Apollinary Vasnetsov1856–1933Село Мухино. 12 верст от села Рябова
Peut-on la contempler ?
Nous l’ignorons : le musée garde le silence
Galerie Tretiakov
Moscou, Russie
Le propriétaire est connu. Si elle est exposée aujourd’hui, le musée ne le dit pas, et l’on ne nous a pas appris à deviner.
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- МКВ Ж-137
Sources
- Galerie Tretiakov: the museum's own open data · obtenue il y a 4 jours
- Image : Galerie Tretiakov — © State Tretyakov Gallery
Pendant ce temps, chez Apollinary Vasnetsov
La vie entière1885–1914
Work as a Theatre Designer
He began working as a theatre designer in 1885 at Savva Mamontov's Private Russian Opera; in the early 1900s he created sets for operas including Rimsky-Korsakov's "Sadko" and "The Legend of the Invisible City of Kitezh" for the Mariinsky Theatre (1908) and the final scene of "A Life for the Tsar" for the Bolshoi Theatre (1914).
autumn 1898
Trip to Europe
In the autumn of 1898 he went to Europe "in the line of duty": he visited France, Italy, Switzerland, and German cities; in Paris he settled near the Latin Quarter and sought to take part in the Salon of 1899. The trip "lightened" his palette — without it, he said, he "would have remained a black painter."
1898
Italy: Vesuvius and Venice
In Italy he visited Rome, Tivoli, Naples, and Pompeii, made a risky ascent to the crater of the active Vesuvius, and painted studies at the volcano's mouth; Venice left a deep impression, reflected in the study "Venice. The Lagoon."
1900
Academician of the Academy of Arts
He became an academician of the Imperial Academy of Arts in St. Petersburg, and from 1903 a full member.
1901
Son born: Vsevolod Vasnetsov
1901–1918
Head of the Landscape Class at the Moscow School of Painting
He headed the landscape class of the Moscow School of Painting, Sculpture and Architecture; his students included the future pictorialist photographer Yuri Yeryomin.
