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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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506.509 obras de 314 museos703 expuestas ahoraQuitar

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  • Grafito137.439
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  • Acuarela58.381
  • Tinta51.491
  • Tiza39.881
  • Gouache9482
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Long-haired Woman in Front of Tall Rosebushes (Chapter Heading, "Le Morte d'Arthur," J. M. Dent, 1893–4, Part IX, book xiii, chapter viii, p. 700, and Part XII, book xxi, chapter viii, p. 972), Aubrey Vincent Beardsley, by February 6, 1894Aubrey BeardsleyLong-haired Woman in Front of Tall Rosebushes (Chapter Heading, "Le Morte d'Arthur," J. M. Dent, 1893–4, Part IX, book xiii, chapter viii, p. 700, and Part XII, book xxi, chapter viii, p. 972)by February 6, 1894Museo Metropolitano de Arte
Studies for Sculpture, Henry Moore, c. 1934Henry MooreStudies for Sculpturec. 1934MoMA
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock, William Hogarth, ca. 1750William HogarthGeorge Taylor's Epitaph: Death Giving George Taylor a Cross Buttockca. 1750Centro de Arte Británico de Yale
Grotesque Male Head, William Hogarth, undatedWilliam HogarthGrotesque Male HeadundatedCentro de Arte Británico de Yale
Girl Reading, Henry Moore, 1947Henry MooreGirl Reading1947MoMA
Seated Figures, II, Henry Moore, 1942Henry MooreSeated Figures, II1942MoMA
Grotesque Male Head, William Hogarth, undatedWilliam HogarthGrotesque Male HeadundatedCentro de Arte Británico de Yale
Studies for Stone Sculpture, Henry Moore, 1938Henry MooreStudies for Stone Sculpture1938Centro de Arte Británico de Yale
Sheet of Studies of Heads, William Hogarth, ca. 1795William HogarthSheet of Studies of Headsca. 1795Museo Metropolitano de Arte
Standing Figures, Henry Moore, 1942Henry MooreStanding Figures1942Galería de Arte de la Universidad Yale
Sketches for Sculpture, Henry Moore, 1944Henry MooreSketches for Sculpture1944Galería de Arte de la Universidad Yale
Studies for the Raising of Lazarus and Other Compositions [verso], Veronese, c. 1582Paolo VeroneseStudies for the Raising of Lazarus and Other Compositions [verso]c. 1582Galería Nacional de Arte
Study of a Female Nude, William Hogarth, undatedWilliam HogarthStudy of a Female NudeundatedCentro de Arte Británico de Yale
Ideas for Two-Figure Sculpture, Henry Moore, 1942, dated 1944Henry MooreIdeas for Two-Figure Sculpture1942, dated 1944MoMA
Sculpture and Red Rocks, Henry Moore, 1942Henry MooreSculpture and Red Rocks1942MoMA
Grotesque Male Head, William Hogarth, undatedWilliam HogarthGrotesque Male HeadundatedCentro de Arte Británico de Yale
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death, William Hogarth, ca. 1750William HogarthGeorge Taylor's Epitaph: George Taylor Breaking the Ribs of Deathca. 1750Centro de Arte Británico de Yale
Grotesque Female Head, William Hogarth, undatedWilliam HogarthGrotesque Female HeadundatedCentro de Arte Británico de Yale
Study for the Foundlings, William Hogarth, ca. 1739William HogarthStudy for the Foundlingsca. 1739Centro de Arte Británico de Yale
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right, William Hogarth, undatedWilliam HogarthOperation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower RightundatedCentro de Arte Británico de Yale
Grotesque Male Head, William Hogarth, undatedWilliam HogarthGrotesque Male HeadundatedCentro de Arte Británico de Yale
Reclining Figure, Henry Moore, 1939Henry MooreReclining Figure1939Centro de Arte Británico de Yale
Reclining Figure, Henry Moore, 1972Henry MooreReclining Figure1972Galería de Arte de la Universidad Yale
Family Group, Henry Moore, 1944Henry MooreFamily Group1944Galería de Arte de la Universidad Yale
Study for an Illustration for a Poem by Sir Herbert Read, Henry Moore, 1946Henry MooreStudy for an Illustration for a Poem by Sir Herbert Read1946Centro de Arte Británico de Yale
Studies for Sculpture, Henry Moore, 1934Henry MooreStudies for Sculpture1934MoMA
The Murders in the Rue Morgue, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96, Aubrey Vincent Beardsley, 1894Aubrey BeardsleyThe Murders in the Rue Morgue, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–961894Museo Metropolitano de Arte
Halfnaakt jongetje, Paolo Veronese, 1538 - 1588Paolo VeroneseHalfnaakt jongetje1538 - 1588Rijksmuseum
The Fall of the House of Usher, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96, Aubrey Vincent Beardsley, 1894Aubrey BeardsleyThe Fall of the House of Usher, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–961894Museo Metropolitano de Arte
Grotesque Female Head, William Hogarth, undatedWilliam HogarthGrotesque Female HeadundatedCentro de Arte Británico de Yale
Grotesque Female Head, William Hogarth, undatedWilliam HogarthGrotesque Female HeadundatedCentro de Arte Británico de Yale
Gabriel Hunt, William Hogarth, undatedWilliam HogarthGabriel HuntundatedCentro de Arte Británico de Yale
Hymen, William Hogarth, ca. 1748William HogarthHymenca. 1748Centro de Arte Británico de Yale
Seated Nude, Henry Moore, 1927Henry MooreSeated Nude1927Centro de Arte Británico de Yale
Shelter Scene, Henry Moore, 1942Henry MooreShelter Scene1942Galería de Arte de la Universidad Yale
Red Reclining Figure, Henry Moore, 1946Henry MooreRed Reclining Figure1946Galería de Arte de la Universidad Yale
Grotesque Male Head, William Hogarth, undatedWilliam HogarthGrotesque Male HeadundatedCentro de Arte Británico de Yale
Apollo and Marsyas, Attributed to Veronese, c. 1600Paolo VeroneseApollo and Marsyasc. 1600Galería Nacional de Arte
The Masque of the Red Death, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96, Aubrey Vincent Beardsley, 1894Aubrey BeardsleyThe Masque of the Red Death, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–961894Museo Metropolitano de Arte
Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219), Aubrey Vincent Beardsley, by May 30, 1893Aubrey BeardsleyPraying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219)by May 30, 1893Museo Metropolitano de Arte
The First Stage of Cruelty, William Hogarth, ca. 1750William HogarthThe First Stage of Crueltyca. 1750Centro de Arte Británico de Yale
Grotesque Female Head, William Hogarth, undatedWilliam HogarthGrotesque Female HeadundatedCentro de Arte Británico de Yale
Seated and Reclining Figures, Henry Moore, 1942Henry MooreSeated and Reclining Figures1942MoMA
Benjamin Read, William Hogarth, ca. 1757William HogarthBenjamin Readca. 1757Centro de Arte Británico de Yale
Grotesque Male Head, William Hogarth, undatedWilliam HogarthGrotesque Male HeadundatedCentro de Arte Británico de Yale
Eight Reclining Figures (recto and verso), Henry Moore, 1966Henry MooreEight Reclining Figures (recto and verso)1966Galería de Arte de la Universidad Yale
Two Women Wrapped in Blankets, Henry Moore, 1942Henry MooreTwo Women Wrapped in Blankets1942Galería de Arte de la Universidad Yale
Study of a Woman, Henry Moore, 1928Henry MooreStudy of a Woman1928Galería de Arte de la Universidad Yale
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