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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Arte de posguerra, 1945–1975

223.220 obras de 458 museos1980 expuestas ahoraQuitar

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Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961, Allen Ginsberg, 1961, printed laterAllen GinsbergMe asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 19611961, printed laterGalería Nacional de Arte
Untitled, Mark Rothko, 1967Mark RothkoUntitled1967Galería Nacional de Arte
Gary Snyder, his small house-garden on Nishinomiya-cho, Kita-ku section near Dai-tokuji temple, in monk’s travelling outfit, wearing Unsui’s indigo-dyed cotton training robe (koromo), square handsewn Rakusu cloth hung round his neck, thick belt to guard zazen sitting posture & belly warmth, and dark-browned Ajirokasa basket-hat stained with juice of green persimmons. Kyoto, Japan July 1963., Allen Ginsberg, 1963, printed laterAllen GinsbergGary Snyder, his small house-garden on Nishinomiya-cho, Kita-ku section near Dai-tokuji temple, in monk’s travelling outfit, wearing Unsui’s indigo-dyed cotton training robe (koromo), square handsewn Rakusu cloth hung round his neck, thick belt to guard zazen sitting posture & belly warmth, and dark-browned Ajirokasa basket-hat stained with juice of green persimmons. Kyoto, Japan July 1963.1963, printed laterGalería Nacional de Arte
Michael Portman, ill-starred English aristocrat, then staying next door room to William Burroughs at Villa Muniria studying Alpha rhythms, stroboscope “Dream-Machine” illusions and letters with Burroughs and Brion Gysin. Dorian Gray youth, he died in mid-age, alcohol and other dissipations, Tangier 1961., Allen Ginsberg, 1961, printed 1985Allen GinsbergMichael Portman, ill-starred English aristocrat, then staying next door room to William Burroughs at Villa Muniria studying Alpha rhythms, stroboscope “Dream-Machine” illusions and letters with Burroughs and Brion Gysin. Dorian Gray youth, he died in mid-age, alcohol and other dissipations, Tangier 1961.1961, printed 1985Galería Nacional de Arte
Mock machete battle with state agricultural advisor, American girl passing through watching, elder Antonio the family retainer & nephew, Finca Tacalapan de San Leandro a day’s travel by river & horseback from Salto de Agua Railroad stops into edge of Petén Rainforest to old family land of Karena Shields (first Jane in 30s Tarzan movies) who hosted me February thru May, we’d met at Palenque old Mayan ruins nearby, & lived in open thatchroof shelter, slept in Mosquito-netted hammocks, I wrote “Siesta in Xbalba”, Chiapas Mexico 1954., Allen Ginsberg, 1954, printed 1995Allen GinsbergMock machete battle with state agricultural advisor, American girl passing through watching, elder Antonio the family retainer & nephew, Finca Tacalapan de San Leandro a day’s travel by river & horseback from Salto de Agua Railroad stops into edge of Petén Rainforest to old family land of Karena Shields (first Jane in 30s Tarzan movies) who hosted me February thru May, we’d met at Palenque old Mayan ruins nearby, & lived in open thatchroof shelter, slept in Mosquito-netted hammocks, I wrote “Siesta in Xbalba”, Chiapas Mexico 1954.1954, printed 1995Galería Nacional de Arte
“Peter lying dressed up in pants on mattress picking his red moustache, with long hollywood Christlike hair & Christ’s small beard stubble — ” (_Indian Journals_, p. 132) Orlovsky & I spent half year in this room overlooking Dasasumedh Ghat’s bathers pilgrims & beggars a few steps from the Ganges, french window slats overlooking food market one side, pilgrim alley the other. We cooked on small gas camper stove, kept records, wrote letters, visited temples, burning ghats, read Ramayana, mixed with poets
& sanskrit Achkans in small restaurant chai houses, visited shenai master Bichmulla Khan, Peter took singing lessons from one Rabmdranath Pal, & we sought out swamis & holy men to talk with. Benares, December 19, 1962., Allen Ginsberg, 1962, printed laterAllen Ginsberg“Peter lying dressed up in pants on mattress picking his red moustache, with long hollywood Christlike hair & Christ’s small beard stubble — ” (_Indian Journals_, p. 132) Orlovsky & I spent half year in this room overlooking Dasasumedh Ghat’s bathers pilgrims & beggars a few steps from the Ganges, french window slats overlooking food market one side, pilgrim alley the other. We cooked on small gas camper stove, kept records, wrote letters, visited temples, burning ghats, read Ramayana, mixed with poets & sanskrit Achkans in small restaurant chai houses, visited shenai master Bichmulla Khan, Peter took singing lessons from one Rabmdranath Pal, & we sought out swamis & holy men to talk with. Benares, December 19, 1962.1962, printed laterGalería Nacional de Arte
Herbert E. Huncke, author _The Evening Sun Turned Crimson_, who introduced "hip" vocabulary & attitudes to writers later labeled "Beat", his room Hotel Elite, N.E. corner 8th Avenue and 51'st street diagonally opposite Madison Square Garden. Rare glimpse of Huncke, then hustling bread on Times Square, strung-out - he fixed at the sink. Saw him infrequently that season, though we'd known each other well since 1945, found his room to say good bye, leaving New York to hitch south, Mexico and Bay area, here just before Christmas, Manhattan 1953., Allen Ginsberg, 1953, printed laterAllen GinsbergHerbert E. Huncke, author _The Evening Sun Turned Crimson_, who introduced "hip" vocabulary & attitudes to writers later labeled "Beat", his room Hotel Elite, N.E. corner 8th Avenue and 51'st street diagonally opposite Madison Square Garden. Rare glimpse of Huncke, then hustling bread on Times Square, strung-out - he fixed at the sink. Saw him infrequently that season, though we'd known each other well since 1945, found his room to say good bye, leaving New York to hitch south, Mexico and Bay area, here just before Christmas, Manhattan 1953.1953, printed laterGalería Nacional de Arte
Lucien Carr, his apartment above Sheridan Square, working then for U.P.I., Allen Ginsberg, 1953, printed laterAllen GinsbergLucien Carr, his apartment above Sheridan Square, working then for U.P.I.1953, printed laterGalería Nacional de Arte
We went uptown to look at Mayan Codices at Museum of Natural History & Metropolitan Museum of Art to view Carlo Crivelli’s green-hued Christ-face with crown of thorns stuck symmetric in his skull — here Egyptian wing William Burroughs with a brother Sphinx, Fall 1953 Manhattan., Allen Ginsberg, 1953, printed laterAllen GinsbergWe went uptown to look at Mayan Codices at Museum of Natural History & Metropolitan Museum of Art to view Carlo Crivelli’s green-hued Christ-face with crown of thorns stuck symmetric in his skull — here Egyptian wing William Burroughs with a brother Sphinx, Fall 1953 Manhattan.1953, printed laterGalería Nacional de Arte
Untitled, Mark Rothko, 1948Mark RothkoUntitled1948Galería Nacional de Arte
Untitled, Mark Rothko, 1968Mark RothkoUntitled1968Galería Nacional de Arte
No. 10, Mark Rothko, 1949Mark RothkoNo. 101949Galería Nacional de Arte
Untitled, Mark Rothko, 1949Mark RothkoUntitled1949Galería Nacional de Arte
Myself seen by William Burroughs, Kodak Retina new-bought 2’d hand from Bowery hock-shop, our apartment roof Lower East Side between Avenues B & C, Tompkins Park trees under new antennae. Alan Ansen, Gregory Corso & Jack Kerouac visited, Jack’s _The Subterraneans_ records much of the scene, Burroughs & I edited letter-manuscripts he’d sent from Mexico & South America, Alene Lee (“Mardou Fox” of _The Subterraneans_) typed final drafts. Neighborhood was heavily Polish & Ukranian, some artists, junkies, medical students, cheap restaurants like “Leshkos” corner 7th & A, rent was only ¼ of my monthly $120 wage as newspaper copyboy. Time of “The Green Automobile” poem to Cassady, Fall 1953., Allen Ginsberg, 1953, printed 1995Allen GinsbergMyself seen by William Burroughs, Kodak Retina new-bought 2’d hand from Bowery hock-shop, our apartment roof Lower East Side between Avenues B & C, Tompkins Park trees under new antennae. Alan Ansen, Gregory Corso & Jack Kerouac visited, Jack’s _The Subterraneans_ records much of the scene, Burroughs & I edited letter-manuscripts he’d sent from Mexico & South America, Alene Lee (“Mardou Fox” of _The Subterraneans_) typed final drafts. Neighborhood was heavily Polish & Ukranian, some artists, junkies, medical students, cheap restaurants like “Leshkos” corner 7th & A, rent was only ¼ of my monthly $120 wage as newspaper copyboy. Time of “The Green Automobile” poem to Cassady, Fall 1953.1953, printed 1995Galería Nacional de Arte
Charles Olson 1963 Vancouver. Warren Tallman's house. Bobbie. Robert Creeley Working Proof., Allen Ginsberg, 1963, printed laterAllen GinsbergCharles Olson 1963 Vancouver. Warren Tallman's house. Bobbie. Robert Creeley Working Proof.1963, printed laterGalería Nacional de Arte
Shambhu Bharti Baba, traditionally naked Naga Sadhu in sandy basement porch-shelter under Pilgrims' Guest-house above ancient Manikarnika Ghat burning-grounds at Ganges waterside in Benares, oldest cintinuously inhabited city on Earth. During six-months stay a few alleys down-river, I visited occasionally to smoke chilams, clay pipes as at edge of fire-pit, packed with ganja-tobacco mix & share Baba's silence vow along with small circle of his friends, devotees, local schoolteachers & clerks. One morning I brought camera, he invited me to take pictures rising to disrobe loin-cloth & G-string, stood nude beside Naga spear, brass waterpot & Shiva Trident. See _Indian Journals_, 1970, p.130. December 18, 1962, 10:30 AM., Allen Ginsberg, 1962, printed 1995Allen GinsbergShambhu Bharti Baba, traditionally naked Naga Sadhu in sandy basement porch-shelter under Pilgrims' Guest-house above ancient Manikarnika Ghat burning-grounds at Ganges waterside in Benares, oldest cintinuously inhabited city on Earth. During six-months stay a few alleys down-river, I visited occasionally to smoke chilams, clay pipes as at edge of fire-pit, packed with ganja-tobacco mix & share Baba's silence vow along with small circle of his friends, devotees, local schoolteachers & clerks. One morning I brought camera, he invited me to take pictures rising to disrobe loin-cloth & G-string, stood nude beside Naga spear, brass waterpot & Shiva Trident. See _Indian Journals_, 1970, p.130. December 18, 1962, 10:30 AM.1962, printed 1995Galería Nacional de Arte
Gregory Corso looking out his attic-room skylight 9 Rue Git-le-Coeur half block from Seine off Place St. Michel. He had finished first City Lights Gasoline, completed Marriage & Bomb, begun Power Poem, & was "eliminating" Death & Clown motifs (i.e. Probing Concepts), see Happy Birthday of Death volume 1960. Peter O & I lived downstairs 3rd floor, Paris 1957., Allen Ginsberg, 1957, printed 1995Allen GinsbergGregory Corso looking out his attic-room skylight 9 Rue Git-le-Coeur half block from Seine off Place St. Michel. He had finished first City Lights Gasoline, completed Marriage & Bomb, begun Power Poem, & was "eliminating" Death & Clown motifs (i.e. Probing Concepts), see Happy Birthday of Death volume 1960. Peter O & I lived downstairs 3rd floor, Paris 1957.1957, printed 1995Galería Nacional de Arte
William S. Burroughs sitting up in back bedroom waiting for my company..., Allen Ginsberg, 1953, printed laterAllen GinsbergWilliam S. Burroughs sitting up in back bedroom waiting for my company...1953, printed laterGalería Nacional de Arte
Untitled (Study for Seagram Murals), Mark Rothko, 1958/1959Mark RothkoUntitled (Study for Seagram Murals)1958/1959Galería Nacional de Arte
No. 1, Mark Rothko, 1961Mark RothkoNo. 11961Galería Nacional de Arte
Totemic Sign / Totem Sign, Mark Rothko, c. 1946Mark RothkoTotemic Sign / Totem Signc. 1946Galería Nacional de Arte
Untitled, Mark Rothko, 1948Mark RothkoUntitled1948Galería Nacional de Arte
Aquatic Drama, Mark Rothko, 1946Mark RothkoAquatic Drama1946Galería Nacional de Arte
The Source, Mark Rothko, 1945/1946Mark RothkoThe Source1945/1946Galería Nacional de Arte
A friend's house in M'raksh! Paul Bowles rear, Arab fellow and host who shared rent with Paul. 1961, Allen Ginsberg, 1961, printed laterAllen GinsbergA friend's house in M'raksh! Paul Bowles rear, Arab fellow and host who shared rent with Paul. 19611961, printed laterGalería Nacional de Arte
Allen Ginsberg & Jack Kerouac practicing Mystical Alchemy in preparation for "New Vision" Consciousness alterations in Literature & American Heart Land, camera in W.S. Burroughs' hands, Lower East Side New York, Fall 1953., Allen Ginsberg, 1953, printed laterAllen GinsbergAllen Ginsberg & Jack Kerouac practicing Mystical Alchemy in preparation for "New Vision" Consciousness alterations in Literature & American Heart Land, camera in W.S. Burroughs' hands, Lower East Side New York, Fall 1953.1953, printed laterGalería Nacional de Arte
Neal Cassady driving his oldsmobile down Bayshore Highway, San Francisco to Los Gatos, circa 1954, I sat in the backseat, the car rocked with Rhythm & Blues Radio.; Self-Portrait in Darkroom of Associated Press Office, Rockefeller Center Manhattan, I was a copyboy on the night shift, 1948. A.G.; Street cornerman’s tintype, Alameda Park, Mexico City: Jack Kerouac, myself in sombrero, Peter Orlovsky coat over shoulder, Gregory Corso kneeling with Lafcadio Orlovsky age 16, A.D. 1956. See Kerouac’s _Desolation Angels_ for account of this trip., Allen Ginsberg, 1948/1954/1956, printed 1990Allen GinsbergNeal Cassady driving his oldsmobile down Bayshore Highway, San Francisco to Los Gatos, circa 1954, I sat in the backseat, the car rocked with Rhythm & Blues Radio.; Self-Portrait in Darkroom of Associated Press Office, Rockefeller Center Manhattan, I was a copyboy on the night shift, 1948. A.G.; Street cornerman’s tintype, Alameda Park, Mexico City: Jack Kerouac, myself in sombrero, Peter Orlovsky coat over shoulder, Gregory Corso kneeling with Lafcadio Orlovsky age 16, A.D. 1956. See Kerouac’s _Desolation Angels_ for account of this trip.1948/1954/1956, printed 1990Galería Nacional de Arte
Philip Whalen visiting Lloyd Reynolds, his house Reed College- Lloyd had taught Snyder Welch & Whalen their Italic Calligraphy & Challenged McCarthyism & brought W.C. Williams to read, early 1950's. Here late July 1963, Portland Oregon., Allen Ginsberg, 1963, printed laterAllen GinsbergPhilip Whalen visiting Lloyd Reynolds, his house Reed College- Lloyd had taught Snyder Welch & Whalen their Italic Calligraphy & Challenged McCarthyism & brought W.C. Williams to read, early 1950's. Here late July 1963, Portland Oregon.1963, printed laterGalería Nacional de Arte
Untitled, Mark Rothko, 1947Mark RothkoUntitled1947Galería Nacional de Arte
Untitled, Mark Rothko, 1945Mark RothkoUntitled1945Galería Nacional de Arte
From roof of Brahmin's house wherein we'd rented Third floor room six months December to May 1963, could see past temple mandir tops across Ganges river to other shore. Our balconies hung over vegetable-meat market one side, other side overlooked sacred street down to Dasasumedh [or Dasaswamedh?] Ghat bathing steps peopled by Pilgrims beggars & cows; monkeys visited and snatched our bananas, Peter Orlovsky held my Retina, Benares India Spring 1963., Allen Ginsberg, 1963, printed 1989Allen GinsbergFrom roof of Brahmin's house wherein we'd rented Third floor room six months December to May 1963, could see past temple mandir tops across Ganges river to other shore. Our balconies hung over vegetable-meat market one side, other side overlooked sacred street down to Dasasumedh [or Dasaswamedh?] Ghat bathing steps peopled by Pilgrims beggars & cows; monkeys visited and snatched our bananas, Peter Orlovsky held my Retina, Benares India Spring 1963.1963, printed 1989Galería Nacional de Arte
W.S. Burroughs in his room Villa Mouneria Tangier, Allen Ginsberg, 1961, printed laterAllen GinsbergW.S. Burroughs in his room Villa Mouneria Tangier1961, printed laterGalería Nacional de Arte
Dead creature, Xauen, Morocco 1957., Allen Ginsberg, 1957, printed laterAllen GinsbergDead creature, Xauen, Morocco 1957.1957, printed laterGalería Nacional de Arte
No. 17, Mark Rothko, 1958Mark RothkoNo. 171958Galería Nacional de Arte
Untitled, Mark Rothko, 1945/1946Mark RothkoUntitled1945/1946Galería Nacional de Arte
Untitled, Mark Rothko, 1969Mark RothkoUntitled1969Sala 615A · Edificio Este, torreGalería Nacional de Arte
Jack Kerouac at Staten Island Ferry Wharf, we used to wander docksides under Manhattan’s bridges & thru truck parking lots along East River singing rawbone Blues, Leadbelly’s “Black Girl” or “Eli Eli,” chanting Poe’s “Annabelle Lee” & shouting Hart Crane’s “O Harp & Altar of the Fury fused!” or “Atlantis” to Brooklyn Bridge’s traffic spanned above. Time of his _Doctor Sax_ & _The Subterraneans_, Burroughs was in town, up from Mexico, New York, Fall 1953., Allen Ginsberg, 1953, printed laterAllen GinsbergJack Kerouac at Staten Island Ferry Wharf, we used to wander docksides under Manhattan’s bridges & thru truck parking lots along East River singing rawbone Blues, Leadbelly’s “Black Girl” or “Eli Eli,” chanting Poe’s “Annabelle Lee” & shouting Hart Crane’s “O Harp & Altar of the Fury fused!” or “Atlantis” to Brooklyn Bridge’s traffic spanned above. Time of his _Doctor Sax_ & _The Subterraneans_, Burroughs was in town, up from Mexico, New York, Fall 1953.1953, printed laterGalería Nacional de Arte
Lafcadio & Peter Orlovsky their apartment in San Francisco Potrero Hill 5 Turner Terrace — Peter had brought his younger brother to stay with us and go to High School a year earlier, Kerouac wrote about these “Darlovsky Brothers” in _Desolation Angels_ —we took off later for Mexico with Gregory Corso to visit Kerouac same year 1956., Allen Ginsberg, 1956, printed laterAllen GinsbergLafcadio & Peter Orlovsky their apartment in San Francisco Potrero Hill 5 Turner Terrace — Peter had brought his younger brother to stay with us and go to High School a year earlier, Kerouac wrote about these “Darlovsky Brothers” in _Desolation Angels_ —we took off later for Mexico with Gregory Corso to visit Kerouac same year 1956.1956, printed laterGalería Nacional de Arte
Untitled, Mark Rothko, 1969Mark RothkoUntitled1969Galería Nacional de Arte
1969, Mark Rothko, 1969Mark Rothko19691969Galería Nacional de Arte
Strong Gregory Corso Tangier 1961, The loner., Allen Ginsberg, 1961, printed laterAllen GinsbergStrong Gregory Corso Tangier 1961, The loner.1961, printed laterGalería Nacional de Arte
G. Corso & P. Orlovsky hanging around Bill Burroughs' room Tangier 1961, Allen Ginsberg, 1961, printed laterAllen GinsbergG. Corso & P. Orlovsky hanging around Bill Burroughs' room Tangier 19611961, printed laterGalería Nacional de Arte
Jack Kerouac the last time he visited my apartment 704 East 5th Street, Lower East Side. Gregory Corso was with him, he looked just like his late Father (described in _The Town and the City_  his first novel) - corpulent red faced W. C. Fields shuddering with mortal horror, grimacing on D.M.T. psychedelic I'd brought back from Timothy Leary's Millbrook Commune, Fall 1964., Allen Ginsberg, 1964, printed 1990Allen GinsbergJack Kerouac the last time he visited my apartment 704 East 5th Street, Lower East Side. Gregory Corso was with him, he looked just like his late Father (described in _The Town and the City_ his first novel) - corpulent red faced W. C. Fields shuddering with mortal horror, grimacing on D.M.T. psychedelic I'd brought back from Timothy Leary's Millbrook Commune, Fall 1964.1964, printed 1990Galería Nacional de Arte
Tangier 1961 Lance Hendrickson showed up, a beautiful strange face, Allen Ginsberg, 1961, printed laterAllen GinsbergTangier 1961 Lance Hendrickson showed up, a beautiful strange face1961, printed laterGalería Nacional de Arte
Eugene Brooks at Seder Table, Patterson, New Jersey E. 34th St. our house, Allen Ginsberg, 1953, printed laterAllen GinsbergEugene Brooks at Seder Table, Patterson, New Jersey E. 34th St. our house1953, printed laterGalería Nacional de Arte
William S. Burroughs, time of intense cut-up prose experiments and suspicions of all "apparent sensory phenomena." Tangier 1961., Allen Ginsberg, 1961, printed 1990Allen GinsbergWilliam S. Burroughs, time of intense cut-up prose experiments and suspicions of all "apparent sensory phenomena." Tangier 1961.1961, printed 1990Galería Nacional de Arte
Untitled (Brown and gray), Mark Rothko, 1969Mark RothkoUntitled (Brown and gray)1969Galería Nacional de Arte
Untitled, Mark Rothko, 1957Mark RothkoUntitled1957Galería Nacional de Arte
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