![Windemere from Millerground Hill (?) - [landscape], Edwin Austin Abbey, n.d.](https://images.collections.yale.edu/iiif/2/yuag:cd2453a8-c7c3-4ac6-b6d1-bcbf4162a717/full/!400,400/0/default.jpg)
Edwin Austin AbbeyWindemere from Millerground Hill (?) - [landscape]Edwin Austin AbbeyWindemere from Millerground Hill (?) - [landscape]
Edwin Austin AbbeyJuliet in hall, from Romeo and Juliet
Edwin Austin AbbeyStudy for unidentified Shakespeare play
Edwin Austin AbbeyCaliban, Stephano and Trinculo (Ariel invisible), illustration for Act II, Scene ii, The Tempest
Edwin Austin AbbeyAn Unwelcome Visitor - "The reluctant host left the apartment for a second or two, and presently returned followed by the farmer's wife," illustration to Part 8, chapter 24, of William Black's Judith Shakespeare
Edwin Austin AbbeyPortia: "By my troth, Nerissa, my little body is aweary of this great world," from Act I, Scene ii, Merchant of Venice
Edwin Austin AbbeyStudy of man in XV century costume, possibly a caricature of the period of "The Taming of the Shrew"
Edwin Austin Abbey"Ho! Who's there?" - Act II, Scene ii, Cymbeline
Edwin Austin AbbeyStudy of a man in XVIIth c. Dutch costume - unidentified. Studies on reverse
Edwin Austin AbbeyMan in apron holding a gun
Edwin Austin AbbeySketch for "A Love Song," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)
Edwin Austin Abbey"It gives me wonder great as my content to see you here before me, O my soul's joy!," from Othello
Edwin Austin AbbeyPreliminary sketch for Act II, Scene I, All's Well That Ends Well
Edwin Austin Abbey"Thou foundest me..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 113
Edwin Austin AbbeyStudy for Priest and the Great Lady (watercolor)
Edwin Austin AbbeyParolles: "France is a dog-hole," from Act II, Scene iii, All's Well That Ends Well
Edwin Austin AbbeyFord: "Hang her, witch" - Act IV, Scene II, Merry Wives of Windsor
Edwin Austin AbbeyCharmian: "your crown's awry! I'll mend it and then play!" - Act V, Scene II, Anthony and Cleopatra
Edwin Austin AbbeyInterior Study of chimney piece
Edwin Austin AbbeySketch of a man in Revolutionary dress - unidentified illustration (to a play?)
Edwin Austin AbbeyMiranda and Ferdinand, illustration for Act V, Scene i, The Tempest
Edwin Austin AbbeyEnter Tony, running in with a casket (III), illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeyJaques: "'It is ten o'clock: Thus we may see,' quoth he, 'how the world wags.'", illustration for Act II, Scene vii, As You Like It
Edwin Austin AbbeyEnter two citizens. Cor: 'So, here comes a brace, you know the cause Sirs, of my standing here.' Act II, Scene iii, Coriolanus
Edwin Austin AbbeyLorenzo and Jessica: "The moon shines bright. In such a night as this" - Act V, Scene I, The Merchant of Venice
Edwin Austin AbbeyWalking man in cloak, sketch for an unidentified Shakespeare play
Edwin Austin AbbeyStudy of girl in nineteenth century costume standing at door
Edwin Austin AbbeyMan on park bench - unidentified illustration
Edwin Austin AbbeyStudy for The Scarlet Letter (oil painting)
Edwin Austin AbbeySketch for The Noble Patron
Edwin Austin AbbeyStudy for an unidentified Shakespearean play, possibly Falstaff
Edwin Austin AbbeyFigure Scene, study for "A Castle in Spain"
Edwin Austin AbbeyBaptista Protests, illustration for Act I, Scene i, Taming of the Shrew
Edwin Austin AbbeyThe Duke: "If music be the food of love, play on," illustration for Act I, Scene i, Twelfth Night
Edwin Austin AbbeyStudies of seated figures. Landscape on reverse.
Edwin Austin AbbeyMalvolio finds the letter, illustration for Act II, Scene v, Twelfth Night
Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)
Edwin Austin AbbeyWordsworth walks in woods: The English Lakes and Men Series, from Harper's Monthly Magazine
Edwin Austin AbbeyThird fellow: "What though I am obliged to dance a bear." (I), illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeyProteus Meets Sylvia, from Act II, Scene iv, Two Gentlemen of Verona
Edwin Austin AbbeyStudy for Trial of Queen Katherine. Coat of arms on back.
Edwin Austin Abbey"I am my mother's joy," sketch for "Phillada Flouts Me," from Old Songs
Edwin Austin AbbeySketch of tubes of paint
Edwin Austin AbbeyFigure Sketches
Edwin Austin AbbeySketch of an outdoor stairway (Italian pergola, for book illustration)
Edwin Austin AbbeyForest scene
Edwin Austin AbbeyHelena: "Stay, though thou kill me, sweet Demetrius," illustration for Act II, Scene iii, A Midsummer Night's Dream
Edwin Austin AbbeyArchitectural Study