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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Key to "The Sortie of the Garrison of Gibraltar", John Trumbull, ca. 1781John TrumbullKey to "The Sortie of the Garrison of Gibraltar"ca. 1781Galería de Arte de la Universidad Yale
Sketchbook, Paul Delvaux, c. 1939-44Paul DelvauxSketchbookc. 1939-44MoMA
Sketchbook, Paul Delvaux, (c. 1939-44)Paul DelvauxSketchbook(c. 1939-44)MoMA
Design for Gothic Ornamentation, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginDesign for Gothic OrnamentationundatedCentro de Arte Británico de Yale
Untitled, Donald Judd, 1966Donald JuddUntitled1966MoMA
Untitled, Donald Judd, 1965Donald JuddUntitled1965MoMA
Design for a Cope, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginDesign for a CopeundatedCentro de Arte Británico de Yale
Tribunal House, Glastonbury, Somerset: Ground Floor Plan, Augustus Welby Northmore Pugin, 1832Augustus Welby Northmore PuginTribunal House, Glastonbury, Somerset: Ground Floor Plan1832Centro de Arte Británico de Yale
Bishop's Palace, Wells, Somerset: Elevation of Fireplace in Cloisters, Augustus Welby Northmore Pugin, 1832Augustus Welby Northmore PuginBishop's Palace, Wells, Somerset: Elevation of Fireplace in Cloisters1832Centro de Arte Británico de Yale
Bishop's Palace, Wells, Somerset: Elevation of the Great Hall, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginBishop's Palace, Wells, Somerset: Elevation of the Great HallundatedCentro de Arte Británico de Yale
Christ Preaching in the Temple, Guercino, about 1625–1627Giovanni Francesco Barbieri, called GuercinoChrist Preaching in the Templeabout 1625–1627Museo J. Paul Getty
Paesaggio con monaci, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoPaesaggio con monacisecc. XVI/ XVIIGalería de la Academia de Venecia
Sacra Famiglia, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoSacra Famigliasecc. XVI/ XVIIGalería de la Academia de Venecia
Untitled, Donald Judd, 1971Donald JuddUntitled1971MoMA
Seated Nude Boy Seen from the Back, Giovanni Francesco Barbieri, called GuercinoGiovanni Francesco Barbieri, called GuercinoSeated Nude Boy Seen from the BackGalería Nacional de Arte
Personification of Justice, Guercino, c. 1640Giovanni Francesco Barbieri, called GuercinoPersonification of Justicec. 1640Galería Nacional de Arte
Landscape with a Waterfall, Giovanni Francesco Barbieri, called GuercinoGiovanni Francesco Barbieri, called GuercinoLandscape with a WaterfallGalería Nacional de Arte
Elevation of a Baptismal Font, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginElevation of a Baptismal FontundatedCentro de Arte Británico de Yale
Bishop's Palace, Wells, Somerset: Section and Elevation of the Conduit in the Garden, Augustus Welby Northmore Pugin, 1832Augustus Welby Northmore PuginBishop's Palace, Wells, Somerset: Section and Elevation of the Conduit in the Garden1832Centro de Arte Británico de Yale
Design for a Stained Glass Window, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginDesign for a Stained Glass WindowundatedCentro de Arte Británico de Yale
Design for Branch for the Speaker's Chair, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginDesign for Branch for the Speaker's ChairundatedCentro de Arte Británico de Yale
Bishop's Palace, Wells, Somerset: Plan, Elevations and Details of Window, Augustus Welby Northmore Pugin, 1832Augustus Welby Northmore PuginBishop's Palace, Wells, Somerset: Plan, Elevations and Details of Window1832Centro de Arte Británico de Yale
Hercules Slaying the Hydra, Giovanni Francesco Barbieri, called Guercino, c. 1618Giovanni Francesco Barbieri, called GuercinoHercules Slaying the Hydrac. 1618Galería Nacional de Arte
Caricature of a Man Wearing a Large Hat, Giovanni Guercino, ca. 1630–40Giovanni Francesco Barbieri, called GuercinoCaricature of a Man Wearing a Large Hatca. 1630–40Galería de Arte de la Universidad Yale
Angelo, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoAngelosecc. XVI/ XVIIGalería de la Academia de Venecia
Putti reggistemma, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoPutti reggistemmasecc. XVI/ XVIIGalería de la Academia de Venecia
Venus, Cupid, and Mars, Giovanni Francesco Barbieri, called Guercino, 1633/1634Giovanni Francesco Barbieri, called GuercinoVenus, Cupid, and Mars1633/1634Galería Nacional de Arte
Untitled, Donald Judd, 1970Donald JuddUntitled1970MoMA
Drawing for Untitled 1973 Structure, Donald Judd, 1972Donald JuddDrawing for Untitled 1973 Structure1972MoMA
Sketchbook, Paul Delvaux, (c. 1939-44)Paul DelvauxSketchbook(c. 1939-44)MoMA
The Return of the Prodigal Son, Giovanni Francesco Barbieri, called Guercino, c. 1640Giovanni Francesco Barbieri, called GuercinoThe Return of the Prodigal Sonc. 1640Galería Nacional de Arte
The Rest on the Flight into Egypt, Giovanni Francesco Barbieri, called Guercino, c. 1626Giovanni Francesco Barbieri, called GuercinoThe Rest on the Flight into Egyptc. 1626Galería Nacional de Arte
Shepherds Peering into a Chasm, Giovanni Francesco Barbieri, called Guercino, 1620sGiovanni Francesco Barbieri, called GuercinoShepherds Peering into a Chasm1620sGalería Nacional de Arte
Design for a Gothic Screen, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginDesign for a Gothic ScreenundatedCentro de Arte Británico de Yale
Landscape with Figures, Follower of Guercino, 18th centuryGiovanni Francesco Barbieri, called GuercinoLandscape with Figures18th centuryGalería Nacional de Arte
Caricature of Two Men Seen in Profile, Guercino, about 1635Giovanni Francesco Barbieri, called GuercinoCaricature of Two Men Seen in Profileabout 1635Museo J. Paul Getty
Testa d'uomo di profilo, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoTesta d'uomo di profilosecc. XVI/ XVIIGalería de la Academia de Venecia
Busto di bambino, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoBusto di bambinosecc. XVI/ XVIIGalería de la Academia de Venecia
St. Peter's Church, Woolwich, Augustus Welby Northmore Pugin, 1842Augustus Welby Northmore PuginSt. Peter's Church, Woolwich1842Centro de Arte Británico de Yale
Designs for Gothic Ornamentation, Augustus Welby Northmore Pugin, 1831Augustus Welby Northmore PuginDesigns for Gothic Ornamentation1831Centro de Arte Británico de Yale
Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginSketch of a Small Gothic Church, with a Design for Gothic OrnamentationundatedCentro de Arte Británico de Yale
Tribunal House, Glastonbury, Somerset: Molding Details, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginTribunal House, Glastonbury, Somerset: Molding DetailsundatedCentro de Arte Británico de Yale
Title page for volume of drawings, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginTitle page for volume of drawingsundatedCentro de Arte Británico de Yale
The Angel of the Annunciation, Giovanni Francesco Barbieri, called Guercino, c. 1638/1639Giovanni Francesco Barbieri, called GuercinoThe Angel of the Annunciationc. 1638/1639Galería Nacional de Arte
Landscape with the Taming of a Horse, Giovanni Francesco Barbieri, called Guercino, 1620/1630Giovanni Francesco Barbieri, called GuercinoLandscape with the Taming of a Horse1620/1630Galería Nacional de Arte
Landscape with a View of a Fortified Port, Guercino, about 1635Giovanni Francesco Barbieri, called GuercinoLandscape with a View of a Fortified Portabout 1635Museo J. Paul Getty
Busto femminile velato, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoBusto femminile velatosecc. XVI/ XVIIGalería de la Academia de Venecia
Paesaggio con architetture, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoPaesaggio con architetturesecc. XVI/ XVIIGalería de la Academia de Venecia
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