The Thinker (Le Penseur), Auguste Rodin, model 1880, cast 1901
Auguste Rodin, retratoAuguste RodinFrancia, 1840–1917

The Thinker (Le Penseur)

model 1880, cast 1901 · Sculpture

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Galería Nacional de Arte

Washington D. C., Estados Unidos

Sala2 · Edificio Oeste, planta baja

Expuesta al público.

Comprobado
En este estado desde
Fuente
El museo

Ficha

Número de inventario
1942.5.12

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Fuentes

Mientras tanto, en la vida de Auguste Rodin

La vida entera
  1. 1880

    Receives the commission for “The Gates of Hell”

    His first state commission was a sculptural portal for a planned Museum of Decorative Arts; with it Rodin received two studios on the Rue de l'Université. The museum was never built and “The Gates of Hell” remained unfinished: they were first cast in bronze after the master's death.

  2. 1883

    Meets Camille Claudel

    Standing in for Alfred Boucher, who was away, Rodin supervised his students' course and met the eighteen-year-old Camille Claudel. She became his assistant, model, lover and creative rival.

  3. 1885

    Camille Claudel: assistant and lover

    From 1885 Claudel worked as an assistant in Rodin's studio and posed for him, and soon they became lovers. The affair lasted nine years, and Rodin did not break with Rose Beuret, who knew her role as “the other woman”.

  4. 1889

    Rodin and Monet at the Georges Petit gallery

    “The Burghers of Calais” was the main event of a joint exhibition of Rodin and Claude Monet: thirty-six sculptures by Rodin and seventy paintings by Monet.

  5. 1898

    Parts from Camille Claudel

    Rodin never gave up Rose Beuret, his companion of the lean years and the mother of his son; in 1898 he and Claudel parted. A few years later Claudel suffered what is called a nervous breakdown, and her family confined her to an institution for thirty years.

  6. 1900

    Rodin's pavilion at the World's Fair

    The French government gave him an entire pavilion: a retrospective of 136 sculptures and 14 unfinished works showed “The Gates of Hell” for the first time. The exhibition brought sales of sculptures to museums around the world worth about 200,000 francs.

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