Edgar DegasFrancia, 1834–1917The Ballet from "Robert le Diable"
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Sí, expuesta ahora
¿Dónde está «The Ballet from "Robert le Diable"» hoy? Museo Metropolitano de Arte, Sala 815, Nueva York. Sí, expuesta ahora. Comprobado 29 de septiembre de 2026.
Nueva York, Estados Unidos
Abierto· hasta las 21:00
Expuesta al público.
- Comprobado
- En este estado desde
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- El museo
Ficha
- Número de inventario
- 29.100.552
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En el catálogo
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- Museo Metropolitano de Arte
- Imagen: Museo Metropolitano de Arte — Open Access (CC0)
En la vida de Edgar Degas
La vida enteralate 1860s
The turn to modern life: racecourses, milliners, laundresses
By the late 1860s Degas had moved from history painting to an original observation of contemporary life: racecourse scenes let him paint horses and riders in a modern setting, and then he turned to women at work — milliners and laundresses.
late 1860s
Begins modelling in wax
Degas modelled small wax figures of dancers, bathers and jockeys for himself, in place of studies. He never worked in bronze or stone; he valued wax for its changeability, and his sculptor friend Bartholomé encouraged him.
1870
A volunteer in the war; a flaw in his eyesight
When the Franco-Prussian War broke out Degas volunteered; at the first shooting practice it turned out that he saw poorly with his right eye. It was the first sign of the macular degeneration that left him almost blind at the end of his life; he was transferred to the artillery and served there to the end of the war.
early 1870s
Meets Durand-Ruel
Degas met the dealer Durand-Ruel, later the most prominent of the trusted dealers with whom he planned his strategy at auctions.
octubre de 1872 – marzo de 1873 · Residencia
New Orleans
1873–1874
His brother's debts: he sells his house and collection
After his father's death Degas learned that his brother René had run up enormous business debts. To save the family's reputation he sold his house and an inherited art collection and for the first time in his life depended on sales of his own work.
