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ART WIKI

Dónde ver arte y cuándo abre el museo.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (16 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Aguafuerte82.932
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Xilografía45.890
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In-text plate (folio 35) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 35) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

In-text plate (folio 13 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 13 verso) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

Proof from À toute épreuve (Proof Against All) by Paul Éluard, Joan Miró, 1947–58

Joan MiróProof from À toute épreuve (Proof Against All) by Paul Éluard1947–58MoMA

Headpiece (folio 7 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróHeadpiece (folio 7 verso) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

The Adoration of the Shepherds, Giovanni Britto after Titian, c. 1532/1533

TitianThe Adoration of the Shepherdsc. 1532/1533Galería Nacional de Arte

Presentation of the Virgin in the Temple [left plate], John Baptist Jackson after Titian, 1742

TitianPresentation of the Virgin in the Temple [left plate]1742Galería Nacional de Arte

Plate (folio 38) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróPlate (folio 38) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

The Submersion of Pharoah's Army in the Red Sea, Titian, c. 1514/1515

TitianThe Submersion of Pharoah's Army in the Red Seac. 1514/1515Galería Nacional de Arte

Caricature of the Laocoon Group, Attributed to Niccolò Boldrini after Titian, c. 1540/1545

TitianCaricature of the Laocoon Groupc. 1540/1545Galería Nacional de Arte

Samson and Delilah, Niccolò Boldrini after Titian, c. 1540

TitianSamson and Delilahc. 1540Galería Nacional de Arte

Chapter title page (folio 43) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróChapter title page (folio 43) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

Plate (folio 9 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróPlate (folio 9 verso) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

Venus and Cupid, Niccolò Boldrini after Titian, 1566

TitianVenus and Cupid1566Galería Nacional de Arte

Michel Ange modelant l'esclave (Michelangelo Sculpting "The Slave"), Auguste-Hilaire Léveillé after Auguste Rodin, 1894

Auguste RodinMichel Ange modelant l'esclave (Michelangelo Sculpting "The Slave")1894Galería Nacional de Arte

Earth, New Year's greeting-card 1953, M.C. Escher, 1952

Maurits Cornelis EscherEarth, New Year's greeting-card 19531952Galería Nacional de Arte

Serenade in Siena, M.C. Escher, 1923

Maurits Cornelis EscherSerenade in Siena1923Galería Nacional de Arte

In-text plate (folio 27) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 27) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

Plate (folio 14 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróPlate (folio 14 verso) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

In-text plate (folio 24) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 24) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

Santa Francesca Romana, M.C. Escher, 1934

Maurits Cornelis EscherSanta Francesca Romana1934Galería Nacional de Arte

Mobius Strip II, M.C. Escher, 1963

Maurits Cornelis EscherMobius Strip II1963Galería Nacional de Arte

Presentation of the Virgin in the Temple [center plate], John Baptist Jackson after Titian, 1742

TitianPresentation of the Virgin in the Temple [center plate]1742Galería Nacional de Arte

Bookplate G.H.'s-Gravesande, M.C. Escher, 1940

Maurits Cornelis EscherBookplate G.H.'s-Gravesande1940Galería Nacional de Arte

Day and Night, M.C. Escher, 1938

Maurits Cornelis EscherDay and Night1938Galería Nacional de Arte

Landscape with a Milkmaid, Niccolò Boldrini after Titian, 1530s

TitianLandscape with a Milkmaid1530sGalería Nacional de Arte

Michel Ange modelant l'esclave (Michelangelo Sculpting "The Slave"), Auguste-Hilaire Léveillé after Auguste Rodin, 1894

Auguste RodinMichel Ange modelant l'esclave (Michelangelo Sculpting "The Slave")1894Galería Nacional de Arte

In-text plate (folio 35 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 35 verso) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

Plate (folio 21 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróPlate (folio 21 verso) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

Spirals, M.C. Escher, 1953

Maurits Cornelis EscherSpirals1953Galería Nacional de Arte

Plate (folio 9) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróPlate (folio 9) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

The Death of Saint Peter Martyr, John Baptist Jackson after Titian, 1739

TitianThe Death of Saint Peter Martyr1739Galería Nacional de Arte

Chapter title (folio 7) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróChapter title (folio 7) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

In-text plate (folio 15) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 15) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

Knots, M.C. Escher, 1965

Maurits Cornelis EscherKnots1965Galería Nacional de Arte

Bookplate Albert Ernst Bosman, M.C. Escher, probably 1946

Maurits Cornelis EscherBookplate Albert Ernst Bosmanprobably 1946Galería Nacional de Arte

In-text plate (folio 32 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 32 verso) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

Presentation of the Virgin in the Temple (Right Panel), John Baptist Jackson, after Titian, 1742

TitianPresentation of the Virgin in the Temple (Right Panel)1742Galería Nacional de Arte

Rossano, Calabria, M.C. Escher, 1931

Maurits Cornelis EscherRossano, Calabria1931Galería Nacional de Arte

Christ Crowned with Thorns, Andrea Meldolla, called Schiavone, after Titian, 1550s

TitianChrist Crowned with Thorns1550sGalería Nacional de Arte

The Death of Saint Peter Martyr, John Baptist Jackson after Titian, c. 1738

TitianThe Death of Saint Peter Martyrc. 1738Galería Nacional de Arte

In-text plate (folio 15 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 15 verso) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

New Year's greeting-card 1947, Nederlandsche ExLibris-Kring, M.C. Escher, 1946

Maurits Cornelis EscherNew Year's greeting-card 1947, Nederlandsche ExLibris-Kring1946Galería Nacional de Arte

Between St. Peter's and the Sistine Chapel, M.C. Escher, 1936

Maurits Cornelis EscherBetween St. Peter's and the Sistine Chapel1936Galería Nacional de Arte

In-text plate (folio 36 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 36 verso) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

In-text plate (folio 23 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 23 verso) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

In-text plate (folio 28) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 28) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

In-text plate (folio 20) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 20) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

Plate (folio 27 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróPlate (folio 27 verso) from À toute épreuve (Proof Against All)1947–58, published 1958MoMA

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