ART WIKI33.040 en sala
MapaColecciónArtistasMuseosExposicionesRevista
Acceder

ART WIKI

Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

Secciones

  • Mapa
  • Búsqueda
  • Colección
  • Obras maestras
  • Expuestas ahora
  • Artistas

Más

  • Museos y galerías
  • Exposiciones
  • Revista
  • De dónde salen los datos
  • Privacidad y cookies
InicioMapaCatálogo
  1. Colección/
  2. Galería Nacional de Retratos/
  3. William Clark
William Clark, George Catlin, 1832

William Clark

1832 · Painting

Ficha

1832 · a los 36 años
17961872
Número de inventario
NPG.71.36

Mientras tanto, en la vida de George Catlin

La vida entera
  1. 1830

    First journey west with Governor Clark

    He accompanies William Clark, governor of the Missouri Territory, on a diplomatic mission to Fort Crawford and then up the Mississippi into Native territory.

  2. 1830–1836

    Five journeys into the American West

    St. Louis was his base for the five trips and the steamer Yellowstone of the American Fur Company his first transport; he visited 48 tribes in all (other accounts say about fifty). On trips along the Arkansas, Red and Mississippi rivers, in Florida and around the Great Lakes he painted more than 500 pictures and gathered a substantial collection of artifacts.

  3. 1832

    Up the Missouri to Fort Union

    He ascends the Missouri more than 3,000 km to the Fort Union trading post (today on the North Dakota–Montana border) and spends several weeks among peoples little touched by European culture. Visiting eighteen tribes, among them the Pawnee, Omaha, Ponca, Mandan, Hidatsa, Cheyenne, Crow, Assiniboine and Blackfeet, he paints the most vivid portraits of his career.

  4. March 1833

    Prince Maximilian’s expedition sees his work

    At Major O’Fallon’s country estate near St. Louis, members of Prince Maximilian of Wied-Neuwied’s scientific and ethnographic expedition look over the works from Catlin’s first Missouri expedition, among them the Swiss artist Karl Bodmer, who later painted many Native American portraits and scenes of his own.

  5. spring 1834

Más obras de George Catlin

Todas las obras

En la misma sala · East Gallery 122, Galería Nacional de Retratos

Página del museo

Sobre el mismo tema · Explorers

Todas las obras sobre el tema

Fort Gibson: portraits of Cherokee, Choctaw, Osage

Leaving New Orleans for Fort Gibson in Indian Territory, he paints portraits of Cherokee, Choctaw, Muscogee, Osage and other Native Americans.

  • 19 June 1834

    With the dragoons onto the Southern Plains

    He sets out onto the Southern Plains with a dragoon detachment led by Henry Leavenworth and Henry Dodge, and visits Comanche and Wichita lands.

  • George Catlin, retratoGeorge CatlinEstados Unidos, 1796–1872

    ¿Se puede contemplar?

    Sí, recibe visitas

    GNR
    Galería Nacional de Retratos

    Washington D. C., Estados Unidos

    SalaEast Gallery 122

    Expuesta al público. Quién lo avala figura más abajo.

    Comprobado
    hace 3 días
    En este estado desde
    5 oct 2026
    Fuente
    El museo
    En el mapaPágina del museo

    Lo que muestra

    ExplorersBooks and readingInkwellArquitecturaGovernmentInterior decorationTerritorial GovernorContainers

    En el catálogo

    PinturaÓleoPintura estadounidenseRomanticismoSiglo XIX

    Fuentes

    • Galería Nacional de Retratos
    • Imagen: Galería Nacional de Retratos — National Portrait Gallery, Smithsonian Institution (CC0)
    Distant View of the Mandan Village, George Catlin, 1832

    Distant View of the Mandan Village

    1832 · Museo Smithsoniano de Arte Americano

    Mouth of the Platte River, 900 Miles above St. Louis, George Catlin, 1832

    Mouth of the Platte River, 900 Miles above St. Louis

    1832 · Museo Smithsoniano de Arte Americano

    Seet-sé-be-a, Midday Sun, a Pretty Girl, George Catlin, 1832

    Seet-sé-be-a, Midday Sun, a Pretty Girl

    1832 · Museo Smithsoniano de Arte Americano

    Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior, George Catlin, 1832

    Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior

    1832 · Museo Smithsoniano de Arte Americano

    Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee, George Catlin, 1832

    Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee

    1832 · Museo Smithsoniano de Arte Americano

    River Bluffs, 1320 Miles above St. Louis, George Catlin, 1832

    River Bluffs, 1320 Miles above St. Louis

    1832 · Museo Smithsoniano de Arte Americano

    Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief, George Catlin, 1832

    Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief

    1832 · Museo Smithsoniano de Arte Americano

    I-o-wáy, One of Black Hawk's Principal Warriors, George Catlin, 1832

    I-o-wáy, One of Black Hawk's Principal Warriors

    1832 · Museo Smithsoniano de Arte Americano

    Thomas Hart Benton, Ferdinand Thomas Lee Boyle, c. 1861

    Ferdinand Thomas Lee Boyle

    Thomas Hart Benton, c. 1861

    Cornelius Vanderbilt, Nathaniel Jocelyn, 1846

    Nathaniel Jocelyn

    Cornelius Vanderbilt, 1846

    Stephen Fuller Austin, Unidentified Artist, c. 1840

    Unidentified Artist

    Stephen Fuller Austin, c. 1840

    Davy Crockett, Chester Harding, 1834

    Chester Harding

    Davy Crockett, 1834

    Daniel Boone, Chester Harding, 1820

    Chester Harding

    Daniel Boone, 1820

    Zachary Taylor, James Walker

    James Walker

    Zachary Taylor

    John Charles Frémont, William Smith Jewett

    William Smith Jewett

    John Charles Frémont

    Arctic Expedition Disaster Scene, Unidentified, n.d.

    Unidentified

    Arctic Expedition Disaster Scene, n.d.

    Museo Smithsoniano de Arte Americano

    Columbus before the Queen, Peter Frederick Rothermel, 1841

    Peter Frederick Rothermel

    Columbus before the Queen, 1841

    Museo Smithsoniano de Arte Americano

    Henry M. Stanley, Alice Pike Barney, ca. 1927

    Alice Pike Barney

    Henry M. Stanley, ca. 1927

    Museo Smithsoniano de Arte Americano

    The Landing of Columbus, John Vanderlyn, ca. 1840

    John Vanderlyn

    The Landing of Columbus, ca. 1840

    Museo Smithsoniano de Arte Americano

    Meriwether Lewis, William Strickland, 1816

    William Strickland

    Meriwether Lewis, 1816

    Galería Nacional de Retratos

    Amelia Earhart (with George Palmer Putnam), Underwood & Underwood, June 22, 1932

    Underwood & Underwood

    Amelia Earhart (with George Palmer Putnam), June 22, 1932

    Galería Nacional de Retratos

    Henry Morton Stanley, John Thompson, 1885 (printed c. 1889)

    John Thompson

    Henry Morton Stanley, 1885 (printed c. 1889)

    Galería Nacional de Retratos

    Zebulon Pike, Unidentified Artist, c. 1813

    Unidentified Artist

    Zebulon Pike, c. 1813

    Galería Nacional de Retratos