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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo Smithsoniano de Arte Americano/
  3. The Nativity
The Nativity, Juan González, 1662

The Nativity

1662 · Painting · 33 × 41.9 cm

Ficha

Número de inventario
1929.6.48

Más obras de Juan González

Todas las obras

Bajo el mismo techo: Museo Smithsoniano de Arte Americano

Página del museo

Sobre el mismo tema · Religion

Todas las obras sobre el tema
JJuan GonzálezEstados Unidos

¿Se puede contemplar?

Se desconoce

Museo Smithsoniano de Arte Americano

Washington D. C., Estados Unidos

Se conoce el propietario; no se sabe si hoy está expuesta.

En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Lo que muestra

Mary, Blessed Virgin, SaintReligionNativityBible, N.T.Jesus Christ

En el catálogo

PinturaÓleoPintura estadounidenseBarrocoSiglo XVII

Fuentes

  • Museo Smithsoniano de Arte Americano
  • Imagen: Museo Smithsoniano de Arte Americano — CC0
Self-Portrait - Tangier, Juan González, 1980–82

Self-Portrait - Tangier

1980–82 · No expuesta · Instituto de Arte de Chicago

Bathers at Blenheim, Juan González, 1987

Bathers at Blenheim

1987 · No expuesta · Instituto de Arte de Chicago

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934

Madonna della seggiola, Charles B. J. Févret de Saint-Mémin, after Raphael, c. 1795

Raphael

Madonna della seggiola, c. 1795

No expuesta · Galería Nacional de Arte

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., 1995

No expuesta · Galería Nacional de Arte

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form  _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., Allen Ginsberg, 1993, printed 1995

Allen Ginsberg

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., 1993, printed 1995

No expuesta · Galería Nacional de Arte

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., Allen Ginsberg, 1987

Allen Ginsberg

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., 1987

No expuesta · Galería Nacional de Arte

Buried with Him by Baptism, Paul Revere, c. 1765

Paul Revere

Buried with Him by Baptism, c. 1765

No expuesta · Galería Nacional de Arte

White Crucifixion, Marc Chagall, 1938

Marc Chagall

White Crucifixion, 1938

No expuesta · Instituto de Arte de Chicago

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", 1903-1916

No expuesta · Galería Nacional de Arte

Study of Adam for the "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of Adam for the "Fifteen Mysteries of the Rosary", 1903-1916

No expuesta · Galería Nacional de Arte