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The Virgin and Child in a Gothic architectural setting, ca. 1500

The Virgin and Child in a Gothic architectural setting

ca. 1500 · Oil painting · 96.5 × 41.8 cm

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¿Dónde está «The Virgin and Child in a Gothic architectural setting» hoy? Museo de Victoria y Alberto, Architecture, Room 128, Londres. Sí, expuesta ahora. Comprobado 25 de septiembre de 2026.

Museo de Victoria y Alberto

Londres, Reino Unido

SalaArchitecture, Room 128

Abierto· hasta las 22:00

Expuesta al público.

Comprobado
En este estado desde
Fuente
El museo
En el mapaPágina del museo

Sobre el cuadro

This painting is a good example of the Hispano-Flemish style of the late 15th century in Spain. Probably executed in Seville, this work shows the Virgin and Child set in an architectural frame which derives from the decoration of the doors of the Cathedral of Seville. The dominant feature of this frame is the acanthus leaves which runs all along the different sections while the Madonna, with a round face and long curly hair, and the Child are reminiscent of Flemish prototypes. The importance of the architectural frame compared with the Madonna and Child suggest this piece was part of large ensemble.

Museo de Victoria y Alberto

Ficha

Número de inventario
335-1866

Lo que muestra

Gothic archAcanthusGrapesPinnaclesButtressQuatrefoilsVirgin MaryThe Christ Child

En el catálogo

PinturaÓleoRenacimientoSiglo XVISpanish School, SevilleSeville

Fuentes

En la misma sala · Architecture, Room 128, Museo de Victoria y Alberto

Página del museo
The Wall, Nigel Coates, 1988

Nigel Coates

The Wall, 1988

The Five Orders of Architecture, Robert Arnould Drais, ca. 1780

Robert Arnould Drais

The Five Orders of Architecture, ca. 1780

Seven historical Buddhas and Maitreya, 4th century

Seven historical Buddhas and Maitreya, 4th century

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Watercolour, Beatrix Potter, ca.1904

Beatrix Potter

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No expuesta · Museo de Victoria y Alberto

Design for an overmantel in two parts, Thomas Chippendale Senior, mid-18th century

Thomas Chippendale

Design for an overmantel in two parts, mid-18th century

No expuesta · Museo de Victoria y Alberto

Design for a pier-glass in the gothic style from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolios at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, ca.1755-1760

John Linnell

Design for a pier-glass in the gothic style from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolios at his Decease, by C. H. Tatham Architect. AD 1800., ca.1755-1760

No expuesta · Museo de Victoria y Alberto