Edwin Austin AbbeyStudy of a man readingEdwin Austin AbbeyStudy of a man reading
Edwin Austin Abbey"And Bollingbroke hath seized the wasteful King...as we this garden" - Act III, Scene IV, King Richard II
Edwin Austin AbbeyMan and boy in street - unidentified illustration
Edwin Austin AbbeyJessica: "Nay, but ask my opinion too of that," from Act III, Scene v, Merchant of Venice
Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)
Edwin Austin AbbeyRosalind: "He calls us back!: My pride fell with my fortunes," illustration for Act I, Scene ii, As You Like It
Edwin Austin AbbeyShylock on bridge - Act I, Merchant of Venice
Edwin Austin AbbeyCarriages and a Man Fishing (recto); Three Caricatures of a Head and Abbey's Name (verso)
Edwin Austin AbbeyPetruchio bears off his bride, from Act III, Scene ii, Taming of the Shrew
Edwin Austin AbbeyStudy of a blacksmith, hammering iron - unidentified illustration
Edwin Austin AbbeyIsabella and the Duke (study for .1108), from Measure for Measure
Edwin Austin AbbeyStudy of a seated woman
Edwin Austin AbbeyHenry and Anne Boleyn. King Henry: "The fairest hand I ever touched. O beauty, till now I never knew thee" - Act I, Scene IV, King Henry VIII
Edwin Austin AbbeyWoman and boy - unidentified illustration
Edwin Austin AbbeySheet of sketches, heads and figures
Edwin Austin AbbeySketch for "The Vicar," from The Quiet Life
Edwin Austin AbbeyPetruchio, from Act I, Scene ii, Taming of the Shrew
Edwin Austin AbbeySketch of a lady, illustration for "Waiting for her Lover," from Old Songs
Edwin Austin AbbeyTrial Scene, from Merchant of Venice
Edwin Austin AbbeyStanding woman, sketch for an unidentified Shakespeare play
Edwin Austin AbbeyStudy of girl in sailing costume with boat hook
Edwin Austin AbbeyUntitled Illustration to Oliver Goldsmith's The Deserted Village
Edwin Austin AbbeyDromio of Ephesus: "What mean you, sir?", illustration for Act I, Scene ii, Comedy of Errors
Edwin Austin AbbeyWoman standing by a riverbank - unidentified illustration
Edwin Austin AbbeyOlivia and Viola, illustration for Act I, Scene v, Twelfth Night
Edwin Austin AbbeyStudies of a woman
Edwin Austin AbbeyWoman at window - unidentified illustration
Edwin Austin AbbeyCleopatra: "Sooth, la, I'll Help: Thus it must be" - Act IV, Scene IV, Antony and Cleopatra
Edwin Austin Abbey"Permit me to lecture...," illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeySketch for "The Leather Bottel," from Old Songs
Edwin Austin AbbeySketch of a man in Revolutionary dress beside a table
Edwin Austin AbbeyStudy of a man in XVII century costume, tipping his hat - unidentified
Edwin Austin AbbeyUnidentified illustration
Edwin Austin AbbeyStudy for Priest and the Great Lady (watercolor)
Edwin Austin AbbeyPerdita's foster relatives - Act IV, Scene II, The Winter's Tale
Edwin Austin AbbeyExuent Salarino and Salanio, from Act I, Scene i, Merchant of Venice
Edwin Austin AbbeyMaria, Sir Andrew, and Toby, illustration for Act I, Scene iii, Twelfth Night
Edwin Austin Abbey"Upon Tap" from Poetry of Robert Herrick
Edwin Austin AbbeyLeft profile of an old man
Edwin Austin AbbeyStudy for Miles Standish's Challenge
Edwin Austin AbbeySheet of studies both sides, pilgrims, etc.
Edwin Austin AbbeyStudy for Isabella (study for .1105?), from Measure for Measure
Edwin Austin Abbey"Am I in Face To-day?," illustration for Oliver Goldsmith's She Stoops To Conquer
Edwin Austin AbbeySketch for "Ring O'Ring of Roses" - nursery rhyme
Edwin Austin AbbeyStudy of the goosegirl.
Edwin Austin Abbey"Secure to please..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 87
Edwin Austin AbbeySketch for School for Scandal, illustration for Scribner's Monthly Magazine
Edwin Austin AbbeyKing Louis XI - Act III, Scene III, King Henry VI (Part III)