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Dónde ver arte y cuándo abre el museo.

Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Famine (Plate 8), William Blake, 1794William BlakeFamine (Plate 8)1794Centro de Arte Británico de Yale
The Little Black Boy (Plate 30), William Blake, 1789William BlakeThe Little Black Boy (Plate 30)1789Centro de Arte Británico de Yale
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20), William Blake, 1794William BlakeChapter V, "Thus the Eternal Prophet was divided..." (Plate 20)1794Centro de Arte Británico de Yale
"Albions Angel rose upon the Stone of Night..." (Plate 12), William Blake, 1794William Blake"Albions Angel rose upon the Stone of Night..." (Plate 12)1794Centro de Arte Británico de Yale
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99), William Blake, between 1797 and 1798William Blake"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)between 1797 and 1798Centro de Arte Británico de Yale
Study for a Destroying Deity, William Blake, 1820 to 1825William BlakeStudy for a Destroying Deity1820 to 1825Centro de Arte Británico de Yale
"To him the mighty mother did unveil Her awful face..." (Design 49), William Blake, between 1797 and 1798William Blake"To him the mighty mother did unveil Her awful face..." (Design 49)between 1797 and 1798Centro de Arte Británico de Yale
Ode to Adversity; Title Page, William Blake, between 1797 and 1798William BlakeOde to Adversity; Title Pagebetween 1797 and 1798Centro de Arte Británico de Yale
"What time the thirteen Governors that England sent convene..." (Plate 15), William Blake, 1793William Blake"What time the thirteen Governors that England sent convene..." (Plate 15)1793Centro de Arte Británico de Yale
"A brace of warriors... rustling in their silks and tissues..."(Design 27), William Blake, between 1797 and 1798William Blake"A brace of warriors... rustling in their silks and tissues..."(Design 27)between 1797 and 1798Centro de Arte Británico de Yale
"Oft did the harvest to their sickle yield..." (Design 109), William Blake, between 1797 and 1798William Blake"Oft did the harvest to their sickle yield..." (Design 109)between 1797 and 1798Centro de Arte Británico de Yale
Sigtryg with the Silken Beard (Design 69), William Blake, between 1797 and 1798William BlakeSigtryg with the Silken Beard (Design 69)between 1797 and 1798Centro de Arte Británico de Yale
Los Falls through Fire (Plate 21), William Blake, 1794William BlakeLos Falls through Fire (Plate 21)1794Centro de Arte Británico de Yale
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21), William Blake, between 1797 and 1798William Blake"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)between 1797 and 1798Centro de Arte Británico de Yale
"Cytherea's Day..." (Design 45), William Blake, between 1797 and 1798William Blake"Cytherea's Day..." (Design 45)between 1797 and 1798Centro de Arte Británico de Yale
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38, William Blake, 1819William BlakeSheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 381819Centro de Arte Británico de Yale
Chapter III, "As the stars are apart from the earth..." (Plate 9), William Blake, 1794William BlakeChapter III, "As the stars are apart from the earth..." (Plate 9)1794Centro de Arte Británico de Yale
Nurse's Song (Plate 22), William Blake, 1789William BlakeNurse's Song (Plate 22)1789Centro de Arte Británico de Yale
Moses Receiving the Law, William Blake, ca. 1780William BlakeMoses Receiving the Lawca. 1780Centro de Arte Británico de Yale
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18), William Blake, 1793William Blake"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)1793Centro de Arte Británico de Yale
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22), William Blake, 1794William BlakeChapter VII, "Stretch'd for a work of eternity..." (Plate 22)1794Centro de Arte Británico de Yale
The Descent of Odin, An Ode; Title Page, William Blake, between 1797 and 1798William BlakeThe Descent of Odin, An Ode; Title Pagebetween 1797 and 1798Centro de Arte Británico de Yale
"Fear to stop, and shame to fly..." (Design 91), William Blake, between 1797 and 1798William Blake"Fear to stop, and shame to fly..." (Design 91)between 1797 and 1798Centro de Arte Británico de Yale
"Hie thee hence, and boast at home..." (Design 85), William Blake, between 1797 and 1798William Blake"Hie thee hence, and boast at home..." (Design 85)between 1797 and 1798Centro de Arte Británico de Yale
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5), William Blake, between 1797 and 1798William Blake"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)between 1797 and 1798Centro de Arte Británico de Yale
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14), William Blake, 1794William Blake"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)1794Centro de Arte Británico de Yale
Five Visionary Heads of Women, William Blake, 1819 to 1820William BlakeFive Visionary Heads of Women1819 to 1820Centro de Arte Británico de Yale
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107), William Blake, between 1797 and 1798William BlakeThe plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)between 1797 and 1798Centro de Arte Británico de Yale
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65), William Blake, between 1797 and 1798William Blake"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)between 1797 and 1798Centro de Arte Británico de Yale
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3), William Blake, 1793William BlakePreludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)1793Centro de Arte Británico de Yale
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19), William Blake, between 1797 and 1798William Blake"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)between 1797 and 1798Centro de Arte Británico de Yale
Landscape with Spire, William Blake, ca. 1801William BlakeLandscape with Spireca. 1801Centro de Arte Británico de Yale
Ode on the Spring; Title Page, William Blake, between 1797 and 1798William BlakeOde on the Spring; Title Pagebetween 1797 and 1798Centro de Arte Británico de Yale
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23), William Blake, 1804 to 1820William Blake"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)1804 to 1820Centro de Arte Británico de Yale
Albion Compelling the Four Zoas to Their Proper Tasks, William Blake, 1804 to 1810William BlakeAlbion Compelling the Four Zoas to Their Proper Tasks1804 to 1810Centro de Arte Británico de Yale
Poems by Mr. Gray; Title Page, William Blake, between 1797 and 1798William BlakePoems by Mr. Gray; Title Pagebetween 1797 and 1798Centro de Arte Británico de Yale
"In living creations appear'd..." (Plate 8), William Blake, 1794William Blake"In living creations appear'd..." (Plate 8)1794Centro de Arte Británico de Yale
"We the reins to slaughter give..." (Design 73), William Blake, between 1797 and 1798William Blake"We the reins to slaughter give..." (Design 73)between 1797 and 1798Centro de Arte Británico de Yale
"O'er thy country hangs The scourge of Heav'n..." (Design 59), William Blake, between 1797 and 1798William Blake"O'er thy country hangs The scourge of Heav'n..." (Design 59)between 1797 and 1798Centro de Arte Británico de Yale
The Laocoön, for Rees's Cyclopædia, William Blake, 1815William BlakeThe Laocoön, for Rees's Cyclopædia1815Centro de Arte Británico de Yale
The Divine Image (Plate 24), William Blake, 1789William BlakeThe Divine Image (Plate 24)1789Centro de Arte Británico de Yale
The First Book of Urizen, Plate 15 (Bentley 14), William Blake, 1794William BlakeThe First Book of Urizen, Plate 15 (Bentley 14)1794Centro de Arte Británico de Yale
Chapter IV, "From the caverns of his jointed spine..." (Plate 14), William Blake, 1794William BlakeChapter IV, "From the caverns of his jointed spine..." (Plate 14)1794Centro de Arte Británico de Yale
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28, William Blake, 1819William BlakeSheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 281819Centro de Arte Británico de Yale
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9), William Blake, between 1797 and 1798William Blake"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)between 1797 and 1798Centro de Arte Británico de Yale
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11), William Blake, 1793William Blake"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)1793Centro de Arte Británico de Yale
"Now comes the night of Enitharmons joy!..." (Plate 7), William Blake, 1794William Blake"Now comes the night of Enitharmons joy!..." (Plate 7)1794Centro de Arte Británico de Yale
Elegy Written in a Country Church-Yard; Title Page, William Blake, between 1797 and 1798William BlakeElegy Written in a Country Church-Yard; Title Pagebetween 1797 and 1798Centro de Arte Británico de Yale
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