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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Arte contemporáneo, desde 1975

220.593 obras de 429 museos1486 expuestas ahoraQuitar

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France/tour/détour/deux/enfants, Mouvement 2: Lumière/Physique (Light/Physics), Jean-Luc Godard, Anne-Marie Miéville, 1978Jean-Luc Godard, Anne-Marie MiévilleFrance/tour/détour/deux/enfants, Mouvement 2: Lumière/Physique (Light/Physics)1978MoMA
Six fois deux/Sur et sous la communication, Part 3A: Photos et cie (Photos and Company), Jean-Luc Godard, Anne-Marie Miéville, 1976Jean-Luc Godard, Anne-Marie MiévilleSix fois deux/Sur et sous la communication, Part 3A: Photos et cie (Photos and Company)1976MoMA
Plate (folio 76) from Almario, Joan Miró, 1982, published 1985Joan MiróPlate (folio 76) from Almario1982, published 1985MoMA
Untitled from the series Les Orfèvres, Joan Miró, 1977Joan MiróUntitled from the series Les Orfèvres1977MoMA
Kay MacDonough, Nile, & Gregory Corso March 16, 1985 San Francisco Front of Trieste Morning Hangout Coffeeshop Grant Street., Allen Ginsberg, 1985Allen GinsbergKay MacDonough, Nile, & Gregory Corso March 16, 1985 San Francisco Front of Trieste Morning Hangout Coffeeshop Grant Street.1985Galería Nacional de Arte
Gregory Corso embraced by intimate friend, The Bistro, Jane & W. 4th Street, December 21, 1992., Allen Ginsberg, 1992Allen GinsbergGregory Corso embraced by intimate friend, The Bistro, Jane & W. 4th Street, December 21, 1992.1992Galería Nacional de Arte
Almario, Joan Miró, 1982, published 1985Joan MiróAlmario1982, published 1985MoMA
Richard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York, Allen Ginsberg, 1984, printed 1992Allen GinsbergRichard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York1984, printed 1992Galería Nacional de Arte
My father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old.", Allen Ginsberg, 1976, printed laterAllen GinsbergMy father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old."1976, printed laterGalería Nacional de Arte
Juanita Lieberman had met Peter Orlovsky at Naropa in early 1980's, was now working in my house as secretary March 3, 1985 - went on to nice job publishing at Paragon House, signed up Carl Solomon's Emergency Messages., Allen Ginsberg, 1985Allen GinsbergJuanita Lieberman had met Peter Orlovsky at Naropa in early 1980's, was now working in my house as secretary March 3, 1985 - went on to nice job publishing at Paragon House, signed up Carl Solomon's Emergency Messages.1985Galería Nacional de Arte
Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., Allen Ginsberg, 1984, printed 1994Allen GinsbergRichard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984.1984, printed 1994Galería Nacional de Arte
Larry Rivers with his portrait of poet John Ashbery’s poem “Pyrography” (1977), his studio Southhampton L. I. July 7, 1985. He worked out with weightlift instructor too that day, as well as new styrofoam 3-D painting., Allen Ginsberg, 1985Allen GinsbergLarry Rivers with his portrait of poet John Ashbery’s poem “Pyrography” (1977), his studio Southhampton L. I. July 7, 1985. He worked out with weightlift instructor too that day, as well as new styrofoam 3-D painting.1985Galería Nacional de Arte
Painter of Still Lifes, Fernando Botero, 1975Fernando BoteroPainter of Still Lifes1975MoMA
France/tour/détour/deux/enfants, Mouvement 11: Réalité/Logique (Reality/Logic), Jean-Luc Godard, Anne-Marie Miéville, 1978Jean-Luc Godard, Anne-Marie MiévilleFrance/tour/détour/deux/enfants, Mouvement 11: Réalité/Logique (Reality/Logic)1978MoMA
France/tour/détour/deux/enfants, Mouvement 10: Roman/Economie (Romance/Economy), Jean-Luc Godard, Anne-Marie Miéville, 1977-1978Jean-Luc Godard, Anne-Marie MiévilleFrance/tour/détour/deux/enfants, Mouvement 10: Roman/Economie (Romance/Economy)1977-1978MoMA
France/tour/détour/deux/enfants, Mouvement 1: Obscur/Chimie (Dark/Chemistry), Jean-Luc Godard, Anne-Marie Miéville, 1978Jean-Luc Godard, Anne-Marie MiévilleFrance/tour/détour/deux/enfants, Mouvement 1: Obscur/Chimie (Dark/Chemistry)1978MoMA
France/tour/détour/deux/enfants, Mouvement 6: Expression/Français (Expression/French), Jean-Luc Godard, Anne-Marie Miéville, 1978Jean-Luc Godard, Anne-Marie MiévilleFrance/tour/détour/deux/enfants, Mouvement 6: Expression/Français (Expression/French)1978MoMA
Six fois deux/Sur et sous la communication, Part 5A: Nous Trois (We Three), Jean-Luc Godard, Anne-Marie Miéville, 1976Jean-Luc Godard, Anne-Marie MiévilleSix fois deux/Sur et sous la communication, Part 5A: Nous Trois (We Three)1976MoMA
Birds of Montroig V (Ocells de Montroig V), Joan Miró, 1982, posthumously published 1987Joan MiróBirds of Montroig V (Ocells de Montroig V)1982, posthumously published 1987MoMA
Peter Orlovsky coming from bath, Jerry Heiserman (Sufi "Hassan") & friend, Kitchen evening, February 19, 1984 New York., Allen Ginsberg, 1984, printed 1991Allen GinsbergPeter Orlovsky coming from bath, Jerry Heiserman (Sufi "Hassan") & friend, Kitchen evening, February 19, 1984 New York.1984, printed 1991Galería Nacional de Arte
Out my New York kitchen window December 3, 1987, bare leaves, year end., Allen Ginsberg, 1987Allen GinsbergOut my New York kitchen window December 3, 1987, bare leaves, year end.1987Galería Nacional de Arte
Formal banquet speeches, meeting of American Academy of Arts & Letters delegates to Soviet Writer’s Union—Playwright Arthur Miller head bowed stoic at left, Jacob Laurence white-collard in front of Miller, white haired Chairman Fedorenko in horn-rimmed glasses leaning against wall looking up third from right, Lithuanian Writer’s Union Chairman/Chief gazing down at his notes at microphone, Buffet table as yet untouched—at the time the Russians wanted to emphasize integrity of Society boundaries so meeting was deliberately held in Vilnius (in secret from local writers—November 19, 1985., Allen Ginsberg, 1985Allen GinsbergFormal banquet speeches, meeting of American Academy of Arts & Letters delegates to Soviet Writer’s Union—Playwright Arthur Miller head bowed stoic at left, Jacob Laurence white-collard in front of Miller, white haired Chairman Fedorenko in horn-rimmed glasses leaning against wall looking up third from right, Lithuanian Writer’s Union Chairman/Chief gazing down at his notes at microphone, Buffet table as yet untouched—at the time the Russians wanted to emphasize integrity of Society boundaries so meeting was deliberately held in Vilnius (in secret from local writers—November 19, 1985.1985Galería Nacional de Arte
Harry Smith, ethnomusicologist & Cat's Cradle string game expert, displaying "cat's whiskers" design. He'd been weakening malnourished in Franciscan shelter on N.Y. Bowery, came here to stay weeks in my apartment, we went together by plane to Naropa Institute Boulder Colorado where he was resident alchemist- philosopher at the Kerouac Poetics school for several years till his last trip back to Manhattan to receive Obie award for life - long preservation of American Folk Music, and death soon after in 1991 at the Chelsea Hotel., Allen Ginsberg, 1988, printed 1995Allen GinsbergHarry Smith, ethnomusicologist & Cat's Cradle string game expert, displaying "cat's whiskers" design. He'd been weakening malnourished in Franciscan shelter on N.Y. Bowery, came here to stay weeks in my apartment, we went together by plane to Naropa Institute Boulder Colorado where he was resident alchemist- philosopher at the Kerouac Poetics school for several years till his last trip back to Manhattan to receive Obie award for life - long preservation of American Folk Music, and death soon after in 1991 at the Chelsea Hotel.1988, printed 1995Galería Nacional de Arte
Old-timer & survivor Herbert E. Huncke, Beat literary pioneer who introduced Burroughs, Kerouac & myself to floating population hustling & drug scene Times Square 1945. From ’48 on he penned several remarkable volumes especially the classic _The Evening Sun Turned Crimson_, autobiographic anecdotal tales (Cherry Valley, 1970). Here age 78 in basement apartment backyard East 7th Street near Avenue C, Lower East Side New York. — May 18, 1993., Allen Ginsberg, 1993Allen GinsbergOld-timer & survivor Herbert E. Huncke, Beat literary pioneer who introduced Burroughs, Kerouac & myself to floating population hustling & drug scene Times Square 1945. From ’48 on he penned several remarkable volumes especially the classic _The Evening Sun Turned Crimson_, autobiographic anecdotal tales (Cherry Valley, 1970). Here age 78 in basement apartment backyard East 7th Street near Avenue C, Lower East Side New York. — May 18, 1993.1993Galería Nacional de Arte
Woman, Joan Miró, 1976Joan MiróWoman1976Galería Nacional de Arte
Plate (folio 8) from Almario, Joan Miró, 1982, published 1985Joan MiróPlate (folio 8) from Almario1982, published 1985MoMA
Six fois deux/Sur et sous la communication, Part 6A: Avant et apres (Before and After), Jean-Luc Godard, Anne-Marie Miéville, 1976Jean-Luc Godard, Anne-Marie MiévilleSix fois deux/Sur et sous la communication, Part 6A: Avant et apres (Before and After)1976MoMA
Trieste Coffeeshop Corner Gang March 16, 1985 including Kaye MacDonough next to Jack Micheline, Nile held by Gregory Corso in front of Neeli Cherkovski and his house mate Jesse Cabrera., Allen Ginsberg, 1985Allen GinsbergTrieste Coffeeshop Corner Gang March 16, 1985 including Kaye MacDonough next to Jack Micheline, Nile held by Gregory Corso in front of Neeli Cherkovski and his house mate Jesse Cabrera.1985Galería Nacional de Arte
Scénario du film Passion, Jean-Luc Godard, Anne-Marie Miéville, Pierre Binggeli, Jean-Bernard Menoud, 1982Jean-Luc Godard, Anne-Marie MiévilleScénario du film Passion1982MoMA
Plate (folio 72) from Almario, Joan Miró, 1982, published 1985Joan MiróPlate (folio 72) from Almario1982, published 1985MoMA
R.D. Laing on his front porch Mapelton Street Boulder Colorado. Then in residence at Naropa Institute he planned voyage on lecture tour, invited me to make usable photo. July 7, 1987., Allen Ginsberg, 1987Allen GinsbergR.D. Laing on his front porch Mapelton Street Boulder Colorado. Then in residence at Naropa Institute he planned voyage on lecture tour, invited me to make usable photo. July 7, 1987.1987Galería Nacional de Arte
Shig Murao & Dick McBride, Trieste Coffeeshop Grant Street, San Francisco March 16, 1985—Dick visiting from England., Allen Ginsberg, 1985Allen GinsbergShig Murao & Dick McBride, Trieste Coffeeshop Grant Street, San Francisco March 16, 1985—Dick visiting from England.1985Galería Nacional de Arte
Olga Rudge at Ezra Pound Centenary Conference, U. of Maine, Orono, June 20, 1985. We'd met with Pound in Rapallo & Venice 1967., Allen Ginsberg, 1985Allen GinsbergOlga Rudge at Ezra Pound Centenary Conference, U. of Maine, Orono, June 20, 1985. We'd met with Pound in Rapallo & Venice 1967.1985Galería Nacional de Arte
Carrying sides of Beef from truck to Market stall Bluefields harbor-front street, East Coast of Nicaragua, Youth with leather apron and bloodstained elbows and trousers was shyly amused at my interest, January 29, 1986., Allen Ginsberg, 1986Allen GinsbergCarrying sides of Beef from truck to Market stall Bluefields harbor-front street, East Coast of Nicaragua, Youth with leather apron and bloodstained elbows and trousers was shyly amused at my interest, January 29, 1986.1986Galería Nacional de Arte
Lucien Carr, New York City, March 3, 1985, Allen Ginsberg, 1985Allen GinsbergLucien Carr, New York City, March 3, 19851985Galería Nacional de Arte
Midsummer leafage on Ailanthus Trees & backyard bushes in slight breeze, looks like 68°, guests had brought sunflowers the night before, gay club news on windowsill, I’d looked out my kitchen window with camera weekly almost a decade now, the garden courtyard cleaned and swept neat, East 12th street lower East Side Manhattan June 6, 1993., Allen Ginsberg, 1993, printed 1994Allen GinsbergMidsummer leafage on Ailanthus Trees & backyard bushes in slight breeze, looks like 68°, guests had brought sunflowers the night before, gay club news on windowsill, I’d looked out my kitchen window with camera weekly almost a decade now, the garden courtyard cleaned and swept neat, East 12th street lower East Side Manhattan June 6, 1993.1993, printed 1994Galería Nacional de Arte
Yevgeny Yevtushenko visiting late at night, we stayed up till 3 A.M. talking about which Russian writers works had been suppressed till that year’s recent Glasnost movement, April 1986., Allen Ginsberg, 1986Allen GinsbergYevgeny Yevtushenko visiting late at night, we stayed up till 3 A.M. talking about which Russian writers works had been suppressed till that year’s recent Glasnost movement, April 1986.1986Galería Nacional de Arte
Nicanor Parra Anti-Poet, Professor of Newtonian Physics, University of Santiago Chile, my host a month 1960. We couldn't get a cab downtown from his daughter Catalina on 110 Street N.Y.C. so took subway to N.Y.U. -- here stopped between stations, September 5, 1984., Allen Ginsberg, 1984Allen GinsbergNicanor Parra Anti-Poet, Professor of Newtonian Physics, University of Santiago Chile, my host a month 1960. We couldn't get a cab downtown from his daughter Catalina on 110 Street N.Y.C. so took subway to N.Y.U. -- here stopped between stations, September 5, 1984.1984Galería Nacional de Arte
Victor Hernandez Cruz & friends at banquet ceremony for American Book Awards by Before Columbus Foundation at Miami Book Fair International, November 17, 1990., Allen Ginsberg, 1990Allen GinsbergVictor Hernandez Cruz & friends at banquet ceremony for American Book Awards by Before Columbus Foundation at Miami Book Fair International, November 17, 1990.1990Galería Nacional de Arte
Six fois deux/Sur et sous la communication, Part 1A: Y a personne (Nobody's There), Jean-Luc Godard, Anne-Marie Miéville, 1976Jean-Luc Godard, Anne-Marie MiévilleSix fois deux/Sur et sous la communication, Part 1A: Y a personne (Nobody's There)1976MoMA
Plate (folio 22) from Almario, Joan Miró, 1982, published 1985Joan MiróPlate (folio 22) from Almario1982, published 1985MoMA
Plate (folio 34) from Almario, Joan Miró, 1982, published 1985Joan MiróPlate (folio 34) from Almario1982, published 1985MoMA
Allen Ginsberg & Gregory Corso, Enrico's Cafe Broadway San Francisco March 16, 1985., Allen Ginsberg, 1985Allen GinsbergAllen Ginsberg & Gregory Corso, Enrico's Cafe Broadway San Francisco March 16, 1985.1985Galería Nacional de Arte
WM. Burroughs, loft window 33 Greene Street New York, December 16, 1986., Allen Ginsberg, 1986, printed 1996Allen GinsbergWM. Burroughs, loft window 33 Greene Street New York, December 16, 1986.1986, printed 1996Galería Nacional de Arte
Creeley patient with me, July 1984, Naropa Summer Poetics: early supper., Allen Ginsberg, 1984Allen GinsbergCreeley patient with me, July 1984, Naropa Summer Poetics: early supper.1984Galería Nacional de Arte
Bill Wyman, Allen Ginsberg, c. 1985Allen GinsbergBill Wymanc. 1985Galería Nacional de Arte
Foreign Language Department building, Baoding University, two hours train south of Beijing, November 1984, students at the door—down the avenue past an athletic field is entrance-gate to campus. I taught Whitman, W.C. Williams, Kerouac, Burroughs and Gregory Corso’s writing to eager provincial students for three weeks, and sang lyrics by William Blake., Allen Ginsberg, 1984, printed 1987Allen GinsbergForeign Language Department building, Baoding University, two hours train south of Beijing, November 1984, students at the door—down the avenue past an athletic field is entrance-gate to campus. I taught Whitman, W.C. Williams, Kerouac, Burroughs and Gregory Corso’s writing to eager provincial students for three weeks, and sang lyrics by William Blake.1984, printed 1987Galería Nacional de Arte
Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", Allen Ginsberg, 1985Allen GinsbergWillem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter."1985Galería Nacional de Arte
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