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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Scena biblica, Guido Reni, secc. XVI/ XVIIGuido ReniScena biblicasecc. XVI/ XVIIGalería de la Academia de Venecia
The Fall of the Rebel Angels, Giovanni Battista Tiepolo, 1712/1715Giovanni Battista TiepoloThe Fall of the Rebel Angels1712/1715Galería Nacional de Arte
Scene of the Tribunal (The Verdict), Honoré Daumier, c. 1865-1867Honoré DaumierScene of the Tribunal (The Verdict)c. 1865-1867Galería Nacional de Arte
Figure aux cheveux hirsutes et reprise partielle de l'hercule du recto, Daumier, HonoréHonoré DaumierFigure aux cheveux hirsutes et reprise partielle de l'hercule du rectoMuseo del Louvre
The Imaginary Invalid, Honoré Daumier, 1860–63Honoré DaumierThe Imaginary Invalid1860–63Galería de Arte de la Universidad Yale
Bacchus and Ariadne, Giovanni Battista Tiepolo, c. 1745Giovanni Battista TiepoloBacchus and Ariadnec. 1745Galería Nacional de Arte
A Standing Oriental Holding a Rod, Giovanni Battista Tiepolo, 1753/1762Giovanni Battista TiepoloA Standing Oriental Holding a Rod1753/1762Galería Nacional de Arte
The Sacrifice of Iphigenia (recto) / Study of a Male Nude (verso), Giovanni Battista Tiepolo, c. 1726Giovanni Battista TiepoloThe Sacrifice of Iphigenia (recto) / Study of a Male Nude (verso)c. 1726Galería Nacional de Arte
Capitulation of a Town, Giovanni Battista TiepoloGiovanni Battista TiepoloCapitulation of a TownGalería Nacional de Arte
Reclining male figure seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining male figure seen from belowca. 1740–50Galería de Arte de la Universidad Yale
Walking male figure seen obliquely from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloWalking male figure seen obliquely from belowca. 1740–50Galería de Arte de la Universidad Yale
Standing female figure seen from the back and from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding female figure seen from the back and from belowca. 1740–50Galería de Arte de la Universidad Yale
Wooded Landscape with Figures on Horseback Crossing a Bridge, Thomas Gainsborough, between 1775 and 1780Thomas GainsboroughWooded Landscape with Figures on Horseback Crossing a Bridgebetween 1775 and 1780Centro de Arte Británico de Yale
Wooded Landscape with Shepherd and Sheep, Thomas Gainsborough, between 1765 and 1770Thomas GainsboroughWooded Landscape with Shepherd and Sheepbetween 1765 and 1770Centro de Arte Británico de Yale
The Grandmother, Honoré DaumierHonoré DaumierThe GrandmotherGalería Nacional de Arte
The Prodigal Son, Honoré DaumierHonoré DaumierThe Prodigal SonGalería Nacional de Arte
Classical Figures Gathered around an Urn, Giovanni Battista Tiepolo, 1724/1729Giovanni Battista TiepoloClassical Figures Gathered around an Urn1724/1729Galería Nacional de Arte
A Standing Oriental Wearing a Greatcoat, Giovanni Battista Tiepolo, 1753/1762Giovanni Battista TiepoloA Standing Oriental Wearing a Greatcoat1753/1762Galería Nacional de Arte
Angelica and Medoro, Giovanni Battista Tiepolo, 1740/1745Giovanni Battista TiepoloAngelica and Medoro1740/1745Galería Nacional de Arte
Two Monks with a Prostrate Man, Giovanni Battista Tiepolo, c. 1725Giovanni Battista TiepoloTwo Monks with a Prostrate Manc. 1725Galería Nacional de Arte
Reclining female figure, left hand resting on globe, right arm raised in front of face, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining female figure, left hand resting on globe, right arm raised in front of face, seen from belowca. 1740–50Galería de Arte de la Universidad Yale
Study for the fresco Industry Triumphing over Idleness, at the Villa Lochi al Biron, Giovanni Battista Tiepolo, ca. 1734Giovanni Battista TiepoloStudy for the fresco Industry Triumphing over Idleness, at the Villa Lochi al Bironca. 1734Galería de Arte de la Universidad Yale
Seated figure with head turned to the left and right arm raised, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloSeated figure with head turned to the left and right arm raised, seen from belowca. 1740–50Galería de Arte de la Universidad Yale
Male figure carrying a tray with fowl, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloMale figure carrying a tray with fowl, seen from belowca. 1740–50Galería de Arte de la Universidad Yale
The Prodigal Son, Honoré DaumierHonoré DaumierThe Prodigal SonGalería Nacional de Arte
Three Costumes, Ogdred Weary, 1950Edward GoreyThree Costumes1950Galería de Arte de la Universidad Yale
Centaur Carrying Off a Woman, Honoré DaumierHonoré DaumierCentaur Carrying Off a WomanGalería Nacional de Arte
Le Défenseur (Counsel for the Defense), Honoré Daumier, c. 1862/1865Honoré DaumierLe Défenseur (Counsel for the Defense)c. 1862/1865Galería Nacional de Arte
A Venetian Lawyer at His Desk, Giovanni Battista Tiepolo, 1755/1760Giovanni Battista TiepoloA Venetian Lawyer at His Desk1755/1760Galería Nacional de Arte
Standing Man in Sixteenth-Century Costume, Giovanni Battista TiepoloGiovanni Battista TiepoloStanding Man in Sixteenth-Century CostumeGalería Nacional de Arte
Figure Studies (recto), Giovanni Battista Tiepolo, c. 1744Giovanni Battista TiepoloFigure Studies (recto)c. 1744Galería Nacional de Arte
The Holy Family, Giovanni Battista Tiepolo, 1754/1762Giovanni Battista TiepoloThe Holy Family1754/1762Galería Nacional de Arte
Walking Male figure seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloWalking Male figure seen from belowca. 1740–50Galería de Arte de la Universidad Yale
Reclining female figure seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining female figure seen from belowca. 1740–50Galería de Arte de la Universidad Yale
Madonna and Child Enthroned in the Clouds, Adored by Saint, Giovanni Battista Tiepolo, n.d.Giovanni Battista TiepoloMadonna and Child Enthroned in the Clouds, Adored by Saintn.d.Galería de Arte de la Universidad Yale
Standing male figure seen from behind, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding male figure seen from behindca. 1740–50Galería de Arte de la Universidad Yale
Figure on a Cloud, Giovanni Battista Tiepolo, 1750/1760Giovanni Battista TiepoloFigure on a Cloud1750/1760Galería Nacional de Arte
The Smoker, Honoré DaumierHonoré DaumierThe SmokerGalería Nacional de Arte
Head of a Magician, Giovanni Battista Tiepolo, c. 1760Giovanni Battista TiepoloHead of a Magicianc. 1760Galería Nacional de Arte
Hercule forain, Daumier, HonoréHonoré DaumierHercule forainMuseo del Louvre
Standing Figure Wearing a Hat, Giovanni Battista Tiepolo, c. 1760?Giovanni Battista TiepoloStanding Figure Wearing a Hatc. 1760?Galería Nacional de Arte
The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo, mid 1740sGiovanni Battista TiepoloThe Meeting of Antony and Cleopatramid 1740sGalería Nacional de Arte
Venus and Cupid Discovering the Body of Adonis, Giovanni Battista Tiepolo, c. 1740Giovanni Battista TiepoloVenus and Cupid Discovering the Body of Adonisc. 1740Galería Nacional de Arte
Saint Mary Magdalene Lifted by Angels, Giovanni Battista Tiepolo, c. 1740Giovanni Battista TiepoloSaint Mary Magdalene Lifted by Angelsc. 1740Galería Nacional de Arte
Male figure carrying a tray, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloMale figure carrying a tray, seen from belowca. 1740–50Galería de Arte de la Universidad Yale
Standing male figure seen obliquely from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding male figure seen obliquely from belowca. 1740–50Galería de Arte de la Universidad Yale
Apotheosis of an Aged Warrior, for a ceiling in the Ca' Rezzonico, Venice, Giovanni Battista Tiepolo, ca. 1758Giovanni Battista TiepoloApotheosis of an Aged Warrior, for a ceiling in the Ca' Rezzonico, Veniceca. 1758Galería de Arte de la Universidad Yale
Reclining male nude with right hand resting on a stone tablet, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining male nude with right hand resting on a stone tablet, seen from belowca. 1740–50Galería de Arte de la Universidad Yale
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