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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Text, Folio 9 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 9 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museo de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museo de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museo de Arte de Cleveland
Rama’s brothers Bharata and Shatrughna set out from Ayodhya to find Rama and Lakshmana in the forest to inform them of the death of their father Dasharatha, from Chapter 77 of the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama’s Journey), c. 1775–80Rama’s brothers Bharata and Shatrughna set out from Ayodhya to find Rama and Lakshmana in the forest to inform them of the death of their father Dasharatha, from Chapter 77 of the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama’s Journey)c. 1775–80Museo de Arte de Cleveland
The court jester meets a Zangi dancing with joy, and learns from him that the cause of his happiness is his assignation with a woman who is the jester’s own wife, from a Tuti-nama (Tales of a Parrot): Twenty-second Night, c. 1560The court jester meets a Zangi dancing with joy, and learns from him that the cause of his happiness is his assignation with a woman who is the jester’s own wife, from a Tuti-nama (Tales of a Parrot): Twenty-second Nightc. 1560Museo de Arte de Cleveland
Text describing the pregnancy of Queen Trishala, folio 40 (recto) from a Kalpa-sutra, c. 1400Text describing the pregnancy of Queen Trishala, folio 40 (recto) from a Kalpa-sutrac. 1400Museo de Arte de Cleveland
The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night, Suraju, c. 1560SurajuThe prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Museo de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museo de Arte de Cleveland
Text, Folio 13 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 13 (verso), from a Kalpa-sutrac. 1475–1500Museo de Arte de Cleveland
Text, Folio 110 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 110 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museo de Arte de Cleveland
Text, folio 163 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 163 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museo de Arte de Cleveland
Christ and the Woman of Samaria, Perugino, 1500/05Pietro PeruginoChrist and the Woman of Samaria1500/05Sala 205Instituto de Arte de Chicago
St. Francis Kneeling before Christ on the Cross, Sassetta, 1437–1444SassettaSt. Francis Kneeling before Christ on the Cross1437–1444100 1916 LobbyMuseo de Arte de Cleveland
Matsya, Fish Avatara of Vishnu, c. 1890Matsya, Fish Avatara of Vishnuc. 1890Museo de Arte de Cleveland
Text, Folio 68 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 68 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museo de Arte de Cleveland
Rooster, c. 1620Roosterc. 1620Museo de Arte de Cleveland
Blessed Lord Buddha, c. 1825–50Blessed Lord Buddhac. 1825–50Museo de Arte de Cleveland
The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night, c. 1560The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Nightc. 1560Museo de Arte de Cleveland
Krishna and Radha Quarreling: Shatha Nayaka, from a Rasikapriya, c. 1680Krishna and Radha Quarreling: Shatha Nayaka, from a Rasikapriyac. 1680Museo de Arte de Cleveland
Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), c. 1610Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)c. 1610Museo de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museo de Arte de Cleveland
Retable of Saints Athanasius, Blaise, and Agatha, Master of Riglos, 1440/45Master of RiglosRetable of Saints Athanasius, Blaise, and Agatha1440/45Instituto de Arte de Chicago
The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night, c. 1560The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Nightc. 1560Museo de Arte de Cleveland
The prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560The prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Nightc. 1560Museo de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museo de Arte de Cleveland
Birth of Nemi, Folio 48 (verso), from a Kalpa-sutra, c. 1475–1500Birth of Nemi, Folio 48 (verso), from a Kalpa-sutrac. 1475–1500Museo de Arte de Cleveland
The heroine who waits anxiously for her absent lover (Utka Nayika), c. 1800The heroine who waits anxiously for her absent lover (Utka Nayika)c. 1800242B Indian PaintingMuseo de Arte de Cleveland
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night, c. 1560The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Nightc. 1560Museo de Arte de Cleveland
A Mandi royal family member receives a noble, c. 1700–1720A Mandi royal family member receives a noblec. 1700–1720Museo de Arte de Cleveland
Flowering Marigold (verso), Hunhar II, c. 1765Hunhar IIFlowering Marigold (verso)c. 1765Museo de Arte de Cleveland
Two Elephants Fighting in a Courtyard Before Muhammad Shah, Nainsukh, c. 1730–40NainsukhTwo Elephants Fighting in a Courtyard Before Muhammad Shahc. 1730–40Museo de Arte de Cleveland
Text, Folio 33 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 33 (verso), from a Kalpa-sutrac. 1475–1500Museo de Arte de Cleveland
Text, Folio 58 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 58 (verso), from a Kalpa-sutrac. 1475–1500Museo de Arte de Cleveland
Text, folio 182 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 182 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museo de Arte de Cleveland
Text, folio 177 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 177 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museo de Arte de Cleveland
Portræthoved af en ældre mand, Ubekendt, 1401-1500UbekendtPortræthoved af en ældre mand1401-1500Galería Nacional de Dinamarca
The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night, c. 1560The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Nightc. 1560Museo de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museo de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museo de Arte de Cleveland
Bejeweled Buddha Preaching, 1648Bejeweled Buddha Preaching1648Museo de Arte de Cleveland
A princess on a terrace with attendants at night (recto); Calligraphy (verso), c. 1760A princess on a terrace with attendants at night (recto); Calligraphy (verso)c. 1760Museo de Arte de Cleveland
The astrologer predicts a calamity for the newly born prince in his thirteenth year, but one which he would be able to overcome, from a Tuti-nama (Tales of a Parrot): Eighth Night, Banavari 1, c. 1560Banavari 1The astrologer predicts a calamity for the newly born prince in his thirteenth year, but one which he would be able to overcome, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Museo de Arte de Cleveland
Opium Smokers Served Fruit and Bread, c. 1750Opium Smokers Served Fruit and Breadc. 1750Museo de Arte de Cleveland
Krishna Steals the Clothes of the Cowgirls (Gopis) (recto), from a Kalighat album, c. 1890Krishna Steals the Clothes of the Cowgirls (Gopis) (recto), from a Kalighat albumc. 1890Museo de Arte de Cleveland
Tuti-Nama (Tales of a Parrot), c. 1560Tuti-Nama (Tales of a Parrot)c. 1560Museo de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museo de Arte de Cleveland
A Young, Angry Heroine, Folio 28 from a Rasamanjari, c. 1615–20A Young, Angry Heroine, Folio 28 from a Rasamanjaric. 1615–20Museo de Arte de Cleveland
Shiva and Devi on Gajasura's hide, c. 1675–80Shiva and Devi on Gajasura's hidec. 1675–80Museo de Arte de Cleveland
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