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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Grafito137.439
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Satyr Leading a Centauress Who Holds a Satyr Child, Giovanni Domenico Tiepolo, 1727–1804

Giovanni Domenico TiepoloSatyr Leading a Centauress Who Holds a Satyr Child1727–1804Museo Metropolitano de Arte

Hercules and Antaeus (with a ledge Below), Giovanni Domenico Tiepolo, late 18th century

Giovanni Domenico TiepoloHercules and Antaeus (with a ledge Below)late 18th centuryMuseo Metropolitano de Arte

Turkish Lancer and Onlookers Approaching a Town, Giovanni Domenico Tiepolo, 1760–70

Giovanni Domenico TiepoloTurkish Lancer and Onlookers Approaching a Town1760–70Museo Metropolitano de Arte

Centaur Holding Up a Youthful Satyr, Giovanni Domenico Tiepolo, 1727–1804

Giovanni Domenico TiepoloCentaur Holding Up a Youthful Satyr1727–1804Museo Metropolitano de Arte

Giovanni Domenico TiepoloThe Baptism of Christ (with Saint John, Without his Cross, in Profile to the Right)ca. 1770–90Museo Metropolitano de Arte

Design for Ceiling, Sir William Chambers, ca. 1765

William ChambersDesign for Ceilingca. 1765Centro de Arte Británico de Yale

Title Plans to Headfort House, Sir William Chambers, 1765

William ChambersTitle Plans to Headfort House1765Centro de Arte Británico de Yale

Capitoline, Antique Tripod, Sir William Chambers, ca. 1750–55

William ChambersCapitoline, Antique Tripodca. 1750–55Museo Metropolitano de Arte

Design for a Chimneypiece, Sir William Chambers, 1740–1800

William ChambersDesign for a Chimneypiece1740–1800Museo Metropolitano de Arte

Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags, Sir William Chambers, 1740–96

William ChambersDesign for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags1740–96Museo Metropolitano de Arte

Design for a Pier-glass of Oblong Form, the Cresting a Scroll and Urn, Sir William Chambers, 1743–1800

William ChambersDesign for a Pier-glass of Oblong Form, the Cresting a Scroll and Urn1743–1800Museo Metropolitano de Arte

Design for the Gallery ceiling, Richmond House, Whitehall, London, Sir William Chambers, 1760

William ChambersDesign for the Gallery ceiling, Richmond House, Whitehall, London1760Museo Metropolitano de Arte

Édouard DetailleHead of a Grenadier in Profilelate 19th–early 20th centuryGalería de Arte de la Universidad Yale

Head of a Man Smoking a Pipe, Édouard Detaille, late 19th–early 20th century

Édouard DetailleHead of a Man Smoking a Pipelate 19th–early 20th centuryGalería de Arte de la Universidad Yale

Headfort House: Alterations in the Cellar, Sir William Chambers, 1765

William ChambersHeadfort House: Alterations in the Cellar1765Centro de Arte Británico de Yale

Royal Botanic Gardens, Kew: Design for Interior of a Mosque, Sir William Chambers, ca. 1761

William ChambersRoyal Botanic Gardens, Kew: Design for Interior of a Mosqueca. 1761Centro de Arte Británico de Yale

Headfort House: Plan of the Cellar Story, Sir William Chambers, 1765

William ChambersHeadfort House: Plan of the Cellar Story1765Centro de Arte Británico de Yale

Meleager, Turning to the Left, Giovanni Domenico Tiepolo, mid-18th–early 19th century

Giovanni Domenico TiepoloMeleager, Turning to the Leftmid-18th–early 19th centuryMuseo Metropolitano de Arte

Centaur Abducting a Satyress, Giovanni Domenico Tiepolo, 1727–1804

Giovanni Domenico TiepoloCentaur Abducting a Satyress1727–1804Museo Metropolitano de Arte

A Flock of Winged Cherubs in the Sky, One Holding a Martyr's Palm, Giovanni Domenico Tiepolo, ca. 1770–90

Giovanni Domenico TiepoloA Flock of Winged Cherubs in the Sky, One Holding a Martyr's Palmca. 1770–90Museo Metropolitano de Arte

Caricature of a Gentleman and Other Studies, Giovanni Domenico Tiepolo, 1727–1804

Giovanni Domenico TiepoloCaricature of a Gentleman and Other Studies1727–1804Museo Metropolitano de Arte

Scene of Contemporary Life: The Acrobats, Giovanni Domenico Tiepolo, 1727–1804

Giovanni Domenico TiepoloScene of Contemporary Life: The Acrobats1727–1804Museo Metropolitano de Arte

Design for a Chimneypiece, Sir William Chambers, 1740–1800

William ChambersDesign for a Chimneypiece1740–1800Museo Metropolitano de Arte

Design for a Chimneypiece, Sir William Chambers, 1740–1800

William ChambersDesign for a Chimneypiece1740–1800Museo Metropolitano de Arte

Neptune and Amphitrite, Bartholomeus Spranger, mid-16th–early 17th century

Bartholomeus SprangerNeptune and Amphitritemid-16th–early 17th centuryMuseo Metropolitano de Arte

Headfort House: Alterations in the Ground Floor, Sir William Chambers, 1765

William ChambersHeadfort House: Alterations in the Ground Floor1765Centro de Arte Británico de Yale

Title Page, Giovanni Domenico Tiepolo, 1727–1804

Giovanni Domenico TiepoloTitle Page1727–1804Museo Metropolitano de Arte

Rinaldo Persuaded by Ubaldo and Guelfo to Abandon Armida, Giovanni Domenico Tiepolo, mid-18th–late 18th century

Giovanni Domenico TiepoloRinaldo Persuaded by Ubaldo and Guelfo to Abandon Armidamid-18th–late 18th centuryMuseo Metropolitano de Arte

Elephant in a Landscape, Giovanni Domenico Tiepolo, 1727–1804

Giovanni Domenico TiepoloElephant in a Landscape1727–1804Museo Metropolitano de Arte

A Stag Lying Down (on a base): The Head of a Crocodile, Giovanni Domenico Tiepolo, after 1770

Giovanni Domenico TiepoloA Stag Lying Down (on a base): The Head of a Crocodileafter 1770Museo Metropolitano de Arte

The Rest on the Flight into Egypt (with a Truncated Pyramid on the Right), Giovanni Domenico Tiepolo, ca. 1770

Giovanni Domenico TiepoloThe Rest on the Flight into Egypt (with a Truncated Pyramid on the Right)ca. 1770Museo Metropolitano de Arte

A Crowd of Ancient Warriors, Orientals, and Two Boys, Gathering for a Sacrifice, Giovanni Domenico Tiepolo, ca. 1743

Giovanni Domenico TiepoloA Crowd of Ancient Warriors, Orientals, and Two Boys, Gathering for a Sacrificeca. 1743Museo Metropolitano de Arte

Frieze of Allegorical Figures, Giovanni Domenico Tiepolo, after 1770

Giovanni Domenico TiepoloFrieze of Allegorical Figuresafter 1770Museo Metropolitano de Arte

Design for a Chimneypiece, Sir William Chambers, 1740–1800

William ChambersDesign for a Chimneypiece1740–1800Museo Metropolitano de Arte

Design for a Chimneypiece with Ionic columns, a Frieze, and Cornice, Sir William Chambers, 1743–96

William ChambersDesign for a Chimneypiece with Ionic columns, a Frieze, and Cornice1743–96Museo Metropolitano de Arte

Design for a Chimneypiece, Sir William Chambers, 1740–1800

William ChambersDesign for a Chimneypiece1740–1800Museo Metropolitano de Arte

Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan, Sir William Chambers, 1765

William ChambersHeadfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan1765Centro de Arte Británico de Yale

Cupid Blindfolded, on a Cloud Supported by Two Attendant Putti, Giovanni Domenico Tiepolo, ca. 1770–90

Giovanni Domenico TiepoloCupid Blindfolded, on a Cloud Supported by Two Attendant Puttica. 1770–90Museo Metropolitano de Arte

A Stag and Four Hinds on a Grassy Knoll (with Base), Giovanni Domenico Tiepolo, after 1770

Giovanni Domenico TiepoloA Stag and Four Hinds on a Grassy Knoll (with Base)after 1770Museo Metropolitano de Arte

The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground), Giovanni Domenico Tiepolo, ca. 1770–90

Giovanni Domenico TiepoloThe Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground)ca. 1770–90Museo Metropolitano de Arte

An Oriental Horseman, Giovanni Domenico Tiepolo, 1727–1804

Giovanni Domenico TiepoloAn Oriental Horseman1727–1804Museo Metropolitano de Arte

Satyr Leading a Centaur, Who Carries a Club, Bow and Quiver, Outside the Walls of a City, Giovanni Domenico Tiepolo, ca. 1771–91

Giovanni Domenico TiepoloSatyr Leading a Centaur, Who Carries a Club, Bow and Quiver, Outside the Walls of a Cityca. 1771–91Museo Metropolitano de Arte

A Sea Horse and a Dolphin, Giovanni Domenico Tiepolo, mid-18th–early 19th century

Giovanni Domenico TiepoloA Sea Horse and a Dolphinmid-18th–early 19th centuryMuseo Metropolitano de Arte

A Lion, Lying Toward the Right (on a Base), Giovanni Domenico Tiepolo, mid-18th–early 19th century

Giovanni Domenico TiepoloA Lion, Lying Toward the Right (on a Base)mid-18th–early 19th centuryMuseo Metropolitano de Arte

Centaur with Shield and Two Satyresses, Giovanni Domenico Tiepolo, 1727–1804

Giovanni Domenico TiepoloCentaur with Shield and Two Satyresses1727–1804Museo Metropolitano de Arte

The Three Angels Appearing to Abraham by the Oaks of Mamre, Giovanni Domenico Tiepolo, 1727–1804

Giovanni Domenico TiepoloThe Three Angels Appearing to Abraham by the Oaks of Mamre1727–1804Museo Metropolitano de Arte

Design for a Classical Chimneypiece with Rams Heads, and Leda and the Swan, Sir William Chambers, 1745–1800

William ChambersDesign for a Classical Chimneypiece with Rams Heads, and Leda and the Swan1745–1800Museo Metropolitano de Arte

Design for a Chimneypiece, Sir William Chambers, 1740–1800

William ChambersDesign for a Chimneypiece1740–1800Museo Metropolitano de Arte

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