Edouard VuillardFrance, 1868–1940Η μοδίστρα
Peut-on la contempler ?
Inconnu
Pinacothèque nationale d'Athènes
Athènes, Grèce
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
Notice
Pendant ce temps, chez Edouard Vuillard
La vie entière1886–1927 · Lieu de travail
Paris
early 1890s
The Natanson brothers and La Revue Blanche
Through his theatre work he meets Alexandre and Thadée Natanson, founders of the cultural review La Revue Blanche, where his graphics appear alongside work by Bonnard, Toulouse-Lautrec and Vallotton; the brothers become his important patrons. Other accounts say they had known each other since the Lycée Condorcet.
early 1890s
A shared studio and the first stage sets
He shares a studio at 28 Rue Pigalle with Bonnard, the director Lugné-Poe and a theatre critic, and designs sets for plays by Maeterlinck and other Symbolist writers. In the early 1890s he works chiefly for Lugné-Poe’s Théâtre de l’Œuvre, designing backdrops and programmes.
1892
First decorative commission: panels for the Desmarais house
On a commission for the Natanson brothers he paints six panels above the doors of the Desmarais family’s salon, his first “apartment frescoes”. It is the first of eight decorative cycles made between 1892 and 1899, some thirty panels in all.
1894
Commission for stained-glass windows for Tiffany
Siegfried Bing, who gave Art Nouveau its name, commissions Vuillard and the other Nabis to design stained-glass windows to be made by Louis Tiffany’s American firm; the designs are shown in 1895 at the Société Nationale des Beaux-Arts, but the windows are never made.
![Προσωπογραφία του μικρού Κ[ωνσταντίνου] Μοντεσάντου, Λύτρας Νίκος, 1914](https://www.nationalgallery.gr/wp-content/uploads/2022/03/61087_2000_2000-497x1100.jpg)
