View of Chamonix, John Ruskin, 1842
John Ruskin, retratoJohn RuskinInglaterra, 1819–1900

View of Chamonix

1842 · Drawing

¿Puedo verla?

No expuesta por ahora

¿Dónde está «View of Chamonix» hoy? Colección: Harvard Art Museums, Cambridge. No expuesta por ahora. Comprobado 29 de septiembre de 2026.

Harvard Art Museums

Cambridge, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
En este estado desde
Fuente
El museo

Ficha

Número de inventario
1901.23

En el catálogo

Fuentes

En la vida de John Ruskin

La vida entera
  1. 1834–1900 · Lugar de trabajo

    Great Britain

  2. 1837–1842

    His first love, Adèle Domecq, becomes engaged to another

    Ruskin is devastated to hear that his first love, Adèle Domecq, the second daughter of his father's business partner, has become engaged to a French nobleman.

  3. April 1840

    Coughing blood and a long break from Oxford

    While revising for his examinations Ruskin begins to cough blood; fears of consumption lead to a long break from Oxford, which he spends travelling with his parents.

  4. late 1840 – autumn 1842

    Italy with his parents: guided by George Richmond

    For much of the period from late 1840 to autumn 1842 Ruskin is abroad with his parents, mainly in Italy, where George Richmond — introduced to the family by Joseph Severn, a friend of Keats — guides his study of Italian art. Back at Oxford in 1842 he sits for a pass degree and is awarded an unusual honorary double fourth-class degree in recognition of his achievements.

  5. 1843

    In defence of Turner: the first volume of “Modern Painters”

    The first volume of “Modern Painters” — an answer to Turner's critics — is published by Smith, Elder & Co. under the name “A Graduate of Oxford”; Ruskin controversially argues that modern landscape painters, above all Turner, surpass “Old Masters” such as Gaspard Dughet, Claude and Salvator Rosa in “truth to nature”, moral as well as material. Reviews are mixed, but Charlotte Brontë and Elizabeth Gaskell are impressed, and the book cements Ruskin's relationship with Turner.

Todas las obras

También en sala: Harvard Art Museums

Página del museo