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The Good Luck Branch, Helen Hyde, 1907
Helen Hyde, retratoHelen HydeEstados Unidos, 1868–1919

The Good Luck Branch

1907 · Graphic Arts-Print · 15.6 × 16.5 cm

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¿Dónde está «The Good Luck Branch» hoy? Colección: Museo Smithsoniano de Arte Americano, Washington D. C. Se desconoce.

Museo Smithsoniano de Arte Americano

Washington D. C., Estados Unidos

Se conoce el propietario; no se sabe si hoy está expuesta.

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Ficha

Número de inventario
1992.13.49

Lo que muestra

FriendshipWillowJapanese dressClothing and dressState of beingFoliageNiñoEmotions

En el catálogo

EstampasXilografíaArte modernoSiglo XX

Fuentes

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Untitled (Girl Holding Pink Flowers), Helen Hyde, n.d.

Untitled (Girl Holding Pink Flowers)

n.d. · No expuesta · Instituto de Arte de Chicago

Sausalito, Helen Hyde, ca. 1896-1898

Sausalito

ca. 1896-1898 · Museo Smithsoniano de Arte Americano

Totty, Helen Hyde, 1896

Totty

1896 · Museo Smithsoniano de Arte Americano

Miss Plum Blossom, Helen Hyde, 1897

Miss Plum Blossom

1897 · No expuesta · Instituto de Arte de Chicago

The Shower, Helen Hyde, 1897

The Shower

1897 · No expuesta · Instituto de Arte de Chicago

Hide and Seek, Helen Hyde, 1897

Hide and Seek

1897 · Museo Smithsoniano de Arte Americano

Miss Plum Blossom, Helen Hyde, 1897

Miss Plum Blossom

1897 · Museo Smithsoniano de Arte Americano

Mother and Child, Helen Hyde, 1897

Mother and Child

1897 · Museo Smithsoniano de Arte Americano

Bajo el mismo techo: Museo Smithsoniano de Arte Americano

Página del museo
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Sobre el mismo tema · Friendship

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Allegorie op de tijd, dood en vriendschap, William Blake, 1796

William Blake

Allegorie op de tijd, dood en vriendschap, 1796

Rijksmuseum

Lucien Carr, my oldest friend from college days, had introduced me to Jack Kerouac after they’d met at the West End bar on 113th St. & Broadway, and connected Jack + me to his fellow St. Louis uppermiddle-class (aristocrat we thought) confrère William S. Burroughs, late winter 1944. We lived down the hall from each other on 7th floor Union Theological Seminary, Columbia freshman dorm during W.W.II, I heard haunting Brahms sextet music through his door, knocked, we met. Kerouac heard _Old Angel Midnight_ eloquence in Lucien’s laconic “Celtic” intonations. Here four decades later, wise Old Dog Bureau Manager United Press International he was visiting former house-mate Alene Lee’s Soho loft. More eyes perused his wire-service prose than all Jack’s & my texts, I’ll bet. December 2, 1986., Allen Ginsberg, 1986, printed 1996

Allen Ginsberg

Lucien Carr, my oldest friend from college days, had introduced me to Jack Kerouac after they’d met at the West End bar on 113th St. & Broadway, and connected Jack + me to his fellow St. Louis uppermiddle-class (aristocrat we thought) confrère William S. Burroughs, late winter 1944. We lived down the hall from each other on 7th floor Union Theological Seminary, Columbia freshman dorm during W.W.II, I heard haunting Brahms sextet music through his door, knocked, we met. Kerouac heard _Old Angel Midnight_ eloquence in Lucien’s laconic “Celtic” intonations. Here four decades later, wise Old Dog Bureau Manager United Press International he was visiting former house-mate Alene Lee’s Soho loft. More eyes perused his wire-service prose than all Jack’s & my texts, I’ll bet. December 2, 1986., 1986, printed 1996

No expuesta · Galería Nacional de Arte

Haverstraw, New York. Interracial activities at Camp Christmas Seals, where children are aided by the Methodist Camp Service. Camp buddies, Gordon Parks, August 1943, printed later

Gordon Parks

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No expuesta · Galería Nacional de Arte

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anonymous

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Ontmoeting tussen vrienden, 1795

Rijksmuseum

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Drie voorstellingen over oprechtheid en hypocrisie, 1793

Rijksmuseum

Zes voorstellingen over oprechtheid en hypocrisie, Daniel Nikolaus Chodowiecki, 1793

Daniel Chodowiecki

Zes voorstellingen over oprechtheid en hypocrisie, 1793

Rijksmuseum