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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country, Goya, 1816Francisco de GoyaPlate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country1816Museo Metropolitano de Arte
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): They can still be of use (Aun podrán servir), Goya, 1810 (published 1863)Francisco de GoyaPlate 24 from "The Disasters of War" (Los Desastres de la Guerra): They can still be of use (Aun podrán servir)1810 (published 1863)Museo Metropolitano de Arte
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos), Goya, 1799Francisco de GoyaPlate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)1799Museo Metropolitano de Arte
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir), Goya, 1810 (published 1863)Francisco de GoyaPlate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)1810 (published 1863)Museo Metropolitano de Arte
Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos", Goya, ca. 1797–98Francisco de GoyaPlate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"ca. 1797–98Museo Metropolitano de Arte
Title page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series, Goya, 1863Francisco de GoyaTitle page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series1863Museo Metropolitano de Arte
Plate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?), Goya, 1799Francisco de GoyaPlate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?)1799Museo Metropolitano de Arte
Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback, Goya, ca. 1830–50 (?)Francisco de GoyaReproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchbackca. 1830–50 (?)Museo Metropolitano de Arte
Plate 69 from "Los Caprichos": Blow (Sopla), Goya, 1799Francisco de GoyaPlate 69 from "Los Caprichos": Blow (Sopla)1799Museo Metropolitano de Arte
'Flying Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Flying Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)Museo Metropolitano de Arte
Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)1814–15 (published 1863)Museo Metropolitano de Arte
Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)ca. 1810 (published 1863)Museo Metropolitano de Arte
Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms, Goya, 1816Francisco de GoyaPlate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms1816Museo Metropolitano de Arte
Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja), Goya, 1810 (published 1863)Francisco de GoyaPlate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)1810 (published 1863)Museo Metropolitano de Arte
An old woman spinning, spindle in her right hand, distaff in her left, Goya, 1819Francisco de GoyaAn old woman spinning, spindle in her right hand, distaff in her left1819Museo Metropolitano de Arte
Plate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes)1814–15 (published 1863)Museo Metropolitano de Arte
Little Bulls' Folly, from "The Disparates" (Disparates, Plate D), Goya, ca. 1815–19 (published 1877)Francisco de GoyaLittle Bulls' Folly, from "The Disparates" (Disparates, Plate D)ca. 1815–19 (published 1877)Museo Metropolitano de Arte
Blind Guitarist, Goya, ca. 1778Francisco de GoyaBlind Guitaristca. 1778Museo Metropolitano de Arte
Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa), Goya, 1799Francisco de GoyaPlate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)1799Museo Metropolitano de Arte
'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A), Goya, ca. 1815–19 (published before 1877)Francisco de Goya'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)ca. 1815–19 (published before 1877)Museo Metropolitano de Arte
A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia", Goya, 1816Francisco de GoyaA Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"1816Museo Metropolitano de Arte
Funereal Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaFunereal Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Museo Metropolitano de Arte
Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra), Goya, ca. 1810Francisco de GoyaPlate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)ca. 1810Museo Metropolitano de Arte
It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos", Goya, 1799Francisco de GoyaIt is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"1799Museo Metropolitano de Arte
Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta), Goya, 1799Francisco de GoyaPlate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)1799Museo Metropolitano de Arte
Clear Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaClear Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Museo Metropolitano de Arte
Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes), Goya, 1799Francisco de GoyaPlate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)1799Museo Metropolitano de Arte
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, Goya, 1816Francisco de GoyaPlate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon1816Museo Metropolitano de Arte
Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): 'There isn't time now' (Ya no hay tiempo), Goya, 1810 (published 1863)Francisco de GoyaPlate 19 from "The Disasters of War" (Los Desastres de la Guerra): 'There isn't time now' (Ya no hay tiempo)1810 (published 1863)Museo Metropolitano de Arte
'Carnival Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Museo Metropolitano de Arte
Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados), Goya, 1799Francisco de GoyaPlate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)1799Museo Metropolitano de Arte
Aesop, after Velázquez, Goya, 1778Francisco de GoyaAesop, after Velázquez1778Museo Metropolitano de Arte
Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo), Goya, ca. 1810Francisco de GoyaPlate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)ca. 1810Museo Metropolitano de Arte
Plate 31 of  "La Tauromaquia": Banderillas with firecrackers, Goya, 1816Francisco de GoyaPlate 31 of "La Tauromaquia": Banderillas with firecrackers1816Museo Metropolitano de Arte
Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid1816Museo Metropolitano de Arte
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published ca. 1848)Francisco de Goya'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published ca. 1848)Museo Metropolitano de Arte
Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)ca. 1810 (published 1863)Museo Metropolitano de Arte
Spanish Entertainment from the 'Bulls of Bordeaux', Goya, 1825Francisco de GoyaSpanish Entertainment from the 'Bulls of Bordeaux'1825Museo Metropolitano de Arte
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)ca. 1810 (published 1863)Museo Metropolitano de Arte
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules, Goya, 1816Francisco de GoyaPlate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules1816Museo Metropolitano de Arte
Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas), Goya, 1810 (published 1863)Francisco de GoyaPlate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)1810 (published 1863)Museo Metropolitano de Arte
Plate 24 from  "Los Caprichos": Nothing could be done about It (Nohubo remedio), Goya, 1799Francisco de GoyaPlate 24 from "Los Caprichos": Nothing could be done about It (Nohubo remedio)1799Museo Metropolitano de Arte
Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto), Goya, 1810 (published 1863)Francisco de GoyaPlate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)1810 (published 1863)Museo Metropolitano de Arte
Plate 38 from "Los Caprichos": Bravo! (Brabisimo!), Goya, 1799Francisco de GoyaPlate 38 from "Los Caprichos": Bravo! (Brabisimo!)1799Museo Metropolitano de Arte
Plate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan)ca. 1810 (published 1863)Museo Metropolitano de Arte
Pllate 60 from "Los Caprichos": Trials (Ensayos), Goya, 1799Francisco de GoyaPllate 60 from "Los Caprichos": Trials (Ensayos)1799Museo Metropolitano de Arte
Plate 13 of  "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants, Goya, 1816Francisco de GoyaPlate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants1816Museo Metropolitano de Arte
Plate 16  from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya, 1797–98Francisco de GoyaPlate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)1797–98Museo Metropolitano de Arte
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