The Vilaval Ragini
¿Se puede contemplar?
Sí, recibe visitas
Instituto de Artes de Mineápolis
SalaG212Minneapolis, Estados Unidos
Expuesta al público. Quién lo avala figura más abajo.
- Comprobado
- hace 17 horas
- En este estado desde
- 25 sept 2026
- Fuente
- Los datos de colección del propio museo
About the painting
The central Rajasthan state of Kishangarh flourished as a painting center during the eighteenth century. Though closely tied to the Mughal court, it produced paintings with a unique figural style. Nihal Chand, a leading master of the school, is credited with creating an elegant, dignified figural type featuring the arched postures, receding foreheads, sharp noses, and elongated almond-shaped eyes associated with Kishangarh.
Read on
Along with court genre scenes, popular themes of Kishangarh paintings included the allegorical portrayal of romantic love. Ladies of the harem and their princes were often rendered as the divine lovers Krishna and Radha. This painting, however, of a court lady preparing her hair and makeup with the aid of two attendants contains the explicit iconography of the Bilaval (or Vilavali) Ragini. It is, therefore, a subject based on classical Indian music rather than on court romance.
Instituto de Artes de Mineápolis
Ficha
- Número de inventario
- 83.111
En el catálogo
Fuentes
- Instituto de Artes de Mineápolis: the museum's own open data · obtenido hace 4 días
- Imagen: Instituto de Artes de Mineápolis — public domain
