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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Arte de posguerra, 1945–1975

223.220 obras de 458 museos1980 expuestas ahora Quitar

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In-text plate (page 9) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978

Robert RauschenbergIn-text plate (page 9) from Traces Suspectes en Surface1972–78, published 1978MoMA

In-text plate (page 12) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978

Robert RauschenbergIn-text plate (page 12) from Traces Suspectes en Surface1972–78, published 1978MoMA

Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60

Robert RauschenbergCanto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno1959-60MoMA

Features from Currents, Robert Rauschenberg, 1970

Robert RauschenbergFeatures from Currents1970MoMA

Target I [state proof of 5th state], Jasper Johns, 1967

Jasper JohnsTarget I [state proof of 5th state]1967Galería Nacional de Arte

Tracks from Stoned Moon Series, Robert Rauschenberg, 1970

Robert RauschenbergTracks from Stoned Moon Series1970MoMA

Test Stone #7 (Torso) from Booster and 7 Studies, Robert Rauschenberg, 1967

Robert RauschenbergTest Stone #7 (Torso) from Booster and 7 Studies1967MoMA

Cup 2 Picasso [working proof], Jasper Johns, 1973

Jasper JohnsCup 2 Picasso [working proof]1973Galería Nacional de Arte

Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, Robert Rauschenberg, 1959-60

Robert RauschenbergCanto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno1959-60MoMA

Interior 2, Robert Rauschenberg, 1958

Robert RauschenbergInterior 219583rd floor, Modern and Contemporary Art and DesignGalería de Arte de la Universidad Yale

Targets [working proof], Jasper Johns, 1967-1968

Jasper JohnsTargets [working proof]1967-1968Galería Nacional de Arte

Spore, from the Stoned Moon Series, Robert Rauschenberg, 1969

Robert RauschenbergSpore, from the Stoned Moon Series1969Galería de Arte de la Universidad Yale

Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60

Robert RauschenbergCanto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno1959-60MoMA

In-text plate (page II) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978

Robert RauschenbergIn-text plate (page II) from Traces Suspectes en Surface1972–78, published 1978MoMA

Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60

Robert RauschenbergCanto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno1959-60MoMA

Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60

Robert RauschenbergCanto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno1959-60MoMA

Shades, Robert Rauschenberg, 1964

Robert RauschenbergShades1964MoMA

Test Stone #6 (Blue Cloud) from Booster and 7 Studies, Robert Rauschenberg, 1967

Robert RauschenbergTest Stone #6 (Blue Cloud) from Booster and 7 Studies1967MoMA

Cardbird Door from Cardbird Series, Robert Rauschenberg, 1971

Robert RauschenbergCardbird Door from Cardbird Series1971MoMA

Well Nell, Robert Rauschenberg, 1959

Robert RauschenbergWell Nell1959Galería de Arte de la Universidad Yale

9 from 0-9 (Black) [trial proof], Jasper Johns, 1963

Jasper Johns9 from 0-9 (Black) [trial proof]1963Galería Nacional de Arte

Cunningham Relief (From Merce Cunningham and ...), Robert Rauschenberg, 1974

Robert RauschenbergCunningham Relief (From Merce Cunningham and ...)1974Galería de Arte de la Universidad Yale

Visual Autobiography, Robert Rauschenberg, 1968

Robert RauschenbergVisual Autobiography1968Galería de Arte de la Universidad Yale

Homage to Picasso from Homage to Picasso (Hommage à Picasso), Robert Rauschenberg, 1973

Robert RauschenbergHomage to Picasso from Homage to Picasso (Hommage à Picasso)1973MoMA

In-text plate (page 28) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978

Robert RauschenbergIn-text plate (page 28) from Traces Suspectes en Surface1972–78, published 1978MoMA

Surface Series from Currents, Robert Rauschenberg, 1970

Robert RauschenbergSurface Series from Currents1970MoMA

In-text plate (page IV) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978

Robert RauschenbergIn-text plate (page IV) from Traces Suspectes en Surface1972–78, published 1978MoMA

Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60

Robert RauschenbergCanto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno1959-60MoMA

Untitled from The New York Collection for Stockholm, Robert Rauschenberg, 1973

Robert RauschenbergUntitled from The New York Collection for Stockholm1973MoMA

Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60

Robert RauschenbergCanto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno1959-60MoMA

In-text plate (page 20) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978

Robert RauschenbergIn-text plate (page 20) from Traces Suspectes en Surface1972–78, published 1978MoMA

Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1958

Robert RauschenbergCanto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno1958MoMA

Front Roll, Robert Rauschenberg, 1964

Robert RauschenbergFront Roll1964Galería de Arte de la Universidad Yale

Loop, from the Stoned Moon Series, Robert Rauschenberg, 1969

Robert RauschenbergLoop, from the Stoned Moon Series1969Galería de Arte de la Universidad Yale

Untitled, from the portfolio The New York Collection for Stockholm, Robert Rauschenberg, 1973

Robert RauschenbergUntitled, from the portfolio The New York Collection for Stockholm1973Galería de Arte de la Universidad Yale

Prize, Robert Rauschenberg, 1964

Robert RauschenbergPrize1964Galería de Arte de la Universidad Yale

Pinion [working proof], Jasper Johns, 1963-1966

Jasper JohnsPinion [working proof]1963-1966Galería Nacional de Arte

Pinion [working proof], Jasper Johns, 1963-1966

Jasper JohnsPinion [working proof]1963-1966Galería Nacional de Arte

Savarin from 1st Etchings [trial proof], Jasper Johns, 1968

Jasper JohnsSavarin from 1st Etchings [trial proof]1968Galería Nacional de Arte

Page 6 (in-text plate, folio 14) from TRACES SUSPECTES EN SURFACE, Robert Rauschenberg, 1972–78

Robert RauschenbergPage 6 (in-text plate, folio 14) from TRACES SUSPECTES EN SURFACE1972–78MoMA

Flags [working proof], Jasper Johns, 1967-1968

Jasper JohnsFlags [working proof]1967-1968Galería Nacional de Arte

Cup 2 Picasso [recto] [trial proof], Jasper Johns, 1973

Jasper JohnsCup 2 Picasso [recto] [trial proof]1973Galería Nacional de Arte

Plate (page 15) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978

Robert RauschenbergPlate (page 15) from Traces Suspectes en Surface1972–78, published 1978MoMA

Watchman, Jasper Johns, 1967

Jasper JohnsWatchman1967Galería Nacional de Arte

Coconut, from the suite Crops, Robert Rauschenberg, 1973

Robert RauschenbergCoconut, from the suite Crops1973Galería de Arte de la Universidad Yale

Treaty, Robert Rauschenberg, 1974

Robert RauschenbergTreaty1974Galería de Arte de la Universidad Yale

Thirty-Four Illustrations for Dante’s Inferno, Robert Rauschenberg, 1964

Robert RauschenbergThirty-Four Illustrations for Dante’s Inferno1964Galería de Arte de la Universidad Yale

Tampa 3, Robert Rauschenberg, 1972

Robert RauschenbergTampa 31972Galería de Arte de la Universidad Yale

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