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Dónde ver arte y cuándo abre el museo.

Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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  • Aguafuerte130.252
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Battersea Dawn (Cadogan Pier), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1861James Abbott McNeill WhistlerBattersea Dawn (Cadogan Pier), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1861Galería de Arte de la Universidad Yale
Fumette Standing from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerFumette Standing from an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
The Little Venice, from the First Venice Set (Venice, A Series of Twelve Etchings), James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Little Venice, from the First Venice Set (Venice, A Series of Twelve Etchings)1879–80Galería de Arte de la Universidad Yale
Title plate for Douze Eaux-Fortes d'après Nature (Twelve Etchings from Nature), known as the French Set, James McNeill Whistler, 1858James Abbott McNeill WhistlerTitle plate for Douze Eaux-Fortes d'après Nature (Twelve Etchings from Nature), known as the French Set1858Galería de Arte de la Universidad Yale
The Village Sweet Shop, James McNeill Whistler, 1886James Abbott McNeill WhistlerThe Village Sweet Shop1886Galería de Arte de la Universidad Yale
Eagle Wharf (Tyzac, Whiteley & Co.), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerEagle Wharf (Tyzac, Whiteley & Co.), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Galería de Arte de la Universidad Yale
Two Sketchesfrom an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerTwo Sketchesfrom an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
Nocturne, from the First Venice Set (Venice, A Series of Twelve Etchings), James McNeill Whistler, 1879–80James Abbott McNeill WhistlerNocturne, from the First Venice Set (Venice, A Series of Twelve Etchings)1879–80Galería de Arte de la Universidad Yale
Vauxhall Bridge, James McNeill Whistler, 1861James Abbott McNeill WhistlerVauxhall Bridge1861Galería de Arte de la Universidad Yale
Nocturne Furnace, from the Second Venice Set (A Set of Twenty-six Etchings), James McNeill Whistler, 1880, published 1886James Abbott McNeill WhistlerNocturne Furnace, from the Second Venice Set (A Set of Twenty-six Etchings)1880, published 1886Galería de Arte de la Universidad Yale
Rotherhithe K. 66 III from "The Thames Set", James McNeill Whistler, 1860James Abbott McNeill WhistlerRotherhithe K. 66 III from "The Thames Set"1860Galería de Arte de la Universidad Yale
The Doorway, from the First Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Doorway, from the First Venice Set1879–80Galería de Arte de la Universidad Yale
Buildings from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerBuildings from an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
Alderney Street, James McNeill Whistler, 1881James Abbott McNeill WhistlerAlderney Street1881Galería de Arte de la Universidad Yale
Woman Standing from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerWoman Standing from an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
The Fish Shop, Venice, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Fish Shop, Venice, from the Second Venice Set1879–80Galería de Arte de la Universidad Yale
Black Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerBlack Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Galería de Arte de la Universidad Yale
The Desk from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerThe Desk from an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
The Kitchen, from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature), James McNeill Whistler, 1858James Abbott McNeill WhistlerThe Kitchen, from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature)1858Galería de Arte de la Universidad Yale
Irving as Phillip of Spain, No. 1, from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerIrving as Phillip of Spain, No. 1, from an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
Black Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerBlack Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Galería de Arte de la Universidad Yale
Nocturne Palaces, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerNocturne Palaces, from the Second Venice Set1879–80Galería de Arte de la Universidad Yale
La Marchande de Moutarde (The Mustard Seller), from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature), James McNeill Whistler, 1858James Abbott McNeill WhistlerLa Marchande de Moutarde (The Mustard Seller), from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature)1858Galería de Arte de la Universidad Yale
Billingsgate, James McNeill Whistler, 1859James Abbott McNeill WhistlerBillingsgate1859Galería de Arte de la Universidad Yale
The Miserfrom an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerThe Miserfrom an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
Resting from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerResting from an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
Fruit Stall, from the Second Venice Set ( A Set of Twenty-six Etchings), James McNeill Whistler, 1879–80James Abbott McNeill WhistlerFruit Stall, from the Second Venice Set ( A Set of Twenty-six Etchings)1879–80Galería de Arte de la Universidad Yale
Becquet (The Fiddler), from the "Thames set", also called "Sixteen etchings", James McNeill Whistler, 1859James Abbott McNeill WhistlerBecquet (The Fiddler), from the "Thames set", also called "Sixteen etchings"1859Galería de Arte de la Universidad Yale
Seated Figure from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerSeated Figure from an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
Billingsgate, James McNeill Whistler, 1859James Abbott McNeill WhistlerBillingsgate1859Galería de Arte de la Universidad Yale
Billingsgate, James McNeill Whistler, 1859James Abbott McNeill WhistlerBillingsgate1859Galería de Arte de la Universidad Yale
Young Woman Lying on Couch from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerYoung Woman Lying on Couch from an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
Traghetto, no. 2, from the First Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerTraghetto, no. 2, from the First Venice Set1879–80Galería de Arte de la Universidad Yale
Thames Warehouse, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerThames Warehouse, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Galería de Arte de la Universidad Yale
Nocturne: Salute, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerNocturne: Salute1879–80Galería de Arte de la Universidad Yale
La Salute Dawn, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerLa Salute Dawn, from the Second Venice Set1879–80Galería de Arte de la Universidad Yale
The Palaces, from the First Venice Set (Venice, A Series of Twelve Etchings), James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Palaces, from the First Venice Set (Venice, A Series of Twelve Etchings)1879–80Galería de Arte de la Universidad Yale
La Vielle aux Loques, from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature), James McNeill Whistler, 1858James Abbott McNeill WhistlerLa Vielle aux Loques, from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature)1858Galería de Arte de la Universidad Yale
The Muff from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerThe Muff from an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
J. Becquet, sculptor (The Fiddler), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerJ. Becquet, sculptor (The Fiddler), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Galería de Arte de la Universidad Yale
Tillie: A Model from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerTillie: A Model from an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
Two Figures from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerTwo Figures from an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
The Pool, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerThe Pool, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Galería de Arte de la Universidad Yale
The Little Putney No. 1, James McNeill Whistler, 1879James Abbott McNeill WhistlerThe Little Putney No. 11879Galería de Arte de la Universidad Yale
The Model Resting from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerThe Model Resting from an album of impressions of cancelled plates by Whistlerca. 1897Galería de Arte de la Universidad Yale
San Giorgio, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerSan Giorgio, from the Second Venice Set1879–80Galería de Arte de la Universidad Yale
The Garden, from the Second Venice Set (A Set of Twenty-six Etchings), James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Garden, from the Second Venice Set (A Set of Twenty-six Etchings)1879–80Galería de Arte de la Universidad Yale
Battersea Dawn (Cadogan Pier), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1861James Abbott McNeill WhistlerBattersea Dawn (Cadogan Pier), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1861Galería de Arte de la Universidad Yale
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