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Dónde ver arte y cuándo abre el museo.

Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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60.822 obras de 131 museos44 expuestas ahoraQuitar todo

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  • Grafito137.439
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Design for One-Quarter of a Ceiling; Elaborate Architectural Ornament in Perspective, Ferdinando Galli Bibiena, 1657–1743Ferdinando Galli-BibienaDesign for One-Quarter of a Ceiling; Elaborate Architectural Ornament in Perspective1657–1743Museo Metropolitano de Arte
The Nativity, Heinrich Aldegrever, 1552Heinrich AldegreverThe Nativity1552Galería Nacional de Arte
He Looks and Doesn't Recognize Himself (Se mira y no se ve), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoHe Looks and Doesn't Recognize Himself (Se mira y no se ve)1807–45Museo Metropolitano de Arte
Houses at Kilmallock, Thomas Crofton Croker, undatedThomas Crofton CrokerHouses at KilmallockundatedCentro de Arte Británico de Yale
Ammon and Jonadab, Heinrich Aldegrever, 1539Heinrich AldegreverAmmon and Jonadab1539Museo Metropolitano de Arte
Joseph and Potiphar's Wife, Heinrich Aldegrever, 1520–65Heinrich AldegreverJoseph and Potiphar's Wife1520–65Museo Metropolitano de Arte
Cupido, Donato Creti, secc. XVII/ XVIIIDonato CretiCupidosecc. XVII/ XVIIIGalería de la Academia de Venecia
Testa d'uomo con turbante, Donato Creti, secc. XVII/ XVIIIDonato CretiTesta d'uomo con turbantesecc. XVII/ XVIIIGalería de la Academia de Venecia
The Virgin Bringing the Habit to the Seven Founding Fathers of the Servite Order, Donato Creti, 1691–1749Donato CretiThe Virgin Bringing the Habit to the Seven Founding Fathers of the Servite Order1691–1749Museo Metropolitano de Arte
They Don't Fall Off Their Donkey (They Don't Admit Their Error), (No caen de su burro), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoThey Don't Fall Off Their Donkey (They Don't Admit Their Error), (No caen de su burro)1807–45Museo Metropolitano de Arte
The Adoration of the Magi [recto], Attributed to Donato CretiAttributed to Donato CretiThe Adoration of the Magi [recto]Galería Nacional de Arte
There Was No Business (No encontraron avio), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoThere Was No Business (No encontraron avio)1807–45Museo Metropolitano de Arte
Monks in a Cathedral, Jean-Baptiste-Pierre Le BrunJean Baptiste Pierre Le BrunMonks in a CathedralGalería Nacional de Arte
Long Live the Chains! (Vivan las caenas [cadenas]), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoLong Live the Chains! (Vivan las caenas [cadenas])1807–45Museo Metropolitano de Arte
Ruined Abbey, Thomas Crofton Croker, undatedThomas Crofton CrokerRuined AbbeyundatedCentro de Arte Británico de Yale
Architectural Perspective, in an Oval: Porch of a Palace with Corinthian Columns, Ferdinando Galli Bibiena, 1657–1743Ferdinando Galli-BibienaArchitectural Perspective, in an Oval: Porch of a Palace with Corinthian Columns1657–1743Museo Metropolitano de Arte
Telemachus Requests Permission from Pluto to Seek His Father in the Underworld, Bartolomeo Pinelli, 1809Bartolomeo PinelliTelemachus Requests Permission from Pluto to Seek His Father in the Underworld1809Galería Nacional de Arte
The Death of Lausus, After Bartolomeo Pinelli, early 19th centuryBartolomeo PinelliThe Death of Laususearly 19th centuryGalería Nacional de Arte
Tumulus near Newry, Thomas Crofton Croker, undatedThomas Crofton CrokerTumulus near NewryundatedCentro de Arte Británico de Yale
Virgin and Child with Five Saints, Attributed to Donato CretiAttributed to Donato CretiVirgin and Child with Five SaintsGalería Nacional de Arte
Birds of a Feather (Entre los suyos), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoBirds of a Feather (Entre los suyos)1807–45Museo Metropolitano de Arte
Father Killing His Daughter, Bartolomeo Pinelli, 1812Bartolomeo PinelliFather Killing His Daughter1812Galería de Arte de la Universidad Yale
Bathers in a Wooded Landscape, Donato Creti, 1671–1749Donato CretiBathers in a Wooded Landscape1671–1749Museo Metropolitano de Arte
Athena Appearing to Telemachus (the son of Ulysses), illustration for Telemaco from Homer's Odyssey, Bartolomeo Pinelli, 1809Bartolomeo PinelliAthena Appearing to Telemachus (the son of Ulysses), illustration for Telemaco from Homer's Odyssey1809Galería de Arte de la Universidad Yale
Thetis Dipping the Infant Achilles into the Waters of the Styx, Donato Creti, 1671–1749Donato CretiThetis Dipping the Infant Achilles into the Waters of the Styx1671–1749Museo Metropolitano de Arte
Brownies at Home - Twelve Vignettes, Palmer Cox, c. 1893Palmer CoxBrownies at Home - Twelve Vignettesc. 1893Galería Nacional de Arte
Design for a Stage Set: A Town Square with a Fountain, Ferdinando Galli Bibiena, 1677–1743Ferdinando Galli-BibienaDesign for a Stage Set: A Town Square with a Fountain1677–1743Museo Metropolitano de Arte
Vaulted Hall with Candelabra, Ferdinando Galli Bibiena, 1675–1743Ferdinando Galli-BibienaVaulted Hall with Candelabra1675–1743Museo Metropolitano de Arte
Saint Mark the Evangelist, Peter Candid after Heinrich Aldegrever after Georg Pencz, c. 1600Heinrich AldegreverSaint Mark the Evangelistc. 1600Galería Nacional de Arte
Ruined Gateway at Kilmallock, Thomas Crofton Croker, undatedThomas Crofton CrokerRuined Gateway at KilmallockundatedCentro de Arte Británico de Yale
He Will Not Laugh (Y el no se rie), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoHe Will Not Laugh (Y el no se rie)1807–45Museo Metropolitano de Arte
Self-Portrait, Bartolomeo Pinelli, 1807Bartolomeo PinelliSelf-Portrait1807Galería de Arte de la Universidad Yale
Seven Figures Witnessing an Ascension [verso], Attributed to Donato CretiAttributed to Donato CretiSeven Figures Witnessing an Ascension [verso]Galería Nacional de Arte
Flying and Other Excesses (Volando y otros excesos), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoFlying and Other Excesses (Volando y otros excesos)1807–45Museo Metropolitano de Arte
Queen Tranquilla Being Shown the Corpse of Her Husband Tarquin, illustration for Charles Rollin’s Istoria Romana, Bartolomeo Pinelli, 1812Bartolomeo PinelliQueen Tranquilla Being Shown the Corpse of Her Husband Tarquin, illustration for Charles Rollin’s Istoria Romana1812Galería de Arte de la Universidad Yale
Endymion, Donato Creti, 1671–1749Donato CretiEndymion1671–1749Museo Metropolitano de Arte
His Excellency is Not at Home (No recibe in Excel), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoHis Excellency is Not at Home (No recibe in Excel)1807–45Museo Metropolitano de Arte
Head of a Bearded Man, Hans Hoffmann, 1579Hans HoffmannHead of a Bearded Man1579Museo Metropolitano de Arte
The Annunciation, Heinrich Aldegrever, 1552Heinrich AldegreverThe Annunciation1552Galería Nacional de Arte
Having a Good Time (Se regodean), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoHaving a Good Time (Se regodean)1807–45Museo Metropolitano de Arte
Lost Labor (Trabajo perdido), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoLost Labor (Trabajo perdido)1807–45Museo Metropolitano de Arte
Family of the Artist, Bartolomeo Pinelli, 1808Bartolomeo PinelliFamily of the Artist1808Galería de Arte de la Universidad Yale
At Last She Sees Clearly (Ya ve claro), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoAt Last She Sees Clearly (Ya ve claro)1807–45Museo Metropolitano de Arte
Venus, Mars, Iris, and Two Amorini, Bartolomeo Pinelli, ca. 1808Bartolomeo PinelliVenus, Mars, Iris, and Two Amorinica. 1808Galería de Arte de la Universidad Yale
Penitent Magdalene with Angels in a Landscape [recto], Attributed to Donato CretiAttributed to Donato CretiPenitent Magdalene with Angels in a Landscape [recto]Galería Nacional de Arte
Holy Family with St. Elizabeth, St. John the Baptist, and Two Angels in a Landscape, Attributed to Donato CretiAttributed to Donato CretiHoly Family with St. Elizabeth, St. John the Baptist, and Two Angels in a LandscapeGalería Nacional de Arte
Holy Family [recto], Attributed to Donato CretiAttributed to Donato CretiHoly Family [recto]Galería Nacional de Arte
They are Polishing Him Up (Y se las pulen), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoThey are Polishing Him Up (Y se las pulen)1807–45Museo Metropolitano de Arte
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