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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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17.237 obras de 436 museos2308 expuestas ahora Quitar todo

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Bronce17.237
Yeso15.353
Madera10.617
Terracota y cerámica9445
Mármol9435
Piedra7476
Metal3651
Marfil1707

The Jolly Good Fellow (Le bon vivant), Imitator of Honoré Daumier, model probably after 1860, cast around November 1956

anonymousThe Jolly Good Fellow (Le bon vivant)model probably after 1860, cast around November 1956Galería Nacional de Arte

Seated Satyr Holding a Candlestick and Inkwell, Follower of Andrea Briosco, called Riccio, c. 1530-1540

anonymousSeated Satyr Holding a Candlestick and Inkwellc. 1530-1540Galería Nacional de Arte

The Listener (Le bourgeois en attente), Imitator of Honoré Daumier, model probably after 1860, cast around November 1956

anonymousThe Listener (Le bourgeois en attente)model probably after 1860, cast around November 1956Galería Nacional de Arte

The Visitor (Le visiteur), Imitator of Honoré Daumier, model probably after 1860, cast around February 1956

anonymousThe Visitor (Le visiteur)model probably after 1860, cast around February 1956Galería Nacional de Arte

A Sea Monster, Workshop of Severo da Ravenna, second quarter 16th century

anonymousA Sea Monstersecond quarter 16th centuryGalería Nacional de Arte

Christ Healing the Possessed Boy, Follower of Filippo Brunelleschi and Masaccio, c. 1450/1460

anonymousChrist Healing the Possessed Boyc. 1450/1460Galería Nacional de Arte

Minerva, Style of Peter Flötner

anonymousMinervaGalería Nacional de Arte

The Dandy (Le dandy), Imitator of Honoré Daumier, model probably after 1860, cast around June 1951

anonymousThe Dandy (Le dandy)model probably after 1860, cast around June 1951Galería Nacional de Arte

Louis II de Bourbon, Prince de Condé, after Antoine Coysevox, 1877/1901

anonymousLouis II de Bourbon, Prince de Condé1877/1901Galería Nacional de Arte

Lucrezia Borgia, 1480-1519, Wife of Alfonso d'Este of Ferrara 1502, Style of Giancristoforo Romano, possibly 1502

anonymousLucrezia Borgia, 1480-1519, Wife of Alfonso d'Este of Ferrara 1502possibly 1502Galería Nacional de Arte

The Stroller (Le bourgeois qui flâne), Imitator of Honoré Daumier, model probably after 1860, cast around January 1954

anonymousThe Stroller (Le bourgeois qui flâne)model probably after 1860, cast around January 1954Galería Nacional de Arte

Door Knocker with Mask, Monsters and Putto, Circle of Hubert Gerhard, c. 1590-1600

anonymousDoor Knocker with Mask, Monsters and Puttoc. 1590-1600Galería Nacional de Arte

Mortar, Foundry of Caspar Dietrich, second half 16th century

anonymousMortarsecond half 16th centuryGalería Nacional de Arte

Antonio di Dante Castiglione, Style of Niccolò Fiorentino, c. 1485/1500

anonymousAntonio di Dante Castiglionec. 1485/1500Galería Nacional de Arte

Francesco Lancilotti, born 1472, Painter, Style of Niccolò Fiorentino, c. 1500/1510

anonymousFrancesco Lancilotti, born 1472, Painterc. 1500/1510Galería Nacional de Arte

Woman Cutting Her Nails, Workshop of Barthélemy Prieur, early 17th century

anonymousWoman Cutting Her Nailsearly 17th centurySala 25 · Edificio Oeste, planta principalGalería Nacional de Arte

Saint John the Baptist, Imitator of Desiderio da Settignano, c. 1850/1875

anonymousSaint John the Baptistc. 1850/1875Galería Nacional de Arte

A Sand-Box (Triangular), Follower of Andrea Briosco, called Riccio, c. 1525/1540

anonymousA Sand-Box (Triangular)c. 1525/1540Galería Nacional de Arte

Cupid on a Dolphin, Workshop of Francesco Fanelli, c. 1635/1660

anonymousCupid on a Dolphinc. 1635/1660Galería Nacional de Arte

Mars, Style of Peter Flötner

anonymousMarsGalería Nacional de Arte

Christ on Tomb with Two Angels, German follower of Antonio Abondio, late 16th century

anonymousChrist on Tomb with Two Angelslate 16th centuryGalería Nacional de Arte

The Spinario, Workshop of Severo da Ravenna, first quarter 16th century

anonymousThe Spinariofirst quarter 16th centuryGalería Nacional de Arte

The Lover (L'amoureux), Imitator of Honoré Daumier, model probably after 1860, cast around January 1954

anonymousThe Lover (L'amoureux)model probably after 1860, cast around January 1954Galería Nacional de Arte

Madonna and Child between Two Candelabra, Follower of Donatello

anonymousMadonna and Child between Two CandelabraGalería Nacional de Arte

Battle Scene, Style of Moderno

anonymousBattle SceneSala 16 · Edificio Oeste, planta bajaGalería Nacional de Arte

Lorenzo de' Medici, il Magnifico, 1449-1492, Style of Niccolò Fiorentino, c. 1485/1500

anonymousLorenzo de' Medici, il Magnifico, 1449-1492c. 1485/1500Galería Nacional de Arte

Infant Bacchanalians, after François Duquesnoy

anonymousInfant BacchanaliansGalería Nacional de Arte

Bather, Probably workshop of Johann Gregor van der Schardt, model c. 1570-1575, cast c. 1581-1620

anonymousBathermodel c. 1570-1575, cast c. 1581-1620Galería Nacional de Arte

Dead Christ Supported by the Virgin and Saint John, Style of Moderno

anonymousDead Christ Supported by the Virgin and Saint JohnSala 16 · Edificio Oeste, planta bajaGalería Nacional de Arte

Madonna and Child with Saints, Style of Andrea Sansovino

anonymousMadonna and Child with SaintsGalería Nacional de Arte

Henri IV, 1553-1610, King of France 1589, Style of Guillaume Dupré

anonymousHenri IV, 1553-1610, King of France 1589Galería Nacional de Arte

Leonora Altoviti, Style of Niccolò Fiorentino, c. 1487

anonymousLeonora Altovitic. 1487Sala 16 · Edificio Oeste, planta bajaGalería Nacional de Arte

Judith with the Head of Holofernes, Workshop of Andrea Briosco, called Riccio

anonymousJudith with the Head of HolofernesGalería Nacional de Arte

Mercury, after Giovanni Bologna, c. 1780/c. 1850

anonymousMercuryc. 1780/c. 1850Sala 107 · Edificio Oeste, planta principalGalería Nacional de Arte

Lamp, Upper Portion, after Andrea Briosco, called Riccio, c. 1800/1899

anonymousLamp, Upper Portionc. 1800/1899Galería Nacional de Arte

Hercules Carrying the Erymanthian Boar, after Giovanni Bologna, c. 1575/1675

anonymousHercules Carrying the Erymanthian Boarc. 1575/1675Galería Nacional de Arte

The Madonna of the Rosary, Style of Jacopo Sansovino, mid 16th century

anonymousThe Madonna of the Rosarymid 16th centuryGalería Nacional de Arte

Lucrezia Borgia, 1480-1519, Wife of Alfonso d'Este of Ferrara 1502, Style of Giancristoforo Romano, c. 1502

anonymousLucrezia Borgia, 1480-1519, Wife of Alfonso d'Este of Ferrara 1502c. 1502Galería Nacional de Arte

Ippolito d'Este, 1479-1520, Cardinal 1493, Style of Niccolò Fiorentino, probably 1503

anonymousIppolito d'Este, 1479-1520, Cardinal 1493probably 1503Galería Nacional de Arte

Madonna and Child before a Niche, after Donatello, mid 15th century

anonymousMadonna and Child before a Nichemid 15th centuryGalería Nacional de Arte

Achille Tiberti of Cesena, died 1501, Style of Niccolò Fiorentino, c. 1495

anonymousAchille Tiberti of Cesena, died 1501c. 1495Galería Nacional de Arte

An Allegorical Scene, Workshop of Andrea Briosco, called Riccio

anonymousAn Allegorical SceneGalería Nacional de Arte

Oil Lamp in the Form of a Female Sphinx, Follower of Andrea Briosco, called Riccio, first quarter 16th century

anonymousOil Lamp in the Form of a Female Sphinxfirst quarter 16th centuryGalería Nacional de Arte

The Martyrdom of Saint Sebastian, Style of Moderno

anonymousThe Martyrdom of Saint SebastianSala 16 · Edificio Oeste, planta bajaGalería Nacional de Arte

Inkwell in the Form of a Child Carrying a Shell, Workshop of Severo da Ravenna, c. 1510/1520

anonymousInkwell in the Form of a Child Carrying a Shellc. 1510/1520Galería Nacional de Arte

Entry of Alexander the Great into Babylon, or The Triumph of Alexander, after Charles Le Brun, 18th century

anonymousEntry of Alexander the Great into Babylon, or The Triumph of Alexander18th centuryGalería Nacional de Arte

Louis XIV, after Martin Desjardins, model c. 1683/1699, cast c. 1699

anonymousLouis XIVmodel c. 1683/1699, cast c. 1699Galería Nacional de Arte

Bacchus, after Michelangelo, 16th/19th century

anonymousBacchus16th/19th centuryGalería Nacional de Arte

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