Ferdinand BolPaíses Bajos, 1616–1680Uur van de Dood
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Se desconoce
Amsterdam, Países Bajos
Se conoce el propietario; no se sabe si hoy está expuesta.
- Fuente
- El museo
Sobre la obra
En palabras del museo — en neerlandés
Hoveling trekt zich terug voor bezinning in paleistuin en zit in afzondering te lezen. Het skelet van de Dood zit naast hem. Een courtisane probeert hem te verleiden maar hij geeft niet meer toe aan aardse lusten. Hij bekeert haar tot een kuise levenswijze.
Rijksmuseum
Ficha
- Número de inventario
- RP-P-OB-189
Lo que muestra
En el catálogo
Fuentes
- Rijksmuseum
- Imagen: Rijksmuseum — public domain
Mientras tanto, en la vida de Ferdinand Bol
La vida enteraafter 1635
Apprenticed in Rembrandt's workshop
After December 1635, when Bol is still recorded in Dordrecht as a painter, he works as an apprentice in Rembrandt's Amsterdam workshop (other accounts say already after 1630) and lives in his house. He followed his master so closely that many of his paintings were long attributed to Rembrandt himself, and Rembrandt even sold his pupil's work.
1636–1641
Teacher: Rembrandt
1636–1680 · Lugar de trabajo
Amsterdam
1641
Opens his own studio
After his father's death, Bol opens his own studio and establishes himself as an independent artist.
1641
Pupil: Cornelis Bisschop
1641
Death of his father, Balthasar Bol
Balthasar Bol, chief surgeon of Dordrecht, dies; Rembrandt had painted his portrait when he came to Amsterdam to visit his son.
