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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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El rococó, 1720–1780

116.549 obras de 388 museos2246 expuestas ahoraQuitar

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Porträt des Bischofs Benjamin Hoadly, William Hogarth, 1741William HogarthPorträt des Bischofs Benjamin Hoadly1741Tate
The Staymaker (? The Happy Marriage V: The Fitting of the Ball Gown), William Hogarth, 1745William HogarthThe Staymaker (? The Happy Marriage V: The Fitting of the Ball Gown)1745Tate
Dr Benjamin Hoadly, William Hogarth, c. 1738William HogarthDr Benjamin Hoadlyc. 1738Museo Fitzwilliam
A prisoner of the Fleet being examined before a committee of the House of Commons, William Hogarth, 1720sWilliam HogarthA prisoner of the Fleet being examined before a committee of the House of Commons1720sMuseo Fitzwilliam
Three Ladies in a Grand Interior (‘The Broken Fan’), possibly Catherine Darnley, Duchess of Buckingham with Two Ladies, William Hogarth, 1736William HogarthThree Ladies in a Grand Interior (‘The Broken Fan’), possibly Catherine Darnley, Duchess of Buckingham with Two Ladies1736Tate
Head of a Lady, Called Lady Pembroke, William Hogarth, 1740William HogarthHead of a Lady, Called Lady Pembroke1740Tate
Miss Mary Edwards, William Hogarth, 1742William HogarthMiss Mary Edwards1742Colección Frick
A Rake's Progress, Plate 5:  He Marries, William Hogarth, 1735William HogarthA Rake's Progress, Plate 5: He Marries1735Centro de Arte Británico de Yale
Hogarth Painting the Comic Muse, William Hogarth, 1764William HogarthHogarth Painting the Comic Muse1764Centro de Arte Británico de Yale
A Harlot's Progress, Plate 5, William Hogarth, 1732William HogarthA Harlot's Progress, Plate 51732Centro de Arte Británico de Yale
Southwark Fair, William Hogarth, 1733William HogarthSouthwark Fair1733Centro de Arte Británico de Yale
Hudibras's First Adventure (no. 3), William Hogarth, 1726William HogarthHudibras's First Adventure (no. 3)1726Centro de Arte Británico de Yale
Sigismunda mourning over the Heart of Guiscardo, William Hogarth, 1759William HogarthSigismunda mourning over the Heart of Guiscardo1759Tate
The Graham Children, William Hogarth, 1742William HogarthRetrato de los niños Graham1742Sala 34National Gallery
After, William Hogarth, 1730–1731William HogarthAfter1730–1731Museum South Pavilion, Gallery S203Museo J. Paul Getty
Assembly at Wanstead House, William Hogarth, c. 1731William HogarthAssembly at Wanstead Housec. 1731Museo de Arte de Filadelfia
Portrait of Richard James of the Middle Temple, William Hogarth, 1744William HogarthPortrait of Richard James of the Middle Temple1744Museo Fitzwilliam
Satan, Sin and Death (A Scene from Milton's `Paradise Lost'), William Hogarth, 1730sWilliam HogarthSatan, Sin and Death (A Scene from Milton's `Paradise Lost')1730sTate
The Montagu Family and an Unknown Attendant, William Hogarth, between 1730 and 1735William HogarthThe Montagu Family and an Unknown Attendantbetween 1730 and 1735ExpuestaCentro de Arte Británico de Yale
A Consultation of Physicians, or The Company of Undertakers, William Hogarth, 1736William HogarthA Consultation of Physicians, or The Company of Undertakers1736Centro de Arte Británico de Yale
Mr. Garrick in the Character of Richard III, William Hogarth, 1746William HogarthMr. Garrick in the Character of Richard III1746Centro de Arte Británico de Yale
The Bathos, Tail Piece, William Hogarth, 1764William HogarthThe Bathos, Tail Piece1764Centro de Arte Británico de Yale
The Revd. John Lloyd, DD, William Hogarth, 1738William HogarthThe Revd. John Lloyd, DD1738Centro de Arte Británico de Yale
Industry and Idleness, Plate 4: The Industrious 'Prentice a Favourite, and Entrusted by His Master, William Hogarth, 1747William HogarthIndustry and Idleness, Plate 4: The Industrious 'Prentice a Favourite, and Entrusted by His Master1747Centro de Arte Británico de Yale
The Gate of Calais, William Hogarth, 1748William HogarthThe Gate of Calais1748Tate
Marriage A-la-Mode: 5. The Bagnio, William Hogarth, c. 1743William HogarthMarriage A-la-Mode: 5. The Bagnioc. 1743Sala 34National Gallery
Before, William Hogarth, 1730–1731William HogarthBefore1730–1731Museum South Pavilion, Gallery S203Museo J. Paul Getty
Thomas Pellett, M.D., William Hogarth, 1730sWilliam HogarthThomas Pellett, M.D.1730sTate
Conversation Piece (Portrait of Sir Andrew Fountaine with Other Men and Women), William Hogarth, c. 1730sWilliam HogarthConversation Piece (Portrait of Sir Andrew Fountaine with Other Men and Women)c. 1730sMuseo de Arte de Filadelfia
The Bench, William Hogarth, 1758William HogarthThe Bench1758Museo Fitzwilliam
The Dance (The Happy Marriage ?VI: The Country Dance), William Hogarth, 1745William HogarthThe Dance (The Happy Marriage ?VI: The Country Dance)1745Tate
A Rake's Progress, Plate 1:  He Takes Possession, William Hogarth, 1735William HogarthA Rake's Progress, Plate 1: He Takes Possession1735Centro de Arte Británico de Yale
Ann Hogarth, William Hogarth, ca. 1740William HogarthAnn Hogarthca. 1740ExpuestaCentro de Arte Británico de Yale
John Palmer, Barrister of the Inner Temple, William Hogarth, 1749William HogarthJohn Palmer, Barrister of the Inner Temple1749Centro de Arte Británico de Yale
Simon Lord Lovat, William Hogarth, 1746William HogarthSimon Lord Lovat1746Centro de Arte Británico de Yale
A Club of Gentlemen, William Hogarth, ca. 1730William HogarthA Club of Gentlemenca. 1730ExpuestaCentro de Arte Británico de Yale
Hogarth's Servants, William Hogarth, 1750sWilliam HogarthHogarth's Servants1750sTate
The Shrimp Girl, William Hogarth, 1743William HogarthThe Shrimp Girl1743Sala 34National Gallery
Thomas Herring, Archbishop of Canterbury, William Hogarth, 1740sWilliam HogarthThomas Herring, Archbishop of Canterbury1740sTate
Portrait of Gustavus Hamilton, 2nd Viscount Boyne, William Hogarth, c. 1740William HogarthPortrait of Gustavus Hamilton, 2nd Viscount Boynec. 1740Museo de Arte de Filadelfia
Ashley Cowper with his Wife and Daughter, William Hogarth, 1731William HogarthAshley Cowper with his Wife and Daughter1731Tate
Before, William Hogarth, 1730sWilliam HogarthBefore1730sMuseo Fitzwilliam
After, William Hogarth, 1731William HogarthAfter1731Museo Fitzwilliam
The Bruiser, William Hogarth, 1763William HogarthThe Bruiser1763Centro de Arte Británico de Yale
A Stand of Arms, Musical Instruments, etc., William Hogarth, 1750William HogarthA Stand of Arms, Musical Instruments, etc.1750Centro de Arte Británico de Yale
Paul before Felix Burlesqued, William Hogarth, 1751William HogarthPaul before Felix Burlesqued1751Centro de Arte Británico de Yale
Industry and Idleness, Plate 5: The Idle 'Prentice Turned Away, and Sent to Sea, William Hogarth, 1747William HogarthIndustry and Idleness, Plate 5: The Idle 'Prentice Turned Away, and Sent to Sea1747Centro de Arte Británico de Yale
Miss Wood, William Hogarth, ca. 1730William HogarthMiss Woodca. 1730ExpuestaCentro de Arte Británico de Yale
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