William BlakeReino Unido, 1757–1827The Resurrection
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Harvard Art Museums
Cambridge, Estados Unidos
Pertenece a la colección, pero ahora mismo no está expuesta.
- Comprobado
- anteayer
- En este estado desde
- 27 sept 2026
- Fuente
- Los datos de colección del propio museo
Ficha
- Número de inventario
- 1943.405
En el catálogo
Fuentes
- Harvard Art Museums: the museum's own open data · obtenido hace 5 días
- Imagen: Harvard Art Museums — © President and Fellows of Harvard College
Mientras tanto, en la vida de William Blake
La vida enteraseptiembre de 1800 – septiembre de 1803 · Lugar de trabajo
Felpham
August 1803
A fight with the soldier Schofield and a trial at Chichester
In August 1803 Blake was involved in a physical altercation with a soldier, John Schofield, and was charged not only with assault but with uttering seditious and treasonable expressions against the King; Schofield claimed that Blake had exclaimed “Damn the king. The soldiers are all slaves.” Blake was cleared at the Chichester assizes.
septiembre de 1803 – octubre de 1803 · Residencia
Broadwick Street
octubre de 1803 – 1820 · Residencia
South Molton Street
1804
Returns to London and begins “Jerusalem”
In 1804 Blake returned to London and began to write and illustrate “Jerusalem: The Emanation of the Giant Albion” (1804–20), his most ambitious work.
after 1804
Cromek cheats Blake; Stothard gets the commission
Having conceived the idea of portraying the characters of Chaucer's “Canterbury Tales”, Blake approached the dealer Robert Cromek with a view to marketing an engraving; Cromek, thinking Blake too eccentric to produce a popular work, promptly commissioned Blake's friend Thomas Stothard instead. When Blake learned he had been cheated, he broke off contact with Stothard.
