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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Untitled (Helen Marden)
Untitled (Helen Marden), Robert Mapplethorpe, c. 1974
RRobert MapplethorpeEstados Unidos, 1946–1989

Untitled (Helen Marden)

c. 1974 · Photograph

¿Se puede contemplar?

Por ahora no recibe

Museo Whitney de Arte Estadounidense

Nueva York, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
anteayer
Fuente
El museo
En el mapaPágina del museo

Ficha

c. 1974
19461989
Número de inventario
2008.219

En el catálogo

FotografíaArte de posguerraSiglo XX

Fuentes

  • Museo Whitney de Arte Estadounidense
  • Imagen: Museo Whitney de Arte Estadounidense — © the artist or rights holder

Mientras tanto, en la vida de Robert Mapplethorpe

La vida entera
  1. 1972

    Meets Sam Wagstaff

    Croland introduces Mapplethorpe to the curator and collector Sam Wagstaff, who had grown interested after seeing a Polaroid of him in Croland’s apartment; reserved about the explicit content of the work but impressed by its candour, Wagstaff offers his support, the two become lovers, and Mapplethorpe will later call it love at first sight, after which everything changed for him.

  2. April 1972

    McKendry introduces him to Polaroid

    McKendry takes Mapplethorpe to Boston and introduces him to executives at the Polaroid Corporation, whose Artist Support Program provides selected artists with cameras and film.

  3. October 1972

    A loft at 24 Bond Street

    When Patti Smith moves in with her boyfriend, the musician Allen Lanier, Mapplethorpe can no longer afford their apartment, and Wagstaff gives him $15,000 toward a loft at 24 Bond Street, a short distance from his own; a home and studio of his own let him devote himself more fully to his art.

  4. January 1973

    First solo exhibition, “Don’t Touch Here”

    The first solo exhibition of Mapplethorpe’s work opens at the Light Gallery in New York — Polaroids, the title taken from the protective sleeve of a Polaroid print and alluding to Duchamp’s “Prière de toucher”. It follows his growing focus on Polaroid: Wagstaff had given him a Hasselblad with a Polaroid back (by other accounts, the first exhibition, “Polaroid”, took place only in 1976 at the Metropolitan Museum).

  5. 1975

    A portrait of Patti Smith on the cover of “Horses”

    One of his stark portraits of Patti Smith is used as the cover of her 1975 debut album, “Horses”.

  6. late summer 1976

    Holly Solomon starts representing him

    Unimpressed by his erotic photographs but admiring his portraits, Holly Solomon “auditions” Mapplethorpe as she had other artists who made her portrait: he photographs her reclining on her bed and later presents her with a framed triptych. She agrees to represent him, valuing his understanding of contemporary painting, sculpture and photography and swayed by Wagstaff’s endorsement; in November a photograph of a Dalmatian by him is included in the group show “Animals” at her gallery.

Más obras de Robert Mapplethorpe

Todas las obras
Triptych: Self-Portrait, Robert Mapplethorpe, 1972

Triptych: Self-Portrait

1972 · No expuesta · MoMA

Untitled, Robert Mapplethorpe, c. 1972

Untitled

c. 1972 · No expuesta · MoMA

Untitled (Bidet), Robert Mapplethorpe, 1973

Untitled (Bidet)

1973 · No expuesta · MoMA

Untitled (Vacuum), Robert Mapplethorpe, c. 1973

Untitled (Vacuum)

c. 1973 · No expuesta · MoMA

Patti Smith, Robert Mapplethorpe, c. 1973

Patti Smith

c. 1973 · No expuesta · MoMA

Self-Portrait (With Dancer), Robert Mapplethorpe, 1974

Self-Portrait (With Dancer)

1974 · No expuesta · Galería Nacional de Arte

Untitled (Champagne bottle), Robert Mapplethorpe, 1974

Untitled (Champagne bottle)

1974 · No expuesta · MoMA

Untitled (Peter Berlin), Robert Mapplethorpe, c. 1974

Untitled (Peter Berlin)

c. 1974 · No expuesta · MoMA

Bajo el mismo techo: Museo Whitney de Arte Estadounidense

Página del museo
Early Sunday Morning, Edward Hopper, 1930

Edward Hopper

Domingo por la mañana, 1930

Summer Days, Georgia O'Keeffe, 1936

Georgia O'Keeffe

Summer Days, 1936

Green Coca-Cola Bottles, Andy Warhol, 1962

Andy Warhol

Green Coca-Cola Bottles, 1962

Three Flags, Jasper Johns, 1958

Jasper Johns

Three Flags, 1958

Dempsey and Firpo, George Bellows, 1924

George Bellows

Dempsey and Firpo, 1924

Second Story Sunlight, Edward Hopper, 1960

Edward Hopper

Second Story Sunlight, 1960

My Egypt, Charles Demuth, 1927

Charles Demuth

My Egypt, 1927

The Thinking Ocean, Memo Akten & Katie Hofstadter, 2026

Memo Akten & Katie Hofstadter

The Thinking Ocean, 2026