Willem de KooningEstados Unidos, 1904–1997Waves #1
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¿Dónde está «Waves #1» hoy? Colección: Galería de Arte de la Universidad Yale, New Haven. No expuesta por ahora. Comprobado 19 de octubre de 2026.
New Haven, Estados Unidos
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- Fuente
- El museo
Sobre la obra
In 1960, on a visit to the Bay Area, Willem de Kooning, in completely impromptu and unpremeditated circumstances, made two huge lithographs, which in retrospect can be seen as harbingers of the so-called American print renaissance that transformed the history of printmaking in this country. De Kooning had never made a lithograph, but at the print studios of the University of California, Berkeley, the artist was left alone with two lithographic stones, each nearly four feet high. Standing over the stones, using a mop as his drawing implement, in less than an hour de Kooning created two explosive images—this and another, called Waves II—that embody not just the artist's forceful gestures of that afternoon but also the immediacy and spontaneity that epitomize Abstract Expressionism. Each lithograph was printed in fewer than ten impressions.
Galería de Arte de la Universidad Yale
Ficha
- Número de inventario
- 2001.120.1
En el catálogo
Fuentes
- Galería de Arte de la Universidad Yale
- Imagen: Galería de Arte de la Universidad Yale — Image: Yale University Art Gallery · In Copyright
En la vida de Willem de Kooning
La vida entera1948–1966
Fourteen solo exhibitions
From 1948 to 1966 De Kooning had 14 solo exhibitions, many in New York but also nationally and internationally, among them the Egan Gallery, the Sidney Janis Gallery, the Martha Jackson Gallery, the Allan Stone Gallery and museums such as the Museum of Fine Arts, Boston and the Smith College Museum of Art. There were two a year in 1953, 1964 and 1965.
1950s
The path of “figurative abstractions”
In the 1950s De Kooning followed a path of primitivisation and developed so-called “figurative abstractions”: a solitary female figure, under furious, pasty “blow-like” brushstrokes, turns into a painterly totem open to radical Freudian readings.
late 1950s
From female figures to abstraction
In the late 1950s De Kooning’s work shifted away from the figurative images of women, though he returned to the subject on occasion, and began to show an interest in more abstract, less representational imagery.
11 de julio de 1959 – 11 de octubre de 1959
Exhibition: Documenta II
13 March 1962
Becomes a U.S. citizen
On 13 March 1962 De Kooning became a U.S. citizen.
