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ART WIKI

Dónde ver arte y cuándo abre el museo.

Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Aguafuerte130.252
Litografía89.179
Grabado a buril63.364
Xilografía56.703
Punta seca9308
Serigrafía8459
Aguatinta7452
Impresión fotomecánica6933
Mezzotinta6751
Linograbado2658

The Flight into Egypt: a Night Piece, Rembrandt, 1651

Rembrandt van RijnThe Flight into Egypt: a Night Piece1651Museo Metropolitano de Arte

Esto es lo verdadero (This Is the Truth), Francisco Goya, 1810/1820

Francisco de GoyaEsto es lo verdadero (This Is the Truth)1810/1820Galería Nacional de Arte

The Hundred Guilder Print, Rembrandt, 1648

Rembrandt van RijnThe Hundred Guilder Print1648Museo Metropolitano de Arte

Al Conde Palatino (To the Count Palatine), Francisco Goya, in or before 1799

Francisco de GoyaAl Conde Palatino (To the Count Palatine)in or before 1799Galería Nacional de Arte

Bullfight in a Divided Ring, Francisco Goya, 1825

Francisco de GoyaBullfight in a Divided Ring1825Galería Nacional de Arte

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Fuerte cosa es! (That's Tough!), Francisco Goya, 1810 / 1820

Francisco de GoyaFuerte cosa es! (That's Tough!)1810 / 1820Galería Nacional de Arte

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Esto es lo verdadero (This Is the Truth), Francisco Goya, 1810/1820

Francisco de GoyaEsto es lo verdadero (This Is the Truth)1810/1820Galería Nacional de Arte

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Light Side/Dark Side from 2006: Trance/Borders, Marina Abramović, 2006

Marina AbramovicLight Side/Dark Side from 2006: Trance/Borders2006MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Y aun no se van! (And Still They Don't Go!), Francisco Goya, 1799

Francisco de GoyaY aun no se van! (And Still They Don't Go!)1799Galería Nacional de Arte

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Title page from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicTitle page from Spirit Cooking1996MoMA

The Goldsmith, Rembrandt, 1655

Rembrandt van RijnThe Goldsmith1655Museo Metropolitano de Arte

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Abraham Casting Out Hagar and Ishmael, Rembrandt, 1637

Rembrandt van RijnAbraham Casting Out Hagar and Ishmael1637Museo Metropolitano de Arte

The Angel Appearing to the Shepherds, Rembrandt, 1634

Rembrandt van RijnThe Angel Appearing to the Shepherds1634Museo Metropolitano de Arte

Peter and John Healing the Cripple at the Gate of the Temple, Rembrandt, 1659

Rembrandt van RijnPeter and John Healing the Cripple at the Gate of the Temple1659Museo Metropolitano de Arte

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Canal with a Large Boat and a Bridge, Rembrandt, 1650

Rembrandt van RijnCanal with a Large Boat and a Bridge1650Museo Metropolitano de Arte

No se puede saber por que (One Can't Tell Why), Francisco Goya, published 1863

Francisco de GoyaNo se puede saber por que (One Can't Tell Why)published 1863Galería Nacional de Arte

Nude Man Seated before a Curtain, Rembrandt, 1646

Rembrandt van RijnNude Man Seated before a Curtain1646Museo Metropolitano de Arte

Beggar Leaning on a Stick, Facing Left, Rembrandt, ca. 1630

Rembrandt van RijnBeggar Leaning on a Stick, Facing Leftca. 1630Museo Metropolitano de Arte

No Hay Quien Los Socorra (Nobody Can Help Them), Francisco Goya, 1810/1820, printed later

Francisco de GoyaNo Hay Quien Los Socorra (Nobody Can Help Them)1810/1820, printed laterGalería Nacional de Arte

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open), Francisco Goya, in or before 1816

Francisco de GoyaLos moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open)in or before 1816Galería Nacional de Arte

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Felipe IV, Francisco Goya after Diego Velázquez, 1778

Francisco de GoyaFelipe IV1778Galería Nacional de Arte

Disparate puntual (Sure Folly), Francisco Goya, in or after 1816

Francisco de GoyaDisparate puntual (Sure Folly)in or after 1816Galería Nacional de Arte

Untitled from Spirit Cooking, Marina Abramović, 1996

Marina AbramovicUntitled from Spirit Cooking1996MoMA

Spirit Cooking, Marina Abramović, 1996

Marina AbramovicSpirit Cooking1996MoMA

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