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ART WIKI

Dónde ver arte y cuándo abre el museo.

Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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60.822 obras de 131 museos44 expuestas ahoraQuitar todo

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  • Grafito137.439
  • Pluma60.822
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  • Tiza39.881
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  • Carboncillo8850
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  • Técnica mixta297
The Pottery, Arthur William Devis, 1792–1795Arthur William DevisThe Pottery1792–1795Centro de Arte Británico de Yale
Bar Americain, Adolf Arthur Dehn, 1928Adolf Arthur DehnBar Americain1928Galería Nacional de Arte
Farmyard Near Waterville, Minnesota, Adolf Arthur Dehn, 1930Adolf Arthur DehnFarmyard Near Waterville, Minnesota1930Galería Nacional de Arte
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.1917Galería de Arte de la Universidad Yale
Tabarin, Wien, Adolf Arthur Dehn, 1922Adolf Arthur DehnTabarin, Wien1922Galería Nacional de Arte
Blind Beggar, Adolf Arthur Dehn, c. 1926Adolf Arthur DehnBlind Beggarc. 1926Galería Nacional de Arte
Dance Abstraction: Isadora Duncan, Abraham Walkowitz, ca. 1917Abraham WalkowitzDance Abstraction: Isadora Duncanca. 1917Galería de Arte de la Universidad Yale
Luxembourg Poeme Printemps, Adolf Dehn, 1924Adolf Arthur DehnLuxembourg Poeme Printemps1924Galería de Arte de la Universidad Yale
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1931Abraham WalkowitzDance Abstraction: Isadora Duncan.1931Galería de Arte de la Universidad Yale
Hogarth at Old Slaughter's Hobbing with Highmore the Painter, John Thomas Smith, 1817John Thomas SmithHogarth at Old Slaughter's Hobbing with Highmore the Painter1817Centro de Arte Británico de Yale
The Smock Exposed, John Thomas Smith, 1817John Thomas SmithThe Smock Exposed1817Centro de Arte Británico de Yale
Hogarth Engraving His Master's Shop-bill the Sign of the Angel, John Thomas Smith, 1817John Thomas SmithHogarth Engraving His Master's Shop-bill the Sign of the Angel1817Centro de Arte Británico de Yale
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances, John Thomas Smith, 1817John Thomas SmithHogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances1817Centro de Arte Británico de Yale
Studies for Two Book Illustrations, Carl Alexander von Heideloff, 1809–65Carl Alexander von HeideloffStudies for Two Book Illustrations1809–65Museo Metropolitano de Arte
Study for Two Book Illustrations, Carl Alexander von Heideloff, early to mid-19th centuryCarl Alexander von HeideloffStudy for Two Book Illustrationsearly to mid-19th centuryMuseo Metropolitano de Arte
Study for a Title Page, Carl Alexander von Heideloff, early to mid-19th centuryCarl Alexander von HeideloffStudy for a Title Pageearly to mid-19th centuryMuseo Metropolitano de Arte
Study for a Title Page, Carl Alexander von Heideloff, 1809–65Carl Alexander von HeideloffStudy for a Title Page1809–65Museo Metropolitano de Arte
Design for a Tudoresque Country House, Joseph Michael Gandy, undatedJoseph GandyDesign for a Tudoresque Country HouseundatedCentro de Arte Británico de Yale
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance, John Thomas Smith, 1817John Thomas SmithHogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance1817Centro de Arte Británico de Yale
Hogarth Drawing Sarah Malcolm, John Thomas Smith, 1817John Thomas SmithHogarth Drawing Sarah Malcolm1817Centro de Arte Británico de Yale
Hogarth Carrying his Master's Sick Child Round Leicester Fields.  The Spot of Ground Leicester House., John Thomas Smith, 1817John Thomas SmithHogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.1817Centro de Arte Británico de Yale
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers, John Thomas Smith, 1817John Thomas SmithHogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers1817Centro de Arte Británico de Yale
Original Drawings Illustrating the Life of Hogarth by J. T. Smith, John Thomas Smith, 1817John Thomas SmithOriginal Drawings Illustrating the Life of Hogarth by J. T. Smith1817Centro de Arte Británico de Yale
Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side, John Thomas Smith, undatedJohn Thomas SmithJoseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by sideundatedCentro de Arte Británico de Yale
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e, John Thomas Smith, 1817John Thomas SmithHogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e1817Centro de Arte Británico de Yale
The Covered Bridge at Fribourg, Claude Louis Châtelet, 18th centuryClaude-Louis ChateletThe Covered Bridge at Fribourg18th centuryMuseo Metropolitano de Arte
Design for a Frontispiece, Claude Louis Châtelet, 1782Claude-Louis ChateletDesign for a Frontispiece1782Museo Metropolitano de Arte
Road Leading to the Grotto of Posillipo, Claude Louis Châtelet, 18th centuryClaude-Louis ChateletRoad Leading to the Grotto of Posillipo18th centuryMuseo Metropolitano de Arte
Design for a Farm House. Elevations of Two Fronts, Joseph Michael Gandy, between 1794 and 1797Joseph GandyDesign for a Farm House. Elevations of Two Frontsbetween 1794 and 1797Centro de Arte Británico de Yale
The Eleventh Hour, John Thomas Smith, 1817John Thomas SmithThe Eleventh Hour1817Centro de Arte Británico de Yale
Spired Gothic Monument, Joseph Michael Gandy, 1797 (?)Joseph GandySpired Gothic Monument1797 (?)Museo Metropolitano de Arte
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.1917Galería de Arte de la Universidad Yale
Isadora Duncan, Abraham Walkowitz, 1931Abraham WalkowitzIsadora Duncan1931Galería de Arte de la Universidad Yale
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, ca. 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.ca. 1917Galería de Arte de la Universidad Yale
The Reconcilation, John Thomas Smith, 1817John Thomas SmithThe Reconcilation1817Centro de Arte Británico de Yale
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont, John Thomas Smith, 1817John Thomas SmithHogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont1817Centro de Arte Británico de Yale
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill, John Thomas Smith, 1817John Thomas SmithSir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill1817Centro de Arte Británico de Yale
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.1917Galería de Arte de la Universidad Yale
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1931Abraham WalkowitzDance Abstraction: Isadora Duncan.1931Galería de Arte de la Universidad Yale
Shop on 14th Street (NYC), Adolf Arthur Dehn, 1929Adolf Arthur DehnShop on 14th Street (NYC)1929Galería Nacional de Arte
Isadora Duncan, Abraham Walkowitz, 1931Abraham WalkowitzIsadora Duncan1931Galería de Arte de la Universidad Yale
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.1917Galería de Arte de la Universidad Yale
Untitled [Woman seated at table], Adolf Dehn, 1923Adolf Arthur DehnUntitled [Woman seated at table]1923Galería de Arte de la Universidad Yale
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.1917Galería de Arte de la Universidad Yale
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.1917Galería de Arte de la Universidad Yale
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends, John Thomas Smith, 1817John Thomas SmithHogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends1817Centro de Arte Británico de Yale
Hogarth Sitting to Roubiliac for His Bust, John Thomas Smith, 1817John Thomas SmithHogarth Sitting to Roubiliac for His Bust1817Centro de Arte Británico de Yale
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital, John Thomas Smith, 1817John Thomas SmithHogarth Painting His Picture of Captain Coram for the Foundling Hospital1817Centro de Arte Británico de Yale
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