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AccueilCarteCatalogue
  1. Collection/
  2. Victoria and Albert Museum/
  3. A Midsummer Night's Dream
A Midsummer Night's Dream, Arthur Rackham, 1908

A Midsummer Night's Dream

1908 · Painting · 38.2 × 26.6 cm

À propos du tableau

Arthur Rackham produced this illustration for an edition of William Shakespeare’s play ‘A Midsummer Night’s Dream’, published in 1908 by Heinemann. From Act II, Scene 1, the drawing depicts a mermaid sitting on the back of a dolphin. It illustrates a memory that Oberon, the king of the Faeries, recounts to the character of Puck;

My gentle Puck, come hither. Thou rememberest

Since once I sat upon a promontory,

And heard a mermaid on a dolphin's back

Uttering such dulcet and harmonious breath

That the rude sea grew civil at her song

And certain stars shot madly from their spheres,

To hear the sea-maid's music.

Victoria and Albert Museum

Notice

1908 · à 41 ans
18671939
Numéro d’inventaire
P.34-1917

Pendant ce temps, chez Arthur Rackham

La vie entière
  1. 1906

    Gold medal at the Milan International Exhibition

    He wins a gold medal at the Milan International Exhibition; he will win another at the Barcelona International Exposition in 1912.

  2. 1906

    Moves to Chalcot Gardens

    From 1906 the family lives at Chalcot Gardens, near Haverstock Hill, until leaving London in 1920.

  3. 1908

    Birth of his daughter Barbara

    Four years after the miscarriage, Barbara is born to Rackham and Edyth, the couple's only daughter.

Autres œuvres : Arthur Rackham

Toutes les œuvres

Sous le même toit : Victoria and Albert Museum

Page du musée

Sur le même thème · Mermaid

Toutes les œuvres sur ce thème
Arthur Rackham, portraitArthur RackhamRoyaume-Uni, 1867–1939

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 13 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

MermaidFishWaveDolphinMythFantasyTheatreElizabeth I

Au catalogue

PeinturesAquarellePeinture britanniqueModernismeXXe siècleGrande-Bretagne

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Sketch of trees by a river, Arthur Rackham, c. 1880 - 1939

Sketch of trees by a river

c. 1880 - 1939 · Non exposée · Victoria and Albert Museum

Drawing, Arthur Rackham, c. 1880 - 1939

Drawing

c. 1880 - 1939 · Non exposée · Victoria and Albert Museum

Drawing, Arthur Rackham, c. 1899

Drawing

c. 1899 · Non exposée · Victoria and Albert Museum

Watercolour, Arthur Rackham, ca. 1900

Watercolour

ca. 1900 · Non exposée · Victoria and Albert Museum

Watercolour, Arthur Rackham, ca. 1900

Watercolour

ca. 1900 · Non exposée · Victoria and Albert Museum

The Wren and the Bear, Arthur Rackham, 1902

The Wren and the Bear

1902 · Non exposée · Cleveland Museum of Art

Drawing, Arthur Rackham, 1904

Drawing

1904 · Non exposée · Victoria and Albert Museum

The Parrot and the Cat (Sketch for "Good-Night" by Eleanor Gates), Arthur Rackham, c. 1905

The Parrot and the Cat (Sketch for "Good-Night" by Eleanor Gates)

c. 1905 · Non exposée · Cleveland Museum of Art

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Capricorn, Max Ernst, model 1947, cast 1975

Max Ernst

Capricorn, model 1947, cast 1975

Non exposée · National Gallery of Art

The Mermaid, Frederick Stuart Church, 1881

Frederic Stuart Church

The Mermaid, 1881

Non exposée · National Gallery of Art

Mermaid, Roy Lichtenstein, 1978

James Rosenquist

Mermaid, 1978

Non exposée · National Gallery of Art

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, c. 1770

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., c. 1770

Non exposée · Victoria and Albert Museum

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, c. 1762

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., c. 1762

Non exposée · Victoria and Albert Museum

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, late 18th century

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., late 18th century

Non exposée · Victoria and Albert Museum

Drawing, W. R. Lethaby, late 19th-early 20th century

W. R. Lethaby

Drawing, late 19th-early 20th century

Non exposée · Victoria and Albert Museum

Design for a neoclassical pier-glass from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolios at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, late 18th century

John Linnell

Design for a neoclassical pier-glass from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolios at his Decease, by C. H. Tatham Architect. AD 1800., late 18th century

Non exposée · Victoria and Albert Museum