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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Wandelend paar bij maanlicht, Gesina ter Borch, in or after c. 1654 - in or before c. 1659

Gesina ter BorchWandelend paar bij maanlichtin or after c. 1654 - in or before c. 1659Rijksmuseum

Allegory and Triumph of the Fine Arts (with dedication to Ignazio Martignoni), Felice Giani, 1784

Felice GianiAllegory and Triumph of the Fine Arts (with dedication to Ignazio Martignoni)1784Galería de Arte de la Universidad Yale

Untitled [&gm?] (recto and verso), James Castle, mid-20th century

James CastleUntitled [&gm?] (recto and verso)mid-20th centuryGalería de Arte de la Universidad Yale

Three Herms: Pan, Flora, Aesculapius, Felice Giani, ca. 1790–1800

Felice GianiThree Herms: Pan, Flora, Aesculapiusca. 1790–1800Galería de Arte de la Universidad Yale

Capriccio with a Cemetery with a Foreshortened Corpse and Bizarre Creatures, Felice Giani, ca. 1800

Felice GianiCapriccio with a Cemetery with a Foreshortened Corpse and Bizarre Creaturesca. 1800Galería de Arte de la Universidad Yale

Two sculptures on pedestals, Felice Giani, 18th–19th century

Felice GianiTwo sculptures on pedestals18th–19th centuryMuseo Metropolitano de Arte

Design for a Vase with a Cross-section of its Neck (recto); Design for a Vase with studies of a Muscular Nude Male Figure and figures for a Baptism (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Vase with a Cross-section of its Neck (recto); Design for a Vase with studies of a Muscular Nude Male Figure and figures for a Baptism (verso)1672–1725Museo Metropolitano de Arte

Design for the Frame of a Mirror or Fire Screen (recto); Various Sketches (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for the Frame of a Mirror or Fire Screen (recto); Various Sketches (verso)1672–1725Museo Metropolitano de Arte

Design for a Frame Decorated with a Shell Motif, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Frame Decorated with a Shell Motif1672–1725Museo Metropolitano de Arte

Studies for a Kneeling Figure of Christ and Altar Fronts, Giovanni Battista Foggini, 1652–1725

Giovanni Battista FogginiStudies for a Kneeling Figure of Christ and Altar Fronts1652–1725Museo Metropolitano de Arte

Two Studies for Helmet Designs Presented En Profil, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiTwo Studies for Helmet Designs Presented En Profil1672–1725Museo Metropolitano de Arte

Design for an Epitaph, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for an Epitaph1672–1725Museo Metropolitano de Arte

Galatea with the Rape of Europa in the Background, Felice Giani, ca. 1770–80

Felice GianiGalatea with the Rape of Europa in the Backgroundca. 1770–80Galería de Arte de la Universidad Yale

Untitled [&gm?] (recto and verso), James Castle, mid-20th century

James CastleUntitled [&gm?] (recto and verso)mid-20th centuryGalería de Arte de la Universidad Yale

Demetrio, Son of Antigono, Sick with Love, from the Opera Antigono with music by Christoph Willibald Gluck and libretto written by Pietro Metastasio, 1756, Felice Giani, 18th century

Felice GianiDemetrio, Son of Antigono, Sick with Love, from the Opera Antigono with music by Christoph Willibald Gluck and libretto written by Pietro Metastasio, 175618th centuryGalería de Arte de la Universidad Yale

Untitled [PURSE!] (recto and verso), James Castle, mid-20th century

James CastleUntitled [PURSE!] (recto and verso)mid-20th centuryGalería de Arte de la Universidad Yale

Garden at the Villa Aldini at Montmorency, France, Felice Giani, 1810

Felice GianiGarden at the Villa Aldini at Montmorency, France1810Galería de Arte de la Universidad Yale

Design for Vase with Eagles, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for Vase with Eagles1672–1725Museo Metropolitano de Arte

Design for a Statue consisting of a Satyr and Satyress Lifting a Vase, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Statue consisting of a Satyr and Satyress Lifting a Vase1672–1725Museo Metropolitano de Arte

Design for a Chalice (recto); Design for the Base of a Vase (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Chalice (recto); Design for the Base of a Vase (verso)1672–1725Museo Metropolitano de Arte

Table or Basin Supported by Male Sirens (recto); Sketch for the same subject (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiTable or Basin Supported by Male Sirens (recto); Sketch for the same subject (verso)1672–1725Museo Metropolitano de Arte

Design for a Console or Capital with a Cherub, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Console or Capital with a Cherub1672–1725Museo Metropolitano de Arte

Design for Suspended Censer, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for Suspended Censer1672–1725Museo Metropolitano de Arte

Design for a Decorative Oval Frame (recto); Half sketch for a Decorative Oval Frame (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Decorative Oval Frame (recto); Half sketch for a Decorative Oval Frame (verso)1672–1725Museo Metropolitano de Arte

Designs for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesigns for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso)1672–1725Museo Metropolitano de Arte

Ancient Scene with a Funeral Ceremony for an Actor, Louis Jean Desprez, ca. 1777

Louis Jean DesprezAncient Scene with a Funeral Ceremony for an Actorca. 1777Museo Metropolitano de Arte

A Reliquary of Saint Sigismondo, Giovanni Battista Foggini, 1719

Giovanni Battista FogginiA Reliquary of Saint Sigismondo1719Galería Nacional de Arte

Angelica and Medoro with Cupid from Orlando Furioso by Ludovico Ariosto, Felice Giani, 18th century

Felice GianiAngelica and Medoro with Cupid from Orlando Furioso by Ludovico Ariosto18th centuryGalería de Arte de la Universidad Yale

Landscape Capriccio with the Villa d’Este, Tivoli, with Punchinelli and Other Figures, Felice Giani, 1788–1823

Felice GianiLandscape Capriccio with the Villa d’Este, Tivoli, with Punchinelli and Other Figures1788–1823Galería de Arte de la Universidad Yale

Design for the Decoration of a Wall and Ceiling of a 'Gabinetto' related to Virgil's Fourth Canto, Felice Giani, 1778–1823

Felice GianiDesign for the Decoration of a Wall and Ceiling of a 'Gabinetto' related to Virgil's Fourth Canto1778–1823Museo Metropolitano de Arte

An Artist and His Model, Felice Giani, 1778–1823

Felice GianiAn Artist and His Model1778–1823Museo Metropolitano de Arte

Design for a Fountain in a Niche flanked by Terms, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Fountain in a Niche flanked by Terms1672–1725Museo Metropolitano de Arte

Design for a Sculptural Ornament With an Eagle, Volutes and Leaves, Giovanni Battista Foggini, 1652–1725

Giovanni Battista FogginiDesign for a Sculptural Ornament With an Eagle, Volutes and Leaves1652–1725Museo Metropolitano de Arte

Design for a Helmet with a Dragon Presented in Frontal View, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Helmet with a Dragon Presented in Frontal View1672–1725Museo Metropolitano de Arte

Design for a Vase with Handles, Decorated with a Festoon, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Vase with Handles, Decorated with a Festoon1672–1725Museo Metropolitano de Arte

Design for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above1672–1725Museo Metropolitano de Arte

Design for a Proscenium or Monumental Alcove, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Proscenium or Monumental Alcove1672–1725Museo Metropolitano de Arte

The British Order: Elevation of a Capital and Part of the Fluted Shaft, James Adam, 1762

James AdamThe British Order: Elevation of a Capital and Part of the Fluted Shaft1762Museo Metropolitano de Arte

Mars and Venus, Felice Giani, ca. 1780–90

Felice GianiMars and Venusca. 1780–90Galería de Arte de la Universidad Yale

Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (recto); Studies for Figural Ornament (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiStudies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (recto); Studies for Figural Ornament (verso)1672–1725Museo Metropolitano de Arte

Outline of Design for a Two-Handled Vase, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiOutline of Design for a Two-Handled Vase1672–1725Museo Metropolitano de Arte

Study of Five Vases or Urns, Felice Giani, ca. 1790–1800

Felice GianiStudy of Five Vases or Urnsca. 1790–1800Museo Metropolitano de Arte

Design for a Ceiling with Decoration Related to Virgil's Sixth Canto, Felice Giani, 1778–1823

Felice GianiDesign for a Ceiling with Decoration Related to Virgil's Sixth Canto1778–1823Museo Metropolitano de Arte

Design for a Ewer with Neptune on his Chariot, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Ewer with Neptune on his Chariot1672–1725Museo Metropolitano de Arte

Design for a Ewer with Bull Heads under the Handles and Spout, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Ewer with Bull Heads under the Handles and Spout1672–1725Museo Metropolitano de Arte

A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiA Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso)1672–1725Museo Metropolitano de Arte

Design for a Pedestal (recto); Design for the Plan of a Monument (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Pedestal (recto); Design for the Plan of a Monument (verso)1672–1725Museo Metropolitano de Arte

Design for a Sculpture consisting of a Satyr and Satyress holding a Vase, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Sculpture consisting of a Satyr and Satyress holding a Vase1672–1725Museo Metropolitano de Arte

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