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ART WIKI

Dónde ver arte y cuándo abre el museo.

Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (74 museos). Las imágenes pertenecen a sus titulares de derechos.

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Pastourelle, Paul Gavarni, n.d.Paul GavarniPastourellen.d.Galería de Arte de la Universidad Yale
Abstract Construction (Baudelaire), Jacques Villon, 1920Jacques VillonAbstract Construction (Baudelaire)1920Galería de Arte de la Universidad Yale
Hagar and the Angel (recto); Sketch of the Face of a Woman (verso), Pieter Lastman, 1600–1601Pieter LastmanHagar and the Angel (recto); Sketch of the Face of a Woman (verso)1600–1601Galería de Arte de la Universidad Yale
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerThe Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum1802-1804Centro de Arte Británico de Yale
The Crucifixion, Samuel van Hoogstraten, about 1650Samuel van HoogstratenThe Crucifixionabout 1650Museo J. Paul Getty
The Adoration of the Shepherds, Samuel van Hoogstraten, early 1640sSamuel van HoogstratenThe Adoration of the Shepherdsearly 1640sMuseo Metropolitano de Arte
Anatomical Study of a Leg, Benjamin Robert Haydon, undatedBenjamin Robert HaydonAnatomical Study of a LegundatedCentro de Arte Británico de Yale
Study of Women Talking, Benjamin Robert Haydon, undatedBenjamin Robert HaydonStudy of Women TalkingundatedCentro de Arte Británico de Yale
Arch of Hadrian, Sir Robert Smirke the younger, ca. 1804Sir Robert Smirke the youngerArch of Hadrianca. 1804Centro de Arte Británico de Yale
Ancient Inscription in the Post House at Argos, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerAncient Inscription in the Post House at Argos1802-1804Centro de Arte Británico de Yale
Moldings on the Temple of Minerva, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerMoldings on the Temple of Minerva1802-1804Centro de Arte Británico de Yale
Study of Nude Female, Benjamin Robert Haydon, undatedBenjamin Robert HaydonStudy of Nude FemaleundatedCentro de Arte Británico de Yale
The Magic Mountain, Agnes Denes, 1982Agnes DenesThe Magic Mountain1982Galería Nacional de Arte
Arthropoid, Agnes Denes, 1974Agnes DenesArthropoid1974Galería Nacional de Arte
A Sailor Standing on the Shore, Paul Gavarni [Chevalier], 1859–60Paul GavarniA Sailor Standing on the Shore1859–60Museo Metropolitano de Arte
Sacra Famiglia, Pericle Fazzini, 1984Pericle FazziniSacra Famiglia1984Museo civico di Ripatransone
Sketch of the Line of the Shaft and Inner Angle of the Abacus, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerSketch of the Line of the Shaft and Inner Angle of the Abacus1802-1804Centro de Arte Británico de Yale
Package Deal (The Big Picture), Mark Kostabi, 1985Mark KostabiPackage Deal (The Big Picture)1985Galería Nacional de Arte
Ancient Greek Inscriptions, Found on the Road Between Mystras and Leontari, Sir Robert Smirke the younger, 1803Sir Robert Smirke the youngerAncient Greek Inscriptions, Found on the Road Between Mystras and Leontari1803Centro de Arte Británico de Yale
Ruins at Capua, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerRuins at Capua1802-1804Centro de Arte Británico de Yale
Sketch of the Flutings of the Ionic Columns in the Interior of the Propylaea, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerSketch of the Flutings of the Ionic Columns in the Interior of the Propylaea1802-1804Centro de Arte Británico de Yale
Architectural Drawing, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerArchitectural Drawing1802-1804Centro de Arte Británico de Yale
Untitled, Benjamin Robert Haydon, undatedBenjamin Robert HaydonUntitledundatedCentro de Arte Británico de Yale
Fragment of a Doric Cornice Among the Ruins of Eleusis, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerFragment of a Doric Cornice Among the Ruins of Eleusis1802-1804Centro de Arte Británico de Yale
Horses, Jacques VillonJacques VillonHorsesGalería Nacional de Arte
Republicaine, Paul Gavarni, n.d.Paul GavarniRepublicainen.d.Galería de Arte de la Universidad Yale
An Ancient Inscription in the Post House at Argos, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerAn Ancient Inscription in the Post House at Argos1802-1804Centro de Arte Británico de Yale
Wedding of Peleus and Thetis, Johann Gottfried Piefke, n.d.Godfried MaesWedding of Peleus and Thetisn.d.Galería de Arte de la Universidad Yale
Injunction Against Interiority, Mark Kostabi, 1980sMark KostabiInjunction Against Interiority1980sGalería Nacional de Arte
Studies of Serving Vessels From Antiquity, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerStudies of Serving Vessels From Antiquity1802-1804Centro de Arte Británico de Yale
Economical Promotion Strategy, Mark Kostabi, 1984Mark KostabiEconomical Promotion Strategy1984Galería de Arte de la Universidad Yale
More Smoke Gets in Your Eyes, Mark Kostabi, 1984Mark KostabiMore Smoke Gets in Your Eyes1984Galería de Arte de la Universidad Yale
Untitled, Mark Kostabi, 1986Mark KostabiUntitled1986Galería de Arte de la Universidad Yale
Among the Ruins of Messene, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerAmong the Ruins of Messene1802-1804Centro de Arte Británico de Yale
Study of Figures and Busts on the Pediments of Temples, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerStudy of Figures and Busts on the Pediments of Temples1802-1804Centro de Arte Británico de Yale
Sketch of an Athenian's House, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerSketch of an Athenian's House1802-1804Centro de Arte Británico de Yale
Figure Study of a Soldier Reclining, Benjamin Robert Haydon, undatedBenjamin Robert HaydonFigure Study of a Soldier RecliningundatedCentro de Arte Británico de Yale
Artisan at Work, Pieter Coecke van Aelst, n.d.Pieter Coecke van AelstArtisan at Workn.d.Galería de Arte de la Universidad Yale
The Jews Collecting the Twelve Stones from the River Jordan, Pieter Coecke van Aelst, ca. 1535–38Pieter Coecke van AelstThe Jews Collecting the Twelve Stones from the River Jordanca. 1535–38Museo Metropolitano de Arte
Conversion of St. Paul, Pieter Coecke van Aelst, 1538 (?)Pieter Coecke van AelstConversion of St. Paul1538 (?)Museo Metropolitano de Arte
Minerva Leading a Procession of Women, Pieter Coecke van Aelst, mid-16th centuryPieter Coecke van AelstMinerva Leading a Procession of Womenmid-16th centuryMuseo Metropolitano de Arte
Xenophon and the Greeks Sighting the Sea [verso], Benjamin Robert HaydonBenjamin Robert HaydonXenophon and the Greeks Sighting the Sea [verso]Galería Nacional de Arte
Xenophon and the Greeks Sighting the Sea [recto], Benjamin Robert HaydonBenjamin Robert HaydonXenophon and the Greeks Sighting the Sea [recto]Galería Nacional de Arte
Sketch of the Molding of the Interior of the Propylaea, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerSketch of the Molding of the Interior of the Propylaea1802-1804Centro de Arte Británico de Yale
Sir Robert Smirke's Continental Tour, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerSir Robert Smirke's Continental Tour1802-1804Centro de Arte Británico de Yale
Study of the Resurrection of Lazarus, Benjamin Robert Haydon, undatedBenjamin Robert HaydonStudy of the Resurrection of LazarusundatedCentro de Arte Británico de Yale
The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas,  Agrigentum, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerThe Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum1802-1804Centro de Arte Británico de Yale
Part of a Semi-Circular Seat, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerPart of a Semi-Circular Seat1802-1804Centro de Arte Británico de Yale
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