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Dónde ver arte y cuándo abre el museo.

Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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  • Grafito135.028
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Untitled, Sigmar Polke, 1964Sigmar PolkeUntitled1964MoMA
Coastline with a Lighthouse, Paul Nash, c. 1933/1934Paul NashCoastline with a Lighthousec. 1933/1934Galería Nacional de Arte
"Young Man Come Back Soon!" ("Junge komm bald wieder!"), Sigmar Polke, 1963Sigmar Polke"Young Man Come Back Soon!" ("Junge komm bald wieder!")1963MoMA
Self-Portrait, Max Beerbohm, 1903Max BeerbohmSelf-Portrait1903Centro de Arte Británico de Yale
Notes on Movement II (Body as Place), Vito Acconci, March 1972Vito AcconciNotes on Movement II (Body as Place)1972MoMA
Kings Weston, Bristol: Basement Plan, John Vanbrugh, ca. 1710John VanbrughKings Weston, Bristol: Basement Planca. 1710Centro de Arte Británico de Yale
Log from July 29 / 10:00 a.m.–1:00 p.m. (Protokoll vom 29.7. / 10–13:00), Sigmar Polke, c. 1974Sigmar PolkeLog from July 29 / 10:00 a.m.–1:00 p.m. (Protokoll vom 29.7. / 10–13:00)c. 1974MoMA
Room Situation (Proximity), Vito Acconci, 1970Vito AcconciRoom Situation (Proximity)1970MoMA
Kings Weston, Bristol: Entrance Front Elevation, John Vanbrugh, ca. 1710John VanbrughKings Weston, Bristol: Entrance Front Elevationca. 1710Centro de Arte Británico de Yale
Study for "Great America", Kerry James Marshall, c. 1994Kerry James MarshallStudy for "Great America"c. 1994Galería Nacional de Arte
Study for "Great America" (Under Water), Kerry James Marshall, c. 1994Kerry James MarshallStudy for "Great America" (Under Water)c. 1994Galería Nacional de Arte
Untitled study for Untitled (Club Scene), Kerry James Marshall, c. 2013Kerry James MarshallUntitled study for Untitled (Club Scene)c. 2013MoMA
The Crucifixion, Dame Elisabeth Frink, 1986Elisabeth FrinkThe Crucifixion1986Galería Nacional de Arte
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galería Nacional de Arte
Lady Granby in Paris, Max Beerbohm, undatedMax BeerbohmLady Granby in ParisundatedCentro de Arte Británico de Yale
Enlèvement d'Europe (Rape of Europa), Jules Pascin, c. 1925Jules PascinEnlèvement d'Europe (Rape of Europa)c. 1925Galería Nacional de Arte
Untitled (Woman with Spray Can), Sigmar Polke, (1963)Sigmar PolkeUntitled (Woman with Spray Can)(1963)MoMA
Notes on Movement, Vito Acconci, 1971Vito AcconciNotes on Movement1971MoMA
Following Piece, Vito Acconci, 1969Vito AcconciFollowing Piece1969MoMA
Kings Weston, Bristol: Ground Floor Plan, John Vanbrugh, ca. 1710John VanbrughKings Weston, Bristol: Ground Floor Planca. 1710Centro de Arte Británico de Yale
Study for "Great America", Kerry James Marshall, c. 1994Kerry James MarshallStudy for "Great America"c. 1994Galería Nacional de Arte
Theme Song, Vito Acconci, 1973Vito AcconciTheme Song1973MoMA
Mid Tables. Study for Untitled (Club Scene), Kerry James Marshall, 2013Kerry James MarshallMid Tables. Study for Untitled (Club Scene)2013MoMA
Untitled study for Untitled (policeman), Kerry James Marshall, c. 2015Kerry James MarshallUntitled study for Untitled (policeman)c. 2015MoMA
Sketch for "Building - Blocks for a Doorway" (B), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (B)c. 1983/1985Galería Nacional de Arte
Messrs. Carfax, Max Beerbohm, undatedMax BeerbohmMessrs. CarfaxundatedCentro de Arte Británico de Yale
Design for a bookplate for Kenneth Fitzpatrick Mackenzie, Paul Nash, ca. 1909Paul NashDesign for a bookplate for Kenneth Fitzpatrick Mackenzieca. 1909Centro de Arte Británico de Yale
Sketch for "Building - Blocks for a Doorway" (B), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (B)c. 1983/1985Galería Nacional de Arte
Paris-Juno-Minerve-Venus, Jules Pascin, n.d.Jules PascinParis-Juno-Minerve-Venusn.d.Galería de Arte de la Universidad Yale
Untitled (Proposal for a Museum of Modern Art Project), Gordon Matta-Clark, (1978)Gordon Matta-ClarkUntitled (Proposal for a Museum of Modern Art Project)(1978)MoMA
Untitled (Proposal for a Museum of Modern Art Project), Gordon Matta-Clark, (1978)Gordon Matta-ClarkUntitled (Proposal for a Museum of Modern Art Project)(1978)MoMA
Unknown (Eifle), Gordon Matta-Clark, 1970Gordon Matta-ClarkUnknown (Eifle)1970MoMA
Energy Tree, Gordon Matta-Clark, 1972-73Gordon Matta-ClarkEnergy Tree1972-73MoMA
Maquette for Splitting, Gordon Matta-Clark, 1974Gordon Matta-ClarkMaquette for Splitting1974MoMA
Untitled study for Untitled (policeman)), Kerry James Marshall, c. 2015Kerry James MarshallUntitled study for Untitled (policeman))c. 2015MoMA
Untitled study for Untitled (Club Scene), Kerry James Marshall, c. 2013Kerry James MarshallUntitled study for Untitled (Club Scene)c. 2013MoMA
Trees: Set design for A Midsummer Night's Dream, Jim Dine, 1966Jim DineTrees: Set design for A Midsummer Night's Dream1966MoMA
Untitled ("Witz"), Sigmar Polke, 1965Sigmar PolkeUntitled ("Witz")1965MoMA
Sketch for "Building - Blocks for a Doorway" (B), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (B)c. 1983/1985Galería Nacional de Arte
Untitled, Sigmar Polke, 1966Sigmar PolkeUntitled1966MoMA
Kings Weston, Bristol: Side Elevation, John Vanbrugh, ca. 1710John VanbrughKings Weston, Bristol: Side Elevationca. 1710Centro de Arte Británico de Yale
Free of Dizziness, Sigmar Polke, (1964)Sigmar PolkeFree of Dizziness(1964)MoMA
Kings Weston, Bristol: Garden Front Elevation, John Vanbrugh, ca. 1710John VanbrughKings Weston, Bristol: Garden Front Elevationca. 1710Centro de Arte Británico de Yale
Rice, Sigmar Polke, (1963-64)Sigmar PolkeRice(1963-64)MoMA
Room Piece, Vito Acconci, 1970Vito AcconciRoom Piece1970MoMA
Untitled (Proposal for a Museum of Modern Art Project), Gordon Matta-Clark, (1978)Gordon Matta-ClarkUntitled (Proposal for a Museum of Modern Art Project)(1978)MoMA
Foreground Tables. Study for Untitled (Club Scene), Kerry James Marshall, 2013Kerry James MarshallForeground Tables. Study for Untitled (Club Scene)2013MoMA
1st Row Tables for 2. Study for Untitled (Club Scene), Kerry James Marshall, 2013Kerry James Marshall1st Row Tables for 2. Study for Untitled (Club Scene)2013MoMA
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